6.4/10
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Nighthawks (1981)

Conservative street cop DaSilva reluctantly agrees to terminate an international terrorist who has demanded media attention. But DaSilva's "at-home" tactics are very much put to the challenge.

Directors:

, (uncredited)

Writers:

(screenplay), (story) | 1 more credit »
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Cast

Cast overview, first billed only:
...
...
Sgt. Matthew Fox
...
Irene
...
...
Peter Hartman
...
Heymar 'Wulfgar' Reinhardt
Hilary Thompson ...
Pam (as Hilarie Thompson)
...
Lt. Munafo
...
Commissioner
E. Brian Dean ...
Sergeant
Caesar Cordova ...
Puerto Rican Proprietor
Charles Duval ...
Dr. Ghiselin
Tony Munafo ...
Big Mike
Howard Stein ...
Disco Manager
Tawn Christian ...
Disco Hostess
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Storyline

Deke DaSilva and Matthew Fox are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...? Written by Afterburner <aburner@erols.com>

Plot Summary | Plot Synopsis

Taglines:

One man can bring the world to its knees and only one man can stop him. See more »

Genres:

Action | Crime | Thriller

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

| | |

Release Date:

10 April 1981 (USA)  »

Also Known As:

Attack  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Rutger Hauer, before accepting to play Wulfgar's character, found himself faced with a choice. He had been offered to act in Sphinx (1981), which was - contrary to Nighthawks (1981) - a big-budget production, made by a major studio, and they were also offering him twice the salary he got for Nighthawks (1981), against working with a well-known director with Franklin J. Schaffner to work with on Sphinx (1981). But Hauer chose the Wulfgar role in Nighthawks (1981). See more »

Goofs

Near the start of the tramway situation, DaSilva boards an ATAC copter from a near the East River south of the Queensboro Bridge and the Roosevelt Island tram, at approximately 40th Street. The copter is shown lifting off and beginning to head uptown (north) towards the bridge (also known as the "59th Street Bridge", which is north of 40th Street). The next cut is to a camera angle from inside the copter looking forward over DaSilva's shoulder, but the particular area of Roosevelt Island shown on his left is its *southern* end, suggesting that the copter is now coming *from* the north and is heading *south*. In the next cut, DaSilva says "go over the bridge", and the copter approaches it from the south, heading north again. See more »

Quotes

Deke DaSilva: I didn't join the police force to kill people.
See more »

Connections

Featured in Bad Movie Beatdown: The Riddle (2010) See more »

Soundtracks

A Man and a Woman
Courtesy of MCA Records
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User Reviews

 
Hauer steals the show
22 August 2004 | by (North Carolina) – See all my reviews

Remember a day when Rutger Hauer starred in good movies that actually saw wide theatrical release? No. Hmmmm. Hauer is one of my favorite actors and stars in two of my top ten favorite movies (Blade Runner and The Osterman Weekend), so it's hard not to already be slightly biased about the movie. I remember first hearing about Nighthawks on the Headliners and Legends biography of Stallone and how it was not as well received as his Rocky and First Blood movies. For shame, because Nighthawks does manage to be a top notch thriller most of the time. I could go into the plot, but I believe in telling people what I liked and disliked instead of parroting the plot details like almost every other review. (See, a movie to me is more fun when I only know a little about the story, instead of the first hour or so, because someone felt that they had to readers digest the entire film.)

Anyway, now that I've ranted, I have to admit that I enjoyed it for the most part, with the exception of the initial pacing. It continues to drag in places towards the middle, and takes a little over an hour to set up the crucial players backgrounds. The only real problem is that every time the film stops to focus on DeSilva (Stallone) and Fox (Williams), it spends twice as much time focusing on Wulfgar. Wulfgar is certainly a well crafted maniac, but when the movie is over we know almost nothing about Fox and only a little about Dee DeSilva. Still, the movie does succeed in making you care about our two main characters, by thrusting them into danger and having them do what is morally right (i.e. Towards the beginning of the film the two are in a drug raid, and refuse to take bribes from the perps who had apparently already paid off the cops from the first raid on their operation.

They're good cops, and it's their good guy image that endears them). I guess it would have been nice also to see a little more of Stallones relation to what's her name. (sorry, I haven't seen this in a about a month now.) I was interested in the prospect of a hero who was torn between the relation with his ex (who he was trying to re-ignite the flame with), and his duty. But, alas, she was just a narrative device who the writers have decided is only important in the last 15 minutes or so.

With all these cons, why did I still like it? Sudden scenes of high impact, good cast and acting all around, a villain who wasn't just a cardboard cutout, and Stallone's bitchin' beard, and a wholly convincing scenario.

The bottom line: This film is more akin to The French Connection than it is to Rocky. Methodical and often stylish, NightHawks deserves to at least be rented and watched with an open mind.

8 Stars out of 10


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