A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <firstname.lastname@example.org>
The first film to nearly "sweep" the Golden Raspberry Awards (or RAZZIES), with five "wins" (including Worst Picture and three out of four acting awards) from a then-record nine nominations. See more »
Throughout the entire film, there are sequences (especially yelling and screaming sequences) where there are obvious echos of what they are saying. See more »
[Joan has just easily beaten Christina in a pool race]
Oh, you lost again.
It's not fair. You're bigger than I am, it's not fair to win twice.
AH, but nobody ever said life was fair, Tina. I'm bigger and I'm faster. I will always beat you.
Then I'm not gonna play with you any more. EVER.
Don't you EVER use that tone of voice with me, missy. WHO DO YOU THINK YOU'RE TALKING TO? I'll tell you what you're gonna do, you're gonna MARCH yourself UPSTAIRS to your room and you will STAY THERE until I ...
[...] See more »
Indisputable classic of the highest order, 'Mommie Dearest' just SCREAMS cult hit every chance it gets, and just about ruined Faye Dunaway's reputation in the process. Mind you, there's nothing WRONG with Dunaway's performance, as a matter of fact, it's really good, but what's so good about it is how she plays every scene with fearless abandon, whether it's the wirehanger scene, the departure from MGM or chokeslamming Christina through a glass table, Dunaway gives 100% percent! And you should too! The first half is MUCH more frenetic then the 2nd half (aka young Christina vs Old) and the first part has all the best bits, but not to say the 2nd part is good too, it really starts to mellow out and (gasp) you start to feel SOME compassion to the old broad. Diana Scarwid is good too, although her playing what looks to be a 13 year old girl looks a bit too much.
This wasn't my first time at this rodeo (I'd seen this before) and I enjoyed it as much as I had the first time!
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