An artist slowly goes insane while struggling to pay his bills, work on his paintings, and care for his two female roommates, which leads him taking to the streets of New York after dark and randomly killing derelicts with a power drill.
Strippers in Manhattan are being stalked and murdered by a psycho. A hard-nosed police detective and a conflicted ex-boxer-turned-private-eye, hired by the strip club owners, set out to find him before he strikes again.
Billy Dee Williams,
A debauched Hollywood movie actor tries to piece together one wild night in Miami years earlier which remains a drug-induced blur, and soon finds out that some questions about his past are best left unanswered.
Born in the Bronx and raised in upstate New York, Abel Ferrara started his professional film career on Mulberry Street in 1975. For the past year he's been living on the block, and the ... See full summary »
New York City, the 1930s. A powerful crime family is caught in a lethal crossfire between union organizers and brutal corporate bosses. Against this turbulent backdrop, the family's three ... See full summary »
A timid and mute woman gets raped twice coming home from work and decides to take matters into her own hands. She dresses suggestively and roams the streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life spills over into her regular life in the fashion industry. Written by
Ed Sutton <firstname.lastname@example.org>
A shy and mute seamstress (Zoe Lund) goes insane after being attacked and raped twice in one day, in which she takes to the streets of New York after dark and randomly kills men with a .45 caliber gun.
The director, Abel Ferrara, who would go on to make other genre films, with this one featuring a cast of people you likely never heard of performing just as well as "real" stars would. Ferrara himself appears under another name as a rapist, and Steve Dash also appears under another name, though Dash is hardly a notable figure.
The eerie music is reminiscent of Italian horror, which struck me as beautiful and perfect for such a film. Really, this is a very slick production and a much more enjoyable film than "I Spit on Your Grave". While "Grave" is the best known of the revenge films, and the one that really started the subgenre, this one just looks better. With all due respect to Meir Zarchi and Camille Keaton, this one should get more praise than it does.
I love that the insult "get bent" is used... its employment is not nearly often enough these days. I also appreciated the free advertising for the P. Chimento trucking company of Patchogue, New York. This, more than anything else, really shows that the film was made in New York City, as anyone from outside the area will have no idea what it is.
The name of Zoë Lund's character, Thana, is reminiscent of the Greek god of death, "Thanatos". Sigmund Freud used the word to refer to the human "death instinct", which leads people to take risks, seek thrills or behave destructively in ways that could lead to death. Was this intentional? I have no idea. But it is fitting.
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