The Munsters come to America to search for Herman's brother-in-law Norman Hyde, only to find out that he has turned himself into Brent Jekyll, who is running for congress, and Grandpa must ... See full summary »
George Baxter was a highly successful corporation lawyer who was always in control of everything at the office, but almost nothing at home. When he returned from the office at day's end, to... See full summary »
Grandpa Sam Dracula is essentially Dracula who assembled Herman because no man was good enough for his daughter Lily, a sexy vamp. Lily's niece Marilyn the freak is actually normal and Lily... See full summary »
Portia de Rossi,
After the Civil War, ex-Union Colonel John Henry Thomas and ex-Confederate Colonel James Langdon are leading two disparate groups of people through strife-torn Mexico. John Henry and ... See full summary »
Harry Crumb is a bumbling and inept private investigator who is hired to solve the kidnapping of a young heiress which he's not expected to solve because his employer is the mastermind behind the kidnapping.
The owner of a wax museum has an exhibit dedicated to the Munsters. When he uses robots that look like Herman and Granpa to pull a jewelry heist, everyone thinks that the real Herman and Grandpa did it. They must prove their innocence and uncover the real thieves. Written by
Vic Mizzy was asked to compose the music for The Munsters (1964) after he'd begun work on The Addams Family (1964), so he declined, perceiving it as a conflict of interest. In a 2004 interview with The Archive of American Television, Mizzy said he agreed to score this film because "the guys who wrote it liked me, so I did it." He went on to call his work on the movie "a throwaway, strictly a fee." See more »
You can see the end of the puppet sometimes when they show "Spot". See more »
A sad, sad sight indeed is The Munster's Revenge. The Munsters are brought back one last time(Fred Gywnne received a huge paycheck to come back to the role of Herman Munster)in this made-for-TV movie about a pair of wax replicas of Grandpa and Herman that are robots "terrorizing" the city as preparation for a robbery of a mummy's stash at an exhibit. With the police on their heels, the two elderly television icons try to find out who is actually behind the crimes in order to clear their names. We get to see them dress in drag as waitresses(a minor highpoint in the film), grandpa turns into a bat with attached wire a couple times(one time even flying to Transylvania with Herman somehow invoking his frequent flyer miles I guess), and a most annoying relative "the Phantom" constantly sings and breaks glass ad nausium! What is most sad is hard to pinpoint: is it that Gywnne(especially) and Al Lewis look so haggard in every scene and so indifferent to the material. Is it the hokey costumes of the robots that have that school production values look about them. Maybe it is the ridiculous script. Sid Caesar's crazy, mostly unfunny antics. Or perhaps it is seeing something which brought me joy and fond memories as a child being treated to a super K-Mart fashion makeover. At any even, the result is decidedly disappointing and silly even for Munster standards. As for the rest of the cast, Yvonne De Carlo is adequate in a most vacuous role(though showing more cleavage than usual for a woman of her years and experience). K. C. Martell makes an ever-so-not affable Eddie Munster. Jo McDonell is an attractive Marilyn. Bob Hastings as the aforementioned Phantom looks and acts and speaks in the most absurd manner. The film has a real cheap feel about it even for a made-for-TV movie.
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