Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Frank Leone is nearing the end of his prison term for a relatively minor crime. Just before he is paroled, however, Warden Drumgoole takes charge. Drumgoole was assigned to a hell-hole ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
The story of the rise and fall of the infamous Chicago gangster Al Capone and the control he exhibited over the city during the prohibition years. Unusually, briefly covering the years ... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
This is another story of the secret Coast to Coast auto race across America The only rule is, the first to finish is the winner. Naturally, anyone driving 55 isn't going to win. They'll ... See full summary »
In New York in the late 60s, a politically motivated group of students plans bombings of company offices who do business with dictators in Middle American countries. But when they contact a... See full summary »
Robert Allen Schnitzer
Deke DaSilva and Matthew Fox are two New York cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...? Written by
Sylvester Stallone said of the cable-car stunt to 'Ain't It Cool News': "Hanging from the cable car was probably one of the more dangerous stunts I was asked to perform because it was untested and I was asked to hold a folding Gerber knife in my left hand so if the cable were to snap, and I survived the 230 foot fall into the East River with its ice cold 8 mile an hour current, I could cut myself free from the harness because the cable when stretched out weighed more than 300 lbs. I tell you this because it's so stupid to believe that I would survive hitting the water so to go beyond that is absurd." See more »
When DaSilva and Fox are at the first Tram scene they are wearing jumpsuits with Sergeant's stripes, however they are wearing Detectives badges not Sergeants.
Additionally, when DaSilva lands on the Tug boat another person is in a jumpsuit with Sergeants stripes but wearing a Police Officer's badge. See more »
Long before terrorism was on the minds of most Americans, NIGHTHAWKS tackled the thorny topic. Sylvester Stallone and Billy Dee Williams are decoy cops -- that is, they venture into rough neighborhoods to bait muggers and other forms of scum -- assigned to track down the cold and calculating Rutger Hauer. It seems the devious mastermind has landed in the media capital of the world, New York City, to try and regain his place among the terrorist elite.
Although it's a fairly decent action/suspense effort, NIGHTHAWKS is difficult to recommend unconditionally. The performances are certainly solid; in fact, it's hard to remember Stallone, here sporting a thin beard, being so effective outside of boxing trunks. The action is crisp and exhilarating, with one pursuit through subterranean New York deserving of a place in the Chase Hall of Fame. The story is original and much of the plot intriguing. And Hauer, in his American film debut, is a suitably hateful villain, with his motives all to familiar to contemporary audiences.
Yet NIGHTHAWKS is not quite as good as the sum of its parts. Even though the film starts out with a bang -- literally -- there's somehow too much build-up and not enough execution. The movie has not aged particularly well, and despite its 1981 release date has the feel of a '70s period piece. And as good as Hauer is, his character is a little too incredible to believe as he pulls off massive acts of terror with little or no sponsorship; what should take a team of experts is accomplished by one man wanted by countless law enforcement agencies.
In the end, NIGHTHAWKS is a movie you're bound to like -- either a little bit or a lot. Considering the high ratio of garbage that has and will continue to spew out of Hollywood, I guess that's not such a bad thing.
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