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|Index||121 reviews in total|
This Sylvester Stallone movie may be his best because, unlike most of
his more famous roles over the years, this is very believable. He isn't
Rambo or Rocky...just a tough New York City cop.
Stallone and partner Billy Dee Williams team up in an attempt to stop a terrifying international terrorist (Rutger Hauer) before he kills more people. All three of those actors are riveting in this rough, gritty film.
I thought so much of this movie that I bought it twice. The first DVD that came out was fullscreen, no stereo and grainy. Later, they issued a better widescreen print and it was worth upgrading. The movie is a top-notch thriller start-to-finish and Hauer makes an outstanding villain.
It might be a cliché but this film always "kept m on the edge of my seat. "
It was 1981 and the world had just gone through a decade of terrorism. Casting Rutger Hauer and Persis Khambatta (she was the bald woman in the original Star Trek movie) as heartlessly cold terrorists was great casting! Billy Dee Williams and Stallone as street cops suddenly transferred to a terrorist unit do a good job. Stallone had not become a parody of himself yet and his diction is better here than it had ever been up to then. The movie's pace is unrelenting. This is a movie that I almost always have to stop and watch, easily getting swiped up into the story again and again, when I see it on television. Excellent twist ending and monorail scene. Recommended highly.
Remember a day when Rutger Hauer starred in good movies that actually
saw wide theatrical release? No. Hmmmm. Hauer is one of my favorite
actors and stars in two of my top ten favorite movies (Blade Runner and
The Osterman Weekend), so it's hard not to already be slightly biased
about the movie. I remember first hearing about Nighthawks on the
Headliners and Legends biography of Stallone and how it was not as well
received as his Rocky and First Blood movies. For shame, because
Nighthawks does manage to be a top notch thriller most of the time. I
could go into the plot, but I believe in telling people what I liked
and disliked instead of parroting the plot details like almost every
other review. (See, a movie to me is more fun when I only know a little
about the story, instead of the first hour or so, because someone felt
that they had to readers digest the entire film.)
Anyway, now that I've ranted, I have to admit that I enjoyed it for the most part, with the exception of the initial pacing. It continues to drag in places towards the middle, and takes a little over an hour to set up the crucial players backgrounds. The only real problem is that every time the film stops to focus on DeSilva (Stallone) and Fox (Williams), it spends twice as much time focusing on Wulfgar. Wulfgar is certainly a well crafted maniac, but when the movie is over we know almost nothing about Fox and only a little about Dee DeSilva. Still, the movie does succeed in making you care about our two main characters, by thrusting them into danger and having them do what is morally right (i.e. Towards the beginning of the film the two are in a drug raid, and refuse to take bribes from the perps who had apparently already paid off the cops from the first raid on their operation.
They're good cops, and it's their good guy image that endears them). I guess it would have been nice also to see a little more of Stallones relation to what's her name. (sorry, I haven't seen this in a about a month now.) I was interested in the prospect of a hero who was torn between the relation with his ex (who he was trying to re-ignite the flame with), and his duty. But, alas, she was just a narrative device who the writers have decided is only important in the last 15 minutes or so.
With all these cons, why did I still like it? Sudden scenes of high impact, good cast and acting all around, a villain who wasn't just a cardboard cutout, and Stallone's bitchin' beard, and a wholly convincing scenario.
The bottom line: This film is more akin to The French Connection than it is to Rocky. Methodical and often stylish, NightHawks deserves to at least be rented and watched with an open mind.
8 Stars out of 10
This is one of the best action movies out there, even to this day. It's a must see especially for Stallone fans. If he chose more of this type of movie, he would be much more respected in Hollywood. Rutger Hauer is awesome as Wulfgar, the international terrorist. All performances are notable, Billy Dee Williams/Sylvester Stallone pairing works well. Stallone really is a great actor, given the right material, and this one certainly provides it. It's a shame he sold out with the "Rocky" sequels.
Wulfgar (Rutger Hauer) is an international terrorist not to be taken
He is wanted by half the countries in Europe
He is currently
financed by no one... He becomes trapped as 'Persona Non Grata'
Wulfgar manages to succeed where others have failed His pattern is the instilling of fear He makes female contacts to establish safe housing for his armory He always covers a woman who is clean... He loses one, he finds another... He has a liking for fancy food, expensive clothes and the most varied nightlife
Wulfgar doesn't think like a criminal He wants to be a hero Since the London incidents, he wants to prove himself as invincible as he ever was So he decides to change his look, and strikes without warning... Wulfgar's associate is Shakka Holland (Persis Khambatta), a pretty cool woman, with no maternal instincts, who murders without apparent provocation
DaSilva (Sylvester Stallone) wants to treat Wulfgar like 'some mugger' on the streets He makes a mistake when he finds himself unexpectedly facing the malevolent killer... He refuses to act in the same ruthlessness Wulfgar does, and to use deadly force in defense of the lives of innocent hostages He hesitates to shoot and kill DaSilva rejected to pay attention to the impact of the terrorist's actions on his thinking and beliefs This mistake enables the best policeman to meet the dangerous terrorist on equal terms
'Nighthawks' turns out to be surprisingly interesting Rutger Hauer easily holds our attention throughout the film He is a disciplined terrorist indifferent to his victims, cold and calculating His mission to harm the enemy transcends any concern about his victims For Wulfgar, the end justifies the means...
Stallone and Billy Dee Williams make good partners Stallone doesn't play his usual character, the ruthless policeman who combats violence with greater violence He seems to be more human desperately trying to do the right thing at the right time
Long before terrorism was on the minds of most Americans, NIGHTHAWKS
tackled the thorny topic. Sylvester Stallone and Billy Dee Williams are
decoy cops -- that is, they venture into rough neighborhoods to bait
muggers and other forms of scum -- assigned to track down the cold and
calculating Rutger Hauer. It seems the devious mastermind has landed in
the media capital of the world, New York City, to try and regain his
place among the terrorist elite.
Although it's a fairly decent action/suspense effort, NIGHTHAWKS is difficult to recommend unconditionally. The performances are certainly solid; in fact, it's hard to remember Stallone, here sporting a thin beard, being so effective outside of boxing trunks. The action is crisp and exhilarating, with one pursuit through subterranean New York deserving of a place in the Chase Hall of Fame. The story is original and much of the plot intriguing. And Hauer, in his American film debut, is a suitably hateful villain, with his motives all to familiar to contemporary audiences.
Yet NIGHTHAWKS is not quite as good as the sum of its parts. Even though the film starts out with a bang -- literally -- there's somehow too much build-up and not enough execution. The movie has not aged particularly well, and despite its 1981 release date has the feel of a '70s period piece. And as good as Hauer is, his character is a little too incredible to believe as he pulls off massive acts of terror with little or no sponsorship; what should take a team of experts is accomplished by one man wanted by countless law enforcement agencies.
In the end, NIGHTHAWKS is a movie you're bound to like -- either a little bit or a lot. Considering the high ratio of garbage that has and will continue to spew out of Hollywood, I guess that's not such a bad thing.
Finally, Sly Stallone stars in a film that he really deserves to appear in!
He and Billy Dee Williams make a great team as two no-nonsense New York cops
who chase Rutger Hauer, who has a great role as a remorseless terrorist
(then again, no terrorist has a heart of gold!) Though he's totally
unrecognizable with a long beard, Stallone does an exceptionally good
performance because unlike his other cop roles, such as Ray Tango from
"Tango and Cash", Sly doesn't portray a cocky character, which makes it very
realistic. However, our hero doesn't show his muscles in this flick, but, it
proves that you don't have to be brawny to be a tough guy.
Hauer is also perfect, playing what he does best, an oily villian. He might look very suave at first in this film, but when he shows his true colors, you better watch out. Last but not least is Billy Dee Williams, who does a cool Roger Murtaughesque cop who relies on his partner Sly to do the job.
If you're in the mood for suspense and good chase scenes, "Nighthawks" is your gameplan. Look out for the great conclusion. It might cause you a great deal of shock!
I was happy to see Premiere magazine remember this flick when they
ranked the 100 Best Thrillers of All Time, and after reading today that
its director has passed on, I can only hope more people will give it a
first or second look. Time has of course given it extra relevance, but
there are three reasons for checking this one out:
1. As hinted above, in the post-9/11 world, its theme of terrorists plotting an attack in New York City seems eerily prophetic.
2. Sylvester Stallone gives an uncharacteristically muted performance that comes off as extremely effective.
3. That ending? They got me. They totally got me.
Director Bruce Malmuth's work here was competent enough to make one wonder just a little if he didn't deserve better projects than he got after this.
Nighthawks is a much under-appreciated title that sits between
Stallone's Rocky and Rambo sequels and shows a different type of
character for him.
Stallone plays a NY cop who is handed over to Interpol to help track down a freelance terrorist in the Big Apple. At first, his over-cautious "cop-on-the-beat mentality" lands him at odds with the lead investigator who explains that "to combat violence, you need greater violence". This is a nice little clash of ideals that allows for a little more character development that you'd expect.
The said terrorist is very well-played by Rutger Hauer in a breakthrough role that gives both charm and menace. Also, there is a nice chemistry between Stallone and his partner Billy Dee Williams.
The plot development is quite old school in the way there's a very long build up before the action kicks in with a lengthy set-piece that tops the film. But there's plenty of four-letter words, terrorist-talk and machismo flying around to fill that time nicely. The soundtrack may be dated now, but gives the film a unique quality and in fact the music is one of the unforgettable elements of the film - which has led to controversy over the DVD release.
There is clearly a lot of footage that was left on the cutting room floor, particularly a love sub-plot that is abandoned quite early on. And let's not even mention that horribly cut-down ending! All in all however, the film is always interesting and has a great old-style of cop thriller to it, perfect for post-pub Friday night fodder!
I got to see t his movie in the theater when i was 16. i thought it was cool then and still think it is cool today. The movie has a great story, and although a tad unbelievable at times, it still builds well with one of the best endings of any movie. Sly was in his prime here and Billy Dee Williams plays a great role as well as his partner. This movie is a good throw back film, showing the old NYC. Great street footage, especially in the first half of the film. This was one of Sly's best cop films to me, much better than "Cobra" . Recommend for an old fashion throw back 80's film. A fun popcorn rental with some very good action sequences. and a great ending!
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