| Photos (See all 13 | slideshow) | Videos (see all 2) |
| Wallace Shawn | ... | Wally Shawn | |
| Andre Gregory | ... | Andre Gregory | |
| Jean Lenauer | ... | Waiter | |
| Roy Butler | ... | Bartender |
Directed by | |||
| Louis Malle | |||
Writing credits(in alphabetical order) | ||
| Andre Gregory | ||
| Wallace Shawn | ||
Produced by | |||
| Dave Franke | .... | associate producer | |
| George W. George | .... | producer | |
| Beverly Karp | .... | producer | |
| Keith W. Rouse | .... | associate producer | |
Original Music by | |||
| Allen Shawn | |||
Cinematography by | |||
| Jeri Sopanen | |||
Film Editing by | |||
| Suzanne Baron | |||
Production Design by | |||
| David Mitchell | |||
Art Direction by | |||
| Stephen McCabe | |||
Set Decoration by | |||
| Doug Kraner | (as Douglas Kraner) | ||
Costume Design by | |||
| Jeff Ullman | (as Jeffrey Ullman) | ||
Makeup Department | |||
| Barbara Rouse | .... | makeup artist | |
Production Management | |||
| Lloyd Kaufman | .... | production manager (as Lloyd Kaufmann) | |
Second Unit Director or Assistant Director | |||
| Norman Berns | .... | assistant director | |
Art Department | |||
| Jean-Vincent Fournier | .... | properties (as Vincent Fournier) | |
Sound Department | |||
| Michael R. Burnstine | .... | boom operator (as Michael Burnstine) | |
| Jean-Claude Laureux | .... | sound | |
Camera and Electrical Department | |||
| Pedro Bonilla | .... | assistant camera | |
| Robert Lechterman | .... | gaffer | |
| Diana Michener | .... | still photographer | |
| Ralph Perri | .... | key grip | |
| Robert Strong | .... | grip | |
| Doug Sutton | .... | first electrician (as Douglas Sutton) | |
| John Thomas | .... | second electrician | |
| Deborah Watkins | .... | grip | |
Editorial Department | |||
| James Bruce | .... | assistant editor | |
| Keith W. Rouse | .... | assistant editor | |
Music Department | |||
| Joseph Villa | .... | musician: piano, "First Gymnopédie" | |
Other crew | |||
| Ruth Ansel | .... | title designer | |
| Richard Blankenship | .... | production assistant | |
| James Bruce | .... | production coordinator | |
| Matthew Gaddis | .... | production assistant | |
| George W. George | .... | presenter | |
| France Lachapelle | .... | script supervisor (as France LaChapelle) | |
| Vincent Malle | .... | assistant to director | |
| Richard Siegel | .... | production assistant | |
| Michael White | .... | associate presenter | |
| Scott MacDonough | .... | publicity coordinator (uncredited) | |
Thanks | |||
| Mercedes Gregory | .... | special thanks | |
| Dede Leiber | .... | special thanks | |
| Steve Leiber | .... | special thanks | |
| Margaret Ramsey | .... | special thanks | |
| George Ross | .... | special thanks | |
| Max Stafford-Clark | .... | special thanks | |
| Frederick M. Supper | .... | special thanks | |
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| I'm Not There. | Milk | Fellini Satyricon | Rent | Adam |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb USA section |
First off, I love this film. I'm sure I will see it a dozen or more times before I die. Definitely a 10/10.
But I comment for a different reason. Sure, you see the philosophy in the conversation. It is very interesting. What I think a lot of viewers are missing, though, is the strong characterizations of Wallace and Andre. They very clearly reveal their characters throughout the movie. I also love the tension that arises between them. Andre subtly criticizes Wally several times in the film (note what Andre says about people who stuff their face out of habit while Wallace is eating; also notice that we hardly ever see Andre himself eat). Wally is perceptive enough to catch them. This movie hit so close to home it was unbelievable. I think I've had that conversation before. The dynamics between Wallace and Andre have existed before between myself and friends with whom I have argued. If you find Andre a little pretentious, by the way, which many people will, don't necessarily believe that that wasn't deliberate. Wally himself finds his friend somewhat pretentious. And I think many people will be fooled into believing that the director sides with Andre just because he speaks the most. Some people will just buy into Andre's ideas and believe Wally is a poor sap. Don't be too sure that Wally has his life in any order. Don't believe he understands all that happens around him. Remember the line in Autumn Sonata that made him weep. Also, notice that Wally is fibbing a bit himself. In his opening monologue, he complains how hard his life is getting. All he used to think about was art, but now the only thing he thinks about is money.
See, this film is filled, just stuffed, with layers. Who would ever think that the most multi-layered film ever is a film about two people who sit down to dinner and talk!