Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Years ago, Jack Carter left his Seattle home to become a Las Vegas mob casino financial enforcer. He returns for the funeral of his brother Richard 'Richie' after a car crash during a storm... See full summary »
Rachael Leigh Cook,
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Deke DaSilva and Matthew Fox are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...? Written by
I was happy to see Premiere magazine remember this flick when they ranked the 100 Best Thrillers of All Time, and after reading today that its director has passed on, I can only hope more people will give it a first or second look. Time has of course given it extra relevance, but there are three reasons for checking this one out:
1. As hinted above, in the post-9/11 world, its theme of terrorists plotting an attack in New York City seems eerily prophetic.
2. Sylvester Stallone gives an uncharacteristically muted performance that comes off as extremely effective.
3. That ending? They got me. They totally got me.
Director Bruce Malmuth's work here was competent enough to make one wonder just a little if he didn't deserve better projects than he got after this.
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