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Nighthawks
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Nighthawks (1981) More at IMDbPro »

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Nighthawks -- Conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention. But DaSilva's "at-home" tactics are very much put to the challenge.
Nighthawks -- In this frenzied tale about passionate affairs, vicious cycles and fresh blood, a disillusioned older woman is trying to hide her true nature from the young girl she is dating.

Overview

User Rating:
6.4/10   10,329 votes »
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Director:
Writers:
David Shaber (screenplay)
David Shaber (story) ...
(more)
Contact:
View company contact information for Nighthawks on IMDbPro.
Release Date:
4 April 1981 (USA) See more »
Genre:
Tagline:
Wulfgar, an international terrorist holds the City of New York hostage, but Deke DaSilva, the most dangerous cop known to man, can take him down. See more »
Plot:
Conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention. But DaSilva's "at-home" tactics are very much put to the challenge. Full summary » | Full synopsis »
Plot Keywords:
NewsDesk:
(31 articles)
Examining the prison movies of Sylvester Stallone
 (From Den of Geek. 14 March 2014, 7:43 AM, PDT)

R.I.P. Nigel Davenport
 (From Deadline TV. 29 October 2013, 3:15 PM, PDT)

Cinema’s Greatest Villains: The 1980′s
 (From SoundOnSight. 11 June 2013, 6:34 PM, PDT)

User Reviews:
Long Before Terrorism Was On Our Minds... See more (98 total) »

Cast

  (in credits order)

Sylvester Stallone ... Deke DaSilva

Billy Dee Williams ... Sgt. Matthew Fox

Lindsay Wagner ... Irene

Persis Khambatta ... Shakka Holland

Nigel Davenport ... Peter Hartman

Rutger Hauer ... Heymar 'Wulfgar' Reinhardt
Hilary Thompson ... Pam (as Hilarie Thompson)
Joe Spinell ... Lt. Munafo
Walter Mathews ... Commissioner
E. Brian Dean ... Sergeant
Caesar Cordova ... Puerto Rican Proprietor
Charles Duval ... Dr. Ghiselin
Tony Munafo ... Big Mike
Howard Stein ... Disco Manager
Tawn Christian ... Disco Hostess

Jamie Gillis ... Designer
Luke Reilly ... Conductor
Yvette Hawkins ... Mrs. Ntembwe
Einar Perry Scott ... Mr. Sostrom
Erle Bjornstad ... Mrs. Sostrom
Jacques Roux ... French Ambassador
Clebert Ford ... Nigerian Ambassador
Avind Harum ... Swedish Ambassador (as Eivind Harum)
Obaka Adedunyo ... Mr. Ntembwe
Corine Lorain ... Suzanne Marigny
Jean-Pierre Stewart ... Rene Marigny

Thomas Rosales Jr. ... Ripper (as Thomas Rosales)
John Shamsul Alam ... Ripper
José Angel Santana ... Ripper (as José Santana)
Patrick Fox ... Reporter
John Cianfrone ... Mugger - Central Park
Tim Marquart ... Mugger - Central Park
Tony Maffatone ... Mugger - Central Park
Tom Degidon ... Immigration Officer
Rita Tellone ... Brunette

Al Cerullo ... Helicopter Pilot (as Al Cerullo Jr.)
Karl A. Wickman ... Helicopter Pilot (as Karl Wickman)
Cliff Cudney ... A.T.A.C. Man
Joe Dabenigno ... A.T.A.C. Man
Steve Dash ... A.T.A.C. Man (as Steve Daskawisz)

John Devaney ... A.T.A.C. Man
Paul Farentino ... A.T.A.C. Man

Edward Fox ... A.T.A.C. Man
Randy Francklan ... A.T.A.C. Man
Roger Caine ... A.T.A.C. Man (as Al Levitsky)
Richard Noyce ... A.T.A.C. Man
Dar Robinson ... A.T.A.C. Man
Judee Wales ... A.T.A.C. Man
Luke Walter ... A.T.A.C. Man
Zoya Leporska ... Subway Hostage
Brian Osborne ... Orchard - London

Robert Pugh ... Kenna - London

Catherine Mary Stewart ... Sales Girl - London
Frederick Treves ... Chief Police Inspector - London
Sue Vanner ... Girl at Party - London (as Susan Vanner)
rest of cast listed alphabetically:

Catherine Carlen ... Disco dancer

Maria Baan ... Hostage (uncredited)

Jim Beaver ... Subway Passenger (uncredited)

Jellybean Benítez ... DJ at Xenon (uncredited)
Wendy Hammers ... Dancer (uncredited)
Diane H. Kelly ... Dancer (uncredited)
Carrie Klein ... Mother / Hostage (uncredited)
Ralph Morse ... Furtive Customer (uncredited)
Gerard Murphy ... Detective Mooney (uncredited)

Jerry Schram ... Club Dancer (uncredited)
Tieg Thomas ... Disco Dancer (uncredited)
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Directed by
Bruce Malmuth 
Gary Nelson (uncredited)
 
Writing credits
David Shaber (screenplay)

David Shaber (story) and
Paul Sylbert (story)

Produced by
Franklin R. Levy .... executive producer
Herb Nanas .... producer
Martin Poll .... producer
Kathryn Stellmack .... associate producer
Mike Wise .... executive producer (as Michael Wise)
Bill Badalato .... line producer (uncredited)
 
Original Music by
Keith Emerson 
 
Cinematography by
James A. Contner (director of photography)
 
Film Editing by
Stanford C. Allen 
Christopher Holmes 
 
Casting by
Cis Corman 
 
Production Design by
Peter S. Larkin  (as Peter Larkin)
 
Set Decoration by
Frederic C. Weiler  (as Fred Weiler)
 
Costume Design by
Robert De Mora  (as Bob DeMora)
John Falabella 
 
Makeup Department
Fern Buchner .... makeup artist
Romaine Greene .... hair stylist (as Romaine Green)
Dick Smith .... special makeup effects artist
 
Production Management
Bill Badalato .... production manager
Terry Lens .... production manager: London
Serge Touboul .... production manager: Paris
Susan Zwerman .... assistant unit production manager
 
Second Unit Director or Assistant Director
William J. Cassidy .... second unit director (as Bill Cassidy)
Robert V. Girolami .... first assistant director (as Robert Girolami)
Joseph P. Reidy .... second assistant director (as Joseph Reidy)
Duncan Scott .... dga trainee
 
Art Department
Richard T. Allen .... construction coordinator
Joseph Zackiewicz .... scenic artist
 
Sound Department
Bub Asman .... sound effects editor
Fred J. Brown .... supervising sound editor
Les Lazarowitz .... sound mixer
Tod A. Maitland .... boom operator (as Todd Maitland)
Mel Metcalfe .... sound re-recordist
Robert Sciretta .... sound recordist (as Bob Sciretta)
Michele Sharp .... sound effects editor
Richard Tyler .... sound re-recordist
Ray West .... sound re-recordist
Caryl Wickman .... loop dialogue editor
 
Special Effects by
Nick Allder .... special effects: London
Edward Drohan .... special effects
Walter Tatro .... special effects
 
Stunts
Dar Robinson .... stunt coordinator
Cliff Cudney .... stunts (uncredited)
Tony Farentino .... stunts (uncredited)
Eddie Earl Hatch .... stunt double (uncredited)
Zoya Leporska .... stunts (uncredited)
Tony Maffatone .... stunts (uncredited)
Gary Robert .... stunts (uncredited)
Dar Robinson .... stunts (uncredited)
Victoria Vanderkloot .... stunt performer (uncredited)
 
Camera and Electrical Department
Enrique Bravo .... camera operator (as Ricky Bravo)
Gene Engels .... gaffer
Gary Muller .... assistant camera
Hank Muller .... assistant camera
Peter Norman .... camera operator: second unit
Ed Quinn .... key grip (as Edward Quinn)
Josh Weiner .... still photographer
Robert Willoughby .... special still photographer (as Bob Willoughby)
 
Casting Department
Louis DiGiaimo .... additional casting (as Lou Digiamo)
 
Costume and Wardrobe Department
Marilyn Bishop .... wardrobe: women
Tom Bronson .... wardrobe: men
William A. Campbell .... wardrobe: men (as Bill Campbell)
Danajean Cicerchi .... wardrobe: women
 
Editorial Department
Darren T. Holmes .... assistant film editor (as Darren Holmes)
Virginia Katz .... assistant film editor
 
Music Department
Harry Betts .... arranger: musical score
Kenneth Hall .... music editor
Godfrey Salmon .... conductor
Keith Emerson .... music producer (uncredited)
Keith Emerson .... musician (keyboards) (uncredited)
Joel Fein .... music mixer (uncredited)
Paul Hardiman .... music engineer (uncredited)
 
Transportation Department
Michael Fennell .... transportation captain (as Mickey Fennell)
Patrick Hogan .... driver (uncredited)
 
Other crew
Charlie Alfano .... technical advisor: NYPD
Billy Badalato .... production assistant
Bruce Bahrenburg .... unit publicist
Fred Baron .... production assistant
Russell L. Bintliff .... technical advisor
Nick Chiarolanzio .... location auditor
Celia D. Costas .... production assistant (as Celia Costas)
Jane Nerlinger Evans .... assistant production associate (as Jane Nerlinger)
Jean Gilpin .... voice looping
Jerry Jaffe .... production assistant
Florence Nerlinger .... production associate
Gladys Poll .... assistant to producer
Karen Standard .... assistant to producer
Barbara Stoia .... script supervisor
Clayton Townsend .... production assistant
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
"Night Hawks" - International (English title) (alternative spelling), USA (alternative title)
See more »
Runtime:
99 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
1.85 : 1 See more »
Sound Mix:
Certification:
Australia:R | Canada:18 (Nova Scotia) | Canada:R (Nova Scotia) | Finland:K-18 | France:U | Iceland:16 | Ireland:15 | Norway:16 (1981) | Philippines:R-18 | Singapore:NC-16 | South Korea:18 | South Korea:15 (cut) (1987) | Sweden:15 | UK:18 | USA:R (certificate #26087) | West Germany:16

Did You Know?

Trivia:
Originally the script was based on a real character - the international terrorist Carlos.See more »
Goofs:
Errors in geography: Near the start of the tramway situation, DaSilva boards an ATAC copter from a near the East River south of the Queensboro Bridge and the Roosevelt Island tram, at approximately 40th St. The copter is shown lifting off and beginning to head uptown (north) towards the bridge (also known as the "59th Street Bridge", which is north of 40th St.). The next cut is to a camera angle from inside the copter looking forward over DaSilva's shoulder, but the particular area of Roosevelt Island shown on his left is its *southern* end, suggesting that the copter is now coming *from* the north and is heading *south*. In the next cut, DaSilva says "go over the bridge", and the copter approaches it from the south, heading north again.See more »
Quotes:
Reinhardt Heymar Wulfgar:You know, I never asked you what you do for a living.
Pam:Well... besides dancing a lot, I fly Pan Am from coast to coast. I'm Pam, flying ace. That's actually a slight airline joke. I don't really fly the planes. I'm just a stewardess. I flying waitress as they call it. How about you?
Reinhardt Heymar Wulfgar:Me?
Pam:Yes. What do you do for a living?
Reinhardt Heymar Wulfgar:[sarcastic tone] I'm an international terrorist wanted by the police in half the countries in Europe. And I am currently laying low for the moment.
Pam:Oh, sure!
See more »
Movie Connections:
Soundtrack:
Brown SugarSee more »

FAQ

This FAQ is empty. Add the first question.
5 out of 6 people found the following review useful.
Long Before Terrorism Was On Our Minds..., 3 September 2007
Author: jonathon_naylor from Manitoba, Canada

Long before terrorism was on the minds of most Americans, NIGHTHAWKS tackled the thorny topic. Sylvester Stallone and Billy Dee Williams are decoy cops -- that is, they venture into rough neighborhoods to bait muggers and other forms of scum -- assigned to track down the cold and calculating Rutger Hauer. It seems the devious mastermind has landed in the media capital of the world, New York City, to try and regain his place among the terrorist elite.

Although it's a fairly decent action/suspense effort, NIGHTHAWKS is difficult to recommend unconditionally. The performances are certainly solid; in fact, it's hard to remember Stallone, here sporting a thin beard, being so effective outside of boxing trunks. The action is crisp and exhilarating, with one pursuit through subterranean New York deserving of a place in the Chase Hall of Fame. The story is original and much of the plot intriguing. And Hauer, in his American film debut, is a suitably hateful villain, with his motives all to familiar to contemporary audiences.

Yet NIGHTHAWKS is not quite as good as the sum of its parts. Even though the film starts out with a bang -- literally -- there's somehow too much build-up and not enough execution. The movie has not aged particularly well, and despite its 1981 release date has the feel of a '70s period piece. And as good as Hauer is, his character is a little too incredible to believe as he pulls off massive acts of terror with little or no sponsorship; what should take a team of experts is accomplished by one man wanted by countless law enforcement agencies.

In the end, NIGHTHAWKS is a movie you're bound to like -- either a little bit or a lot. Considering the high ratio of garbage that has and will continue to spew out of Hollywood, I guess that's not such a bad thing.

Was the above review useful to you?
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