An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
A timid and mute woman gets raped twice coming home from work and decides to take matters into her own hands. She dresses suggestively and roams the streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life spills over into her regular life in the fashion industry. Written by
Ed Sutton <firstname.lastname@example.org>
The 1970s were THE decade for American exploitation movies with the likes of Roger Corman, Jack Hill, and Larry Cohen Jr creating some of the most entertaining trash ever made. For the most part the 1980s were a big let down in this department. Porkys-like sex comedies and awful buddy action movies and the like generally failed to reach the heights of the glory days of A.I.P. There were a few exceptions ('Chained Heat', 'Maniac' and 'The Exterminator' immediately spring to mind), and 'Ms.45 ' (a.k.a. 'Angel Of Vengeance') is in my mind THE single best exploitation movie of the decade. Abel Ferrara, who later made brilliant movies like 'Bad Lieutenant' and 'The Funeral', had previously made a porno movie and the infamous "video nasty" 'The Driller Killer' before this, which could well be the best rape revenge movie ever made. Ferrara's genius touch was the casting of the late Zoe Tamerlis. She is stunningly beautiful and her face is very expressive. Making her character mute makes the movie an unforgettable experience. It's really difficult trying to "sell" this stunning movie to someone. You'll either love it or you just won't "get it". I think it works very well as a post-'Death Wish' vigilante movie, but just as 'The Driller Killer' is more than "just" a slasher, this movie has a lot more to it, and that is almost completely down to Zoe Tamerlis. 'Ms. 45' might be b-grade trash to many, but it is uncompromised, something you very rarely see these days. I think it stands alongside 'Repo Man', 'Videodrome', 'Blue Velvet', 'The Evil Dead', 'The Ninth Configuration', 'Raising Arizona' and 'The King Of Comedy' as one of the most extraordinary movies released in a decade dominated by mediocre popcorn movies forced on viewers by Spielberg, Lucas, Hughes, Bruckheimer and Simpson.
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