Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
Deke DaSilva and Matthew Fox are two New York cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...? Written by
The meaning and relevance of this movie's Nighthawks (1981) title is that 'Nighthawks' refer to the men and women street cops of the New York City Crime Unit who patrol the city at night-time. See more »
During the subway sequence, the storm door on the last car of the train has a large single pane of glass in some scenes and two smaller panes in other scenes. See more »
Oh, for Christ's sake, DaSilva! Come off this cop on the beat mentality! Your wife left you for it! Wasn't that enough!
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Wulfgar (Rutger Hauer) is an international terrorist not to be taken lightly He is wanted by half the countries in Europe He is currently financed by no one... He becomes trapped as 'Persona Non Grata'
Wulfgar manages to succeed where others have failed His pattern is the instilling of fear He makes female contacts to establish safe housing for his armory He always covers a woman who is clean... He loses one, he finds another... He has a liking for fancy food, expensive clothes and the most varied nightlife
Wulfgar doesn't think like a criminal He wants to be a hero Since the London incidents, he wants to prove himself as invincible as he ever was So he decides to change his look, and strikes without warning... Wulfgar's associate is Shakka Holland (Persis Khambatta), a pretty cool woman, with no maternal instincts, who murders without apparent provocation
DaSilva (Sylvester Stallone) wants to treat Wulfgar like 'some mugger' on the streets He makes a mistake when he finds himself unexpectedly facing the malevolent killer... He refuses to act in the same ruthlessness Wulfgar does, and to use deadly force in defense of the lives of innocent hostages He hesitates to shoot and kill DaSilva rejected to pay attention to the impact of the terrorist's actions on his thinking and beliefs This mistake enables the best policeman to meet the dangerous terrorist on equal terms
'Nighthawks' turns out to be surprisingly interesting Rutger Hauer easily holds our attention throughout the film He is a disciplined terrorist indifferent to his victims, cold and calculating His mission to harm the enemy transcends any concern about his victims For Wulfgar, the end justifies the means...
Stallone and Billy Dee Williams make good partners Stallone doesn't play his usual character, the ruthless policeman who combats violence with greater violence He seems to be more human desperately trying to do the right thing at the right time
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