A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <email@example.com>
Faye Dunaway mentions in her autobiography that she screamed herself hoarse during the filming for the notorious wire hanger tantrum scene in this movie. She called Frank Sinatra for help, and he gave her some pointers on how to get her voice back into shape. See more »
A camera shadow is visible against the blue curtains (left side of the screen) when Joan Crawford rides the merry go round. See more »
[pretending to be Joan]
Oh yes, it was thrilling. I'm so grateful to you all... my WONderful fans, who made me a star. Oh yes. It was thrilling. I'm so grateful to you all. My WON-der-ful fans, who made ME a star... MOMMIE?
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Some of the behavior of the real Joan Crawford (Lucille LeSueur) was symptomatic of what we nowadays refer to as obsessive-compulsive disorder (OCD), a mindset that fixates on ultra-cleanliness and perfection. Such bizarre behavior as needlessly scrubbing clean floors and clean hands helps reduce one's fears and anxieties. Over-reaction to minor problems is one result. There's a tendency to expect oneself and others to be perfect. If what is being judged is not perfect, then the OCD mindset perceives it to be the opposite of perfection; that is, ruin. There's no in-between.
Character behavior that is weird to begin with, combined with poor film direction, and an exaggerated, over-the-top performance by Faye Dunaway results in plot sequences that are campy and outlandish, thus robbing the story of subtle truths that may be buried under all that bombast.
Excise the rose garden sequence, the wire-hangers/bathroom cleaning sequence, and several other embarrassing parts, and we "might" have a film that could be taken seriously. But, of course, then we couldn't laugh at it. And I do think the film, as is, is good for some laughs.
Having a film protagonist who is such a blatant villain with no character arc is unusual, and helps make this film so bizarre. At least Godzilla, and the great white shark in Jaws, could be forgiven their cruelty, given their inability to be human.
Apart from the bizarre main character in "Mommie Dearest", the film's plot does not flow well. The dialogue also is bizarre and lacks subtext. "Helga, I'm not mad at you, I'm mad at the dirt", says Joan as she spots dirt hiding under a potted plant. And as an out-of-control, angry Joan proceeds to punish a tree in her rose garden, in frustration with Louis B. Mayer, she yells to Christina: "Bring me the ax". How can the viewer not laugh?
Lucille LeSueur undoubtedly was an ambitious woman, a hard worker, and had both genuine talent and a healthy ego. But her human relations with others, especially her adopted daughter, were disasters. We may never know the extent to which "Mommie Dearest" mirrors the real Joan Crawford, or is merely a gross exaggeration by a vengeful "heirless" heir.
Regardless, Joan Crawford left us some terrific films. She had a memorable, unique personality, and will remain a stunning Hollywood legend for as long as Hollywood exists.
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