A look at the life of Alfred Kinsey (Neeson), a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <email@example.com>
A scene was filmed in which Joan and young Christina build a campfire on the beach and Joan initiates a soul-baring conversation with the girl. Dunaway mentions this in her autobiography, and reveals that it was one of the first scenes they were required to shoot. She felt the scene was crucial because it made an attempt to explain some of Crawford's erratic behavior, and she was dismayed that the production required them to shoot such an emotional scene before any of the necessary history had been established between the actors. She took it as a warning sign that the production's priorities were in the wrong place, and ultimately the scene was cut from the film altogether. See more »
At the pool when Joan says "Who do you think you're talking to, Missy?" her mouth does not match "Missy". See more »
[after discovering dirt underneath a large indoor planter]
Ohhhh... Helga. When you polish the floor, you have the move the tree. If you can't do something right, don't do it at all.
I'm sorry, Miss Crawford...
Gimmie the soap. You see, Carol Ann, you've got to stay on top of things every single minute.
Carol Ann, will you get that?
Yes, Miss Crawford.
Helga, I'm not mad at you, I'm mad at the dirt.
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This one actually goes half and half with me so its good and bad (or should I say it's so bad that it's good). I am a living witness (Hallelujah!) that whenever you are feeling down or depressed, watch "Mommie Dearest". But, word to the wise, don't watch it expecting good acting and wonderful relevance to the book, because you surely will not get it. The thing that makes the movie float above the rest of camp classics is the fact that it is based on an informative book by Joan's daughter, Christina. Therefore, it is to be dramatic and realistic like say "Guyana Tragedy" or "The Josephine Baker Story". But this movie is so unrealistic, it is funny. "And if you really want to roll over on the floor and have the mortician come to your house because you died laughing, I would recommend that you watch the whole thing on DVD and with French language (especially the wire hanger sequence). Hell, it doesn't matter if you don't speak the language, Mommie Dearest is like the opera, the emotions and movement will tell all you need to know, without understanding of the language. If I were giving an Oscar to Mommie Dearest, It would be for the beautiful silver dress Faye Dunaway has on... to take Christina's rancid, awful meat to the freezer, just so she can make the little snot eat it the next day. But as for the acting, no way! Faye goes over the top in her hammy performance as Joan, the poster-child for goggle eyed takes, shoulder pads, ankle-strapped shoes, and hypochondriac cleanliness. Diana Scarwid is so bland and uninteresting as Christina. and the rest of the cast... well, they are OK considering the parts they were given. But the only factors that could have made or broke Mommie Dearest were the two main characters therein, Joan and Christina Crawford. Scarwid broke the movie by vice of her apathy to the role she played (I would have thought in all accounts that if a child was abused, they would come out of it with a newfound understanding of their own inner strength and fight like hell to survive, which is what the real Christina did, according to the book. But, Scarwid is so unmotivated. She reminds me of my junior year Biology teacher, inane and in it for the paycheck. I think this performance is what caused Scarwid's Tinseltown demise. On the other hand, Dunaway hams it up and made the picture pass that thin line between drama and camp. Watch the movie. You will not think it Oscar Material but you will not be bored either.
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