| Photos (See all 18 | slideshow) |
| Paul Kelman | ... | Jessie 'T.J.' Hanniger | |
| Lori Hallier | ... | Sarah | |
| Neil Affleck | ... | Axel Palmer | |
| Keith Knight | ... | Hollis | |
| Alf Humphreys | ... | Howard Landers | |
| Cynthia Dale | ... | Patty | |
| Helene Udy | ... | Sylvia | |
| Rob Stein | ... | John | |
| Thomas Kovacs | ... | Mike Stavinski (as Tom Kovacs) | |
| Terry Waterland | ... | Harriet | |
| Carl Marotte | ... | Dave | |
| Jim Murchison | ... | Tommy Whitcomb | |
| Gina Dick | ... | Gretchen | |
| Peter Cowper | ... | The Miner & Harry Warden | |
| Don Francks | ... | Chief Jake Newby | |
| Patricia Hamilton | ... | Mabel Osborne | |
| Larry Reynolds | ... | Mayor Hanniger | |
| Jack Van Evera | ... | Happy | |
| Jeff Banks | ... | Young Axel | |
| Pat Hemingway | ... | Woman | |
| Graham Whitehead | ... | Mac | |
| Fred Watters | ... | Supervisor 1 | |
| Jeff Fulton | ... | Supervisor 2 | |
| Pat Walsh | ... | Harvey Smight | |
| Marguerite McNeil | ... | Mrs. Raleigh | |
| Sandy Leim | ... | Ben | |
| John MacDonald | ... | Rescuer |
Directed by | |||
| George Mihalka | |||
Writing credits | ||
| Stephen A. Miller | (story concept) (as Stephen Miller) | |
| John Beaird | (written by) | |
Produced by | |||
| John Dunning | .... | producer | |
| André Link | .... | producer (as Andre Link) | |
| Stephen A. Miller | .... | producer (as Stephen Miller) | |
| Lawrence Nesis | .... | executive producer | |
| Bob Presner | .... | line producer | |
Original Music by | |||
| Paul Zaza | |||
Cinematography by | |||
| Rodney Gibbons | |||
Film Editing by | |||
| Gérald Vansier | (as Gerald Vansier) | ||
| Rit Wallis | |||
Art Direction by | |||
| Veronica Hadfield | (as Penny Hadfield) | ||
Costume Design by | |||
| Susan Hall | |||
Makeup Department | |||
| Thomas R. Burman | .... | special makeup effects designer | |
| Ken Diaz | .... | special makeup effects designer | |
| Tom Hoerber | .... | special makeup effects designer | |
| Louise Mignault | .... | makeup artist (as Louise Rundell) | |
| Huguette Roy | .... | hair stylist | |
| Carolyn Van Gurp | .... | assistant makeup artist | |
Production Management | |||
| John Desormeaux | .... | unit manager | |
| Danny Rossner | .... | production manager | |
| Rit Wallis | .... | post-production supervisor | |
Art Department | |||
| Tina Boden | .... | assistant art director | |
| Ryal Cosgrove | .... | assistant set props | |
| Raymond Larose | .... | assistant art director | |
| Maurice Leblanc | .... | set dresser | |
| David Phillips | .... | set props | |
| Harold Thrasher | .... | construction supervisor | |
Sound Department | |||
| Jeff Bushelman | .... | sound effects | |
| Robert Fernandez | .... | sound re-recording mixer | |
| Joe Grimaldi | .... | sound re-recordist | |
| Bo Harwood | .... | sound | |
| Jean-Claude Matte | .... | boom operator | |
| Pat Somerset | .... | sound effects | |
| Gérald Vansier | .... | dialogue editor | |
| Jeremy Hoenack | .... | sound effects editor (uncredited) | |
Stunts | |||
| Shelley Cook | .... | stunt double | |
| Peter Cowper | .... | stunt performer | |
| Dwayne McLean | .... | stunt coordinator | |
| Brent Meyer | .... | stunt performer | |
| Jayne Rutter | .... | stunt performer | |
| Sandy Webb | .... | stunt performer | |
Camera and Electrical Department | |||
| Jean Courteau | .... | best boy | |
| Alex Dawes | .... | generator operator | |
| Jean-Maurice de Ernsted | .... | grip | |
| Louis de Ernsted | .... | Steadicam operator | |
| Marc de Ernsted | .... | key grip | |
| Jacques Girard | .... | grip | |
| Paul Hurteau | .... | first assistant camera | |
| Daniel Jobin | .... | first assistant camera | |
| Walter Klymkiw | .... | gaffer | |
| Chuck Lapp | .... | grip | |
| Piroska Mihalka | .... | still photographer | |
| Robin Miller | .... | first assistant camera | |
| Richard Montpetit | .... | second assistant camera | |
| Jean-Pierre Plouffe | .... | second assistant camera | |
| Antonio Vidosa | .... | grip | |
Casting Department | |||
| Daniel Hausmann | .... | casting consultant | |
| Arden R. Ryshpan | .... | casting consultant | |
Costume and Wardrobe Department | |||
| Carol Wood | .... | wardrobe assistant | |
Editorial Department | |||
| Chantal Bowen | .... | assistant editor | |
| Jean LaFleur | .... | supervising editor (as Jean Lafleur) | |
| Thomas Metzger | .... | color timer | |
Music Department | |||
| Frank Morrone | .... | music engineer | |
Other crew | |||
| John Desormeaux | .... | location manager | |
| Lucie Drolet | .... | production accountant | |
| Joanne T. Harwood | .... | continuity | |
| Trudi Link | .... | production accountant | |
| Irene Litinsky | .... | executive assistant to producer | |
| Yaniko Palis | .... | production coordinator | |
| Kathy Wolf | .... | production secretary | |
| Donna Young | .... | assistant accountant | |
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| My Bloody Valentine | Friday the 13th Part 2 | Friday the 13th | The Prowler | Freddy vs. Jason |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb Canada section |
More than just a guilty pleasure -- this one's actually good!
By the time 1981 had rolled around, the horror genre had gained much momentum with holiday-themed slasher flicks such as "Halloween" and "Friday The 13th." Never ones to shy away from a good cash-cow, Paramount (the same company to bring you "Friday The 13th") hired George Mihalka to direct the Valentine's Day themed "My Bloody Valentine." Pre-dating much of the camp and excess of the 80's, "My Bloody Valentine" is a pretty innocent film in it's own right, a glimpse into a time before the genre was completely saturated with masked killers and dumbed-down teenagers. It's simply a well-paced, well-oiled little horror movie. It's got a surprising amount of suspense, matched only by the outrageous and often over-the-top visual effects which -- thanks to a newly restored print of the film on DVD -- have finally seen the light of day.
With his film, Mihalka injects a good dosage of suspense, as well as some subtle stylishness. The grimy and grungy setting -- a dumpy mining town in Canada -- gives the film an unmistakably realistic look and feel, which only helps to drive home the authenticity. Sure, the film has it's fair share of clichés; in fact, some of the dialogue and plot-points appear to be ripped straight out of the original "Friday The 13th." The story of a deranged killer returning home years later to exact his revenge on a town is hardly re-inventing the wheel. But when stacked up against it's competition, "My Bloody Valentine" holds it's own. It's one of the few films from the much maligned (and yet, enjoyable) era to actually hold up to today's standards (for the most part). Truth be told, even if you are viewing the heavily edited theatrical cut, the film works just as well without the heavy special effects, which is a testament to the overall quality of a film that was conceived, created and released in under half a year's time.
Sure, it's got it's flaws, but nothing fatal. If you can stomach bad characters, even worse actors and a few clichés here and there, it's a pretty satisfying experience. At the very least, it pre-dates a lot of more successful films and has had a subtle influence on the genre as a whole. Fans of the genre should be aware of it not just as a fun way to kill time -- which it is -- but also as a perfect example of a slasher done right. With a remake currently in theaters and a DVD that treats the film right, "My Bloody Valentine" is finally having it's day in the sun. Even if you've "seen it all," you'll still have a good time with it.