Three Italian-American brothers, living in the slums of 1940's New York, try to help each other with one's wrestling career using one brother's promotional skills and another brother's con-artist tactics to thwart a sleazy manager.
Johnny Kovak joins the Teamsters trade-union in a local chapter in the 1930s and works his way up in the organization. As he climbs higher and higher his methods become more ruthless and ... See full summary »
Lincoln Hawk (Stallone) is a struggling trucker who arm wrestles on the side to make extra cash while trying to rebuild his life. After the death of his wife, he tries to make amends with ... See full summary »
A woman (Madeleine Stowe) who has just discovered she is the daughter of a murdered Mafia chieftain (Anthony Quinn) seeks revenge, with the aide of her Father's faithful bodyguard (Sylvester Stallone).
Stallone plays a cop who comes undone after witnessing a brutal scene on the job. He checks into a rehab clinic that specializes in treating law enforcement officials. Soon, he finds that his fellow patients are being murdered one by one.
Charles S. Dutton,
Angelo "Snaps" Provolone made his dying father a promise on his deathbed: he would leave the world of crime and become an honest businessman. Despite having no experience in making money in... See full summary »
Deke DaSilva and Matthew Fox are two New York City cops who get transferred to an elite anti-terrorism squad. About this same time, an infamous international terrorist shows up in New York City looking to cause some chaos. It's up to DaSilva and Fox to stop him, but will they be in time...? Written by
When the original director, Gary Nelson, left the project, Bruce Malmuth took over production. When he couldn't make it on his first day to shoot the train chase, Sylvester Stallone directed the chase himself to not miss a day of shooting. This caused trouble with the Director's Guild. Guild rules state that a Director's Guild member cannot be fired so an actor can take over directing a film he is starring in, so the producers asked for and received special permission for Stallone to direct the scene. See more »
Near the start of the tramway situation, DaSilva boards an ATAC copter from a near the East River south of the Queensboro Bridge and the Roosevelt Island tram, at approximately 40th Street. The copter is shown lifting off and beginning to head uptown (north) towards the bridge (also known as the "59th Street Bridge", which is north of 40th Street). The next cut is to a camera angle from inside the copter looking forward over DaSilva's shoulder, but the particular area of Roosevelt Island shown on his left is its *southern* end, suggesting that the copter is now coming *from* the north and is heading *south*. In the next cut, DaSilva says "go over the bridge", and the copter approaches it from the south, heading north again. See more »
This Sylvester Stallone movie may be his best because, unlike most of his more famous roles over the years, this is very believable. He isn't Rambo or Rocky...just a tough New York City cop.
Stallone and partner Billy Dee Williams team up in an attempt to stop a terrifying international terrorist (Rutger Hauer) before he kills more people. All three of those actors are riveting in this rough, gritty film.
I thought so much of this movie that I bought it twice. The first DVD that came out was fullscreen, no stereo and grainy. Later, they issued a better widescreen print and it was worth upgrading. The movie is a top-notch thriller start-to-finish and Hauer makes an outstanding villain.
It might be a cliché but this film always "kept m on the edge of my seat. "
39 of 52 people found this review helpful.
Was this review helpful to you?