Susan is a young, beautiful and successful flute player, but because of her physical handicap, a lame leg, she is having difficulties finding Mr. Right. While on tour in France, she decides... See full summary »
A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the ... See full summary »
A young psychic on the run from himself is recruited by a government agency experimenting with the use of the dream-sharing technology and is given the inverse task of planting an idea into the mind of the U.S. president.
Max von Sydow,
In World War II Germany, two young men--one an ardent Nazi and the other a secret anti-Nazi--are in love with the same woman, the daughter of a wealthy banker. The two join the army, and ... See full summary »
A comedy of a guy who moonlights as a low-budget director of commercials, and is looking for someone to love. So, he pays a dating service and is videotaped on several occasions. The film ... See full summary »
Mick Travis is a reporter who is about to shoot a documentary on Britannia Hospital, an institution which mirrors the downsides of British Society. It's the day when Her Royal Highness is ... See full summary »
Country singer Travis (Dennis Quaid) and his younger sister Amanda (Kristy McNichol) travel to Nashville, Tennessee to find fame as singers. After getting into trouble with the law, Travis is sentenced to work detail at a prison farm. Amanda ends of falling in love with a police officer Conrad (Mark Hamill) who tries to help Travis out.
McNichol is terrifically sexy, but ragtag comedy-drama is just adequate...
After 1980's "Little Darlings" grossed some $40 million at the box office, everyone credited scene-stealer Kristy McNichol with its success; the teen actress then had the opportunity to do anything she wanted...and she chose this comedy-drama with country music. Why? Because she gets to sing, act sexy and tough, be soft, and do a drunk routine (which doesn't come off--she's one of the most unconvincing drunks ever). McNichol plays business-minded sis to brother Dennis Quaid, a hell-raising, skirt-chasing musician, but his scrapes with the law make Kristy turn to cop Mark Hamill for help. That's the whole plot, really. The picture is such a mess from a director's standpoint, I can imagine the editor (Anne Goursand) sitting at her cutting machine surrounded by reels of film going out of her mind. Pieces of it are energetic, McNichol is engaging, but the guys are colorless, the writing is pedestrian, and the ending is dopey instead of moving. The rather ungainly title is lifted from a 1972 hit song, which has been rewritten completely and rerecorded here. Why did they bother using it at all? ** from ****
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