The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their ... See full summary »
The loons are back again on Golden Pond and so are Norman Thayer, a retired professor, and Ethel who have had a summer cottage there since early in their marriage. This summer their daughter Chelsea -- whom they haven't seen for years -- feels she must be there for Norman's birthday. She and her fiance are on their way to Europe the next day but will be back in a couple of weeks to pick up the fiance's son. When she returns Chelsea is married and her stepson has the relationship with her father that she always wanted. Will father and daughter be able to communicate at last? Written by
Dale O'Connor <email@example.com>
The brown Fedora worn by Henry Fonda belonged to Spencer Tracy and was given to Henry Fonda by Katharine Hepburn on the first day on the set. Henry Fonda, overwhelmed with the gesture, painted a still life watercolor of the three hats he wore in the film and gave the original to Katharine Hepburn as a gift. He had 200 lithographs made of the painting and sent one to every person who worked on the film. Each copy was numbered and personally signed by Fonda thanking each person by name. In her autobiography, Hepburn wrote that she gave the painting to screenwriter Ernest Thompson. After Fonda's death, she found the painting to be a sad reminder of him and Spencer Tracy. See more »
When Billy Ray is circling the sailboat in the lake, you can see the shadow of helicopter used to film the scene. See more »
Come here, Norman. Hurry up. The loons! The loons! They're welcoming us back.
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This film is just so nice to watch. The plot is fairly simple, as is the direction. The script just serves as the frame for Hepburn and Fonda.
To say their performances are out of this world is probably the wrong way to say it. They are just so gentle and sweet. This film convinced me of their sheer quality.
They had made only a handful of films between them over the last decade or so. To come out of retirement and do something like that is unbelievable. I can only assume that their performances are so similar to what they are in real life that it wasn't really acting.
If you are at all a fan of Fonda or Hepburn, you must see this film. You must see it. It will put you in a better mood.
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