Tomislav is a former Partizan who continues his struggle after the war as a dedicated member of Tito's secret police. He meets and falls in love with a ballet dancer from a bourgeois family... See full summary »
After the end of the war in Kosova, the UN liberates Kukum, Mara and Hasan from the mental hospital they have lived in for several years. Unsure of what to do next, they set off across the ... See full summary »
American marathon runner Michael Andropolis sets his heart on representing his country at the Olympic games. Meanwhile his marriage has fallen apart and his children have no respect for him... See full summary »
Steven Hilliard Stern
A dense film that cuts up footage of a primary plot of two young Yugoslavian girls, one a politico and the other a sexpot, and an affair with a visiting Russian skater. Mixing metaphors of ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
Inspired by Karl Marx's "Das Kapital", three men and a girl named Jugoslava decide to wake up the conscience within the working class and peasants. Faced with the primitivism and a lack of ... See full summary »
The film follows a life of a homeless, but very well read, Marxist who is coping with Che's death and wishes to live a life of revolutions and workers' uprisings. He is a hypochondriac, ... See full summary »
Marilyn Jordan is a bored housewife in Sweden who is liberated (sexually and otherwise) by her relationship with a group of gregarious Yugoslavs. Based on a true story. Written by
Stewart M. Clamen <firstname.lastname@example.org>
On its original USA release, this film was cut by seconds to avoid receiving an "X" rating from the MPAA. This "R"-rated version was also soon seen on home video and premium cable in that country, but in more recent years the uncensored original has turned up on both as "unrated." See more »
They feed these monkeys oranges and bananas! Why don't you treat me like that?
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This is a nihilist black comedy about the emptiness of success and riches.
Susan Anspach is an American housewife, 40ish, married to a rich Swede, and living in a palatial Stockholm seaside residence. She's bored and frustrated. Her father-in-law is 80ish and auditioning wives. Her children are helping their grandfather with the auditions. Her husband is always out of town, and when he's in town he won't sleep with her. Gradually, her behavior is becoming more and more erratic.
When she is denied permission to board a plane to Brazil (because she tried to carry oversized gardening shears on board), she falls in with some struggling Yugoslavian immigrants, and is attracted by their zestful, lusty craziness.
This movie is completely nihilistic. All of the characters are painted in very broad comic brushstrokes, ala Dr. Strangelove, and the sets and situations border on the surrealistic. (There's even a dysfunctional clock homage to Dali's "Persistence of Memory")
This is one odd movie, but I liked it a lot. One cannot expect the characters to behave as people really would, but the movie is energetic and hilarious in sections, erotic in other sections, and the production values are impressive.
This was made in 1981. The director never really made a brilliant movie, but he should have. There is so much talent in evidence here.
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