7.7/10
23,219
113 user 38 critic

On Golden Pond (1981)

PG | | Drama | 12 February 1982 (USA)
Norman is a curmudgeon with an estranged relationship with his daughter Chelsea. At Golden Pond, he and his wife nevertheless agree to care for Billy, the son of Chelsea's new boyfriend, and a most unexpected relationship blooms.

Director:

Writers:

(screenplay), (based on his play)
Reviews
Popularity
4,531 ( 340)

Watch Now

From $3.99 (HD) on Amazon Video

ON DISC
Won 3 Oscars. Another 11 wins & 23 nominations. See more awards »

Videos

Photos

Learn more

People who liked this also liked... 

Comedy | Drama
    1 2 3 4 5 6 7 8 9 10 7.8/10 X  

A couple's attitudes are challenged when their daughter introduces them to her African American fiancé.

Director: Stanley Kramer
Stars: Spencer Tracy, Sidney Poitier, Katharine Hepburn
Adventure | Drama | Romance
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

In Africa during World War I, a gin-swilling riverboat captain is persuaded by a strait-laced missionary to use his boat to attack an enemy warship.

Director: John Huston
Stars: Humphrey Bogart, Katharine Hepburn, Robert Morley
Coming Home (1978)
Drama | Romance | War
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

A woman whose husband is fighting in Vietnam falls in love with another man who suffered a paralyzing combat injury there.

Director: Hal Ashby
Stars: Jane Fonda, Jon Voight, Bruce Dern
Biography | Drama | History
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

1183 A.D.: King Henry II's three sons all want to inherit the throne, but he won't commit to a choice. They and his wife variously plot to force him.

Director: Anthony Harvey
Stars: Peter O'Toole, Katharine Hepburn, Anthony Hopkins
Nine to Five (1980)
Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Three female employees of a sexist, egotistical, lying, hypocritical bigot find a way to turn the tables on him.

Director: Colin Higgins
Stars: Jane Fonda, Lily Tomlin, Dolly Parton
Klute (1971)
Crime | Mystery | Thriller
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A small-town detective searching for a missing man has only one lead: a connection with a New York prostitute.

Director: Alan J. Pakula
Stars: Jane Fonda, Donald Sutherland, Charles Cioffi
Edit

Cast

Complete credited cast:
...
...
...
...
...
William Lanteau ...
...
Sumner Todd (as Chris Rydell)
Edit

Storyline

The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their daughter Chelsea -- whom they haven't seen for years -- feels she must be there for Norman's birthday. She and her fiance are on their way to Europe the next day but will be back in a couple of weeks to pick up the fiance's son. When she returns Chelsea is married and her stepson has the relationship with her father that she always wanted. Will father and daughter be able to communicate at last? Written by Dale O'Connor <daleoc@interaccess.com>

Plot Summary | Plot Synopsis

Taglines:

A TRIPLE ACADEMY AWARD-WINNER! See more »

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
Edit

Details

Country:

|

Language:

Release Date:

12 February 1982 (USA)  »

Also Known As:

Am goldenen See  »

Box Office

Opening Weekend:

$89,213 (USA) (6 December 1981)

Gross:

$119,285,432 (USA)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
See  »
Edit

Did You Know?

Trivia

The film was made and released about two years after its source stage play of the same name by Ernest Thompson had been first performed in 1979. See more »

Goofs

When then mailman comes earlier in the movie, the screen door is broke; but a few scenes later you can see when the door is open it goes back to the closed position. Later on it is broken again. See more »

Quotes

Norman: "Ethel Thayer." It sounds like I'm lisping, doesn't it?
See more »

Connections

Featured in Katharine Hepburn: All About Me (1993) See more »

Soundtracks

Happy Birthday to You
(1893) (uncredited)
Written by Mildred J. Hill and Patty S. Hill
Sung by all for Norman's birthday
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Veteran actors prove they can still hack it on Golden Pond.
22 July 2000 | by (Dartmouth, Nova Scotia, Canada) – See all my reviews

Mark Rydell's On Golden Pond was a surprise hit in 1981, finishing third in box office grosses after Rocky III and E.T. Such an occurrence was unheard of in Hollywood, considering the key players in the film, Henry Fonda and Katharine Hepburn, each had not had a hit film in almost twenty years and were both hardly spring chickens in the business. Both these veteran actors proved they could still make it in Hollywood among young starlets, and triumph. Still, when you see "On Golden Pond," you sense that their teaming together for the first time in their careers is purely a special occasion, an opportunity of a lifetime that few actors in their seventies receive. They in turn have left us with a wonderful showcase of movie talent, a film of warmth, good humor, and love.

It always amazes me when I read that Henry Fonda had only received two Oscar nominations during his career, one of which he earned for this film. Like his good friend Jimmy Stewart, Fonda was rarely a boisterous actor. He had a natural ease to his acting, a gift for making audiences believe that every word he uttered was truth. Now, in his final screen performance as Norman Thayer Jr., Fonda had to reach deep into his own personal experience and his advancing years to create a character who struggles with his own mortality. Norman is a grouchy curmudgeon who has memory lapses and heart palpitations. He has a loving and cheerful wife, Ethel (Hepburn), but a difficult relationship with his only daughter, Chelsea (Jane Fonda). He and Ethel journey back to their cottage on the lake for what may be their last summer. Immediately, Norman comes face to face with his old age and his inability to remember what should be familiar sights. I especially like the scene where he gets lost in the woods looking for strawberries and scares himself when he is unable to find his way back. Ethel has such faith in him, sure he will "get back on that horse" and be as valiant as he once was. What more could you want from a wife?

Chelsea arrives after many years away from her parents, bringing with her a new boyfriend (Dabney Coleman) and his son, Billy (Doug McKeon). You can sense the tension between Chelsea and Norman the minute she walks in the door. This reunion is fascinating not only because we can never tell where the difficulty lies in their relationship, but also the fact that these problems also exist on and off the screen. The father-daughter relationship between Henry and Jane was also very turbulent ever since Jane began her protests in Vietnam, much to the chagrin of her father. This collaboration of the two was meant to mend fences between them. Not often do the personal lives of actors collide so eloquently in Hollywood, but here it seems just about right.

The sequence where Norman and Bill (Coleman) attempt to build a conversation is originally conceived and acted so naturally. He carefully asks Norman if it would be alright if Chelsea and he sleep together in the same room at the cottage. Of course, Norman makes this confrontation as difficult as possible, making Bill nervous and jerking him around. Ironically, Bill comes back at him, not allowing Norman to use him in petty mindgames and hoping they would become friends, which is obviously "not an easy task." This is an unsettling turn for Norman and the audience, but it is necessary for the story to progress and for Norman to respond accordingly to the other characters in the story.

Ethel and Norman volunteer to let Billy stay with them for the summer while Chelsea and Bill head off to Europe. Billy is not pleased with the arrangement at the outset, but gradually bonds with Norman through learning to fish on the pond. While Billy is not necessarily an original character, it is fascinating to see him try to understand Norman, and in turn how Norman learns to associate with the son he never had. It is a learning experience for both of them, even though they are many generations apart.

Many reviewers have remarked that ON GOLDEN POND uses a conventional story and revives it with great performances from the cast. It is interesting to note that the screenwriter, Ernest Thompson, altered his own play in order to escape a bit of the conventionality that the film medium required. The framework may seem as original as an old shoe, but the added touches in the script and its delivery give this film a certain magic that only classical Hollywood films possessed. Fonda has a great way to end a career with this role, placing himself completely within Norman's world and searching within and through the role for his own solutions to life's problems. His Oscar was given to him for more reasons than mere charity. Hepburn is delightful as Ethel, working so well with Fonda that it does not seem as if they are acting. For a couple of old Hollywood actors who never even met before this, they each prove they are true masters of their craft. Jane Fonda takes a supporting role this time, incorporating some of the same motives as her father into her part, and as a result delivers a special performance. Mark Rydell is one of those directors that often gets left off the list of the all-time greats, but proves once again here he is a masterful storyteller. In this project, he allows both the visual elements of the pond and his actors to make magic, a truly memorable combination.

On Golden Pond is not an epic, but what it accomplishes runs close to epic proportions. It is very rare that a stageplay converts so well to the screen like this one. On Golden Pond is vibrant, emotional, and so heartfelt, it is impossible not to like, unless you are a curmudgeon like Norman Thayer. It is also unique that great actors such as these will agree to try again for Hollywood glory so late in their careers. It is up to us viewers to experience this wonder before the chance is lost and these thespians finally close up the cottage and head off to their retirement.


78 of 85 people found this review helpful.  Was this review helpful to you?

Contribute to This Page