A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A timid and mute woman gets raped twice coming home from work and decides to take matters into her own hands. She dresses suggestively and roams the streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life spills over into her regular life in the fashion industry. Written by
Ed Sutton <firstname.lastname@example.org>
The name of Zoë Lund's character, Thana, is reminiscent of the Greek god of death, "Thanatos". Sigmund Freud used the word to refer to the "death drive," a subject's internal drive to return to an inorganic state. See more »
Thana never appears to run out of bullets for her gun, and she frequently uses a full clip (around seven rounds) to kill her victims. Although we see Thana loading and re-loading a clip for her .45 caliber semi-automatic pistol, it is never explained where she gets the ammunition, and a person of her background would not know where to purchase bullets either legally or illegally. See more »
If it's gritty, authentic 80s exploitation you're after, then look no further than Abel Ferrara's excellent rape/revenge thriller, Ms.45, which stars the stunning Zoe Tamerlis as Thana, a mute seamstress who goes on a killing spree after being sexually assaulted twice in one day. This feminist version of Death Wish is an ultra-stylish, mega-violent, and super-cool classic of the genre that never pulls its punches, and is highly recommended to fans of similarly themed cult movies such as The Exterminator, Thriller: A Cruel Picture, and I Spit On Your Grave.
Whilst Ferrara's tale is admittedly the stuff of pure B-movie trash, with Thana ultimately becoming an insane, man-hating, killing-machine spewing bullets indiscriminately at any male who crosses her path, the film manages to transcend its low budget roots to become a genuine work of art thanks to its superb visuals, an unforgettable performance from the beguiling lead actress, and brilliant use of a jazzy soundtrack.
Like many great exploitation pics of the era, the film makes excellent use of a very seedy looking New York, with worthless punks, violent pimps, and sexist scumbags hanging on every street corner, just begging for a slug from a .45 right between the eyes (which reminds me, is yelling 'hey, baby doll' to passing women a recommended dating technique in the Big Apple?). Drawing his inspiration from the thoroughly sleazy vibe of early 80s downtown Manhattan, Ferrara delivers an unforgettable experience that offers viewers several truly iconic moments of exploitation cinema, including Thana's transition from meek dressmaker to blood-red lipstick wearing vigilante (accompanied by a screeching saxophone), the stunning execution of a street-gang in Central Park, and the amazing finale where Thana, wearing a sexy nun outfit, loses her cool at a fancy dress party.
Slick, riveting and totally unmissable, Ms.45 gets an almost-perfect 9/10 from me (it would've got a 10 if it hadn't been for Editta Sherman's irritating performance as Thana's nosey landlady, Mrs. NasoneI don't understand why SHE couldn't have accidentally caught a stray bullet in the head!).
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