Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more ... See full summary »
Johnny flees Manchester for London, to avoid a beating from the family of a girl he has raped. There he finds an old girlfriend, and spends some time homeless, spending much of his time ... See full summary »
Presents a day in the life in Austin, Texas among its social outcasts and misfits, predominantly the twenty-something set, using a series of linear vignettes. These characters, who in some ... See full summary »
London 1969 - two 'resting' (unemployed and unemployable) actors, Withnail and Marwood, fed up with damp, cold, piles of washing-up, mad drug dealers and psychotic Irishmen, decide to leave... See full summary »
Richard E. Grant,
Wallace Shawn and Andre Gregory, apparently playing themselves, share their lives over the course of an evening meal at a restaurant. Gregory, a theater director from New York, is the more talkative of the pair. He relates to Shawn his tales of dropping out, traveling around the world, and experiencing the variety of ways people live, such as a monk who could balance his entire weight on his fingertips. Shawn listens avidly, but questions the value of Gregory's seeming abandonment of the pragmatic aspects of life. Written by
Rick Gregory <firstname.lastname@example.org>
Lloyd Kaufman of Troma, Inc. was production manager and his fledgling company provided support to the making of this film. This was one of his first credits. See more »
The amount of wine in Wallace Shawn's glass varies in a manner not consistent with his drinking from it (or having it refilled). See more »
The life of a playwright is tough. It's not easy as some people seem to think. You work hard writing plays and nobody puts them on. You take up other lines of work to make a living - I became an actor - and people don't hire you. So you just spend your days doing the errands of your trade.
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This film is a miracle -- that anyone would even make a film about little more than a dinner conversation is incredible enough, but the play of paradigms between Shawn and Gregory is such a Gurdjieffian tour de force that it creates a compelling crossroads for any astute viewer. This is a challenging flick!
Also, be it hereby said that the brilliant and understated performance of Jean Lenauer as The Waiter should have won an Oscar for the best supporting role. Watch again and see if you don't agree! The old gent passed on two years after this film was made, but, man, was he great! Thanks, Jean.
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