The intercut story of two women: a nearly-mute beauty queen who descends into withdrawal and madness, and another who captains a ship laden with candy and sugar, luring men and boys aboard ... See full summary »
A major of Red Army is late for the train that takes Soviet's forces from Berlin. He telephones to Moscow and finds out that his wife has left him and that someone has moved in his ... See full summary »
After many adventures, a young female switchboard operator starts a love relationship with a serious young man. But while he's away on business, she gets lonely and succumbs to her ... See full summary »
A love romance between older, respectable engineer that came in the industrial town to do some expert job and young hairdresser in whose house he stayed in and the consequences of that ... See full summary »
An eccentric marketing guru visits a Coca-Cola subsidiary in Australia to try and increase market penetration. He finds zero penetration in a valley owned by an old man who makes his own ... See full summary »
In a small European country, the king is scheduled to visit a small, quiet and "safe" village. It turns out that while the village may indeed be small, it's neither as quiet nor as safe as it's expected to be.
Against a background of war breaking out in Europe and the Mexican fiesta Day of Death, we are taken through one day in the life of Geoffrey Firmin, a British consul living in alcoholic ... See full summary »
Experimental anthology film consisting of nine segments - Contrasts, The Janitor, The Plumber, Another Wet Dream, The Happy Necrophiliacs, On a Sunday Afternoon, A Face, Politfuck, Flames - all focused on 70s sex, love and politics.
Marilyn Jordan, an American, lives in Stockholm with her Swedish husband and family. Her behavior is bizarre, perhaps mad: she poisons the dog's milk and advises the dog not to drink it; she sets the sheets afire as her husband sleeps; she crawls under the dining table to sing. While detained at airport customs for carrying pruning shears, she meets a young Yugoslav woman and goes with her to a Gypsy enclave where she's fought over, takes a lover, helps with the sordid entertainment at a bar, and returns home more dangerous than before. The film also tells parallel stories of Marilyn's daughter becoming a junior homemaker as the young immigrant practices her striptease. Written by
On its original USA release, this film was cut by seconds to avoid receiving an "X" rating from the MPAA. This "R"-rated version was also soon seen on home video and premium cable in that country, but in more recent years the uncensored original has turned up on both as "unrated." See more »
I read in the papers yesterday about a man in France who entered a snail eating competition.
He ate a hundred and seventy-eight snails... and then he dropped dead.
Only a Frenchman could die like that. I would rather be shot on my 101st birthday... by a jealous husband.
You see, he plans to stay with us another 17 years.
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This is a nihilist black comedy about the emptiness of success and riches.
Susan Anspach is an American housewife, 40ish, married to a rich Swede, and living in a palatial Stockholm seaside residence. She's bored and frustrated. Her father-in-law is 80ish and auditioning wives. Her children are helping their grandfather with the auditions. Her husband is always out of town, and when he's in town he won't sleep with her. Gradually, her behavior is becoming more and more erratic.
When she is denied permission to board a plane to Brazil (because she tried to carry oversized gardening shears on board), she falls in with some struggling Yugoslavian immigrants, and is attracted by their zestful, lusty craziness.
This movie is completely nihilistic. All of the characters are painted in very broad comic brushstrokes, ala Dr. Strangelove, and the sets and situations border on the surrealistic. (There's even a dysfunctional clock homage to Dali's "Persistence of Memory")
This is one odd movie, but I liked it a lot. One cannot expect the characters to behave as people really would, but the movie is energetic and hilarious in sections, erotic in other sections, and the production values are impressive.
This was made in 1981. The director never really made a brilliant movie, but he should have. There is so much talent in evidence here.
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