A former drug lord returns from prison determined to wipe out all his competition and distribute the profits of his operations to New York's poor and lower classes in this stylish and ultra violent modern twist on Robin Hood.
Andy is a new teacher and an inner city high school that is like nothing he has ever seen before. The students have to go through a metal detector when they go through the front door and ... See full summary »
Mark L. Lester
Merrie Lynn Ross,
Timothy Van Patten
The early life and career of Vito Corleone in 1920s New York is portrayed while his son, Michael, expands and tightens his grip on his crime syndicate stretching from Lake Tahoe, Nevada to pre-revolution 1958 Cuba.
A timid and mute woman gets raped twice coming home from work and decides to take matters into her own hands. She dresses suggestively and roams the streets alone, wreaking vengeance upon anyone who tries to take advantage of her. Eventually, her secret life spills over into her regular life in the fashion industry. Written by
Ed Sutton <email@example.com>
The name of Zoë Lund's character, Thana, is reminiscent of the Greek god of death, "Thanatos". Sigmund Freud used the word to refer to the "death drive," a subject's internal drive to return to an inorganic state. See more »
Thana never appears to run out of bullets for her gun, and she frequently uses a full clip (around seven rounds) to kill her victims. Although we see Thana loading and re-loading a clip for her .45 caliber semi-automatic pistol, it is never explained where she gets the ammunition, and a person of her background would not know where to purchase bullets either legally or illegally. See more »
Ms. 45' is probably Abel Ferrara's masterpiece despite it's many flaws. It has originality, a great music score and it leaves an indelible impression for better or worse. When we first meet Thona (Zoe Tamerlis) we wonder why she is so quiet and it is only when one of her tormentors asks her why she doesn't speak that we realise it is because she *can't* speak. This is a shocking revelation and even more shocking is the fact that this demure looking girl becomes a cold blooded murderer. The photography captures late 70's New York to perfection, at all times of day and night. The pacing and editing are excellent leaving no time for any dull moments. The acting is perfect with the exception of the Landlady (Editta Sherman) who, despite being eccentric and amusing, is no actress. The climax is set at a fancy dress party and the ensuing mayhem when Zoe goes berserk is choreographed and filmed to great (almost hypnotic) effect.
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