A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
After thirteen and half years in prison for kidnapping and murdering the boy Park Won-mo, Geum-ja Lee is released and tries to fix her life. She finds a job in a bakery; she orders the ... See full summary »
A timid and mute woman gets raped twice coming home from work and decides to take matters into her own hands. She dresses suggestively and roams the streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life spills over into her regular life in the fashion industry. Written by
Ed Sutton <firstname.lastname@example.org>
One of the body-part filled shopping bags that Thana carries out of her apartment is from Fiorucci, a popular store in New York at that time. See more »
Thana never appears to run out of bullets for her gun, and she frequently uses a full clip (around seven rounds) to kill her victims. Although we see Thana loading and re-loading a clip for her .45 caliber semi-automatic pistol, it is never explained where she gets the ammunition, and a person of her background would not know where to purchase bullets either legally or illegally. See more »
A shy and mute seamstress (Zoe Lund) goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York after dark and randomly kills men with a .45 caliber gun.
The director, Abel Ferrara, who would go on to make other genre films, with this one featuring a cast of people you likely never heard of performing just as well as "real" stars would. Ferrara himself appears under another name as a rapist, and Steve Dash also appears under another name, though Dash is hardly a notable figure.
The eerie music is reminiscent of Italian horror, which struck me as beautiful and perfect for such a film. Really, this is a very slick production and a much more enjoyable film than "I Spit on Your Grave". While "Grave" is the best known of the revenge films, and the one that really started the subgenre, this one just looks better. With all due respect to Meir Zarchi and Camille Keaton, this one should get more praise than it does.
I love that the insult "get bent" is used... its employment is not nearly often enough these days. I also appreciated the free advertising for the P. Chimento trucking company of Patchogue, New York. This, more than anything else, really shows that the film was made in New York City, as anyone from outside the area will have no idea what it is.
The name of Zoë Lund's character, Thana, is reminiscent of the Greek god of death, "Thanatos". Sigmund Freud used the word to refer to the human "death instinct", which leads people to take risks, seek thrills or behave destructively in ways that could lead to death. Was this intentional? I have no idea. But it is fitting.
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