The abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother, screen queen Joan Crawford, is depicted.



(book), (screenplay) | 3 more credits »
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9 wins & 11 nominations. See more awards »



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Cast overview, first billed only:
Mara Hobel ...
Harry Goz ...
Joe Abdullah ...
Gary Allen ...
Selma Archerd ...
Adrian Aron ...
Wedding Guest
Christopher Crawford (adult)


Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by Geoffrey A. Middleton <>

Plot Summary | Plot Synopsis


One thing is certain: You'll never look at a wire hanger the same way again! See more »


Biography | Drama


R | See all certifications »

Parents Guide:





Release Date:

25 September 1981 (USA)  »

Also Known As:

Maman très chère  »

Box Office


$5,000,000 (estimated)

Company Credits

Production Co:

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Technical Specs


Sound Mix:



Aspect Ratio:

1.85 : 1
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Did You Know?


This was Jocelyn Brando's final film before her death on November 27, 2005 at the age of 86. See more »


When Joan meets with Mayer in his office, she is standing in front of a large portrait featuring a group of MGM stars. This scene is supposed to be taking place circa 1943. The portrait clearly features Esther Williams standing at the end of the front row in her Roman costume for JUPITER'S DARLING, which was filmed in 1955, 12 years after Joan left Metro. See more »


[Joan is drunk and stumbling over her lines in a live-television soap opera]
Joan Crawford: Bill... could you... could you CALL...
Bill (Actor In Soap): You want me to call Cindy for you?
Joan Crawford: Yes. You know, she, uh... she wants to...
Bill (Actor In Soap): I know that she wants to have an affair with Robert. But, are you sure his divorce is final?
Joan Crawford: If his DIVORCE is final?
See more »


Referenced in iZombie: The Whopper (2016) See more »


Written by Johnny Mercer & Victor Schertzinger
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Frequently Asked Questions

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User Reviews

Words Can't Do Justice
1 September 2005 | by (United States) – See all my reviews

It seems almost pointless for me to add any comments here, since everyone else who's posted has done such a great job of summarizing this film's merits, but I can't resist. How do you rate a movie like this? On the one hand, it's one of the worst movies I've ever seen: completely lacking in coherence, shameful acting, writing so bad it seems to be making fun of itself. In fact, I'm still not convinced this movie isn't supposed to be a parody of Christina Crawford's book rather than a serious attempt to adapt it to the screen. On the other hand, it's such a rip-roarin' good time of a show that I'm tempted to give it 10 stars on the strength of its sheer entertainment value alone.

Faye Dunaway gives the most jaw-droppingly mesmerizing freak out ever captured on screen, whose bizarreness cannot even be topped by Halle Berry's Oscar acceptance speech. Dunaway must have realized early on that she was a rat in a sinking ship, but instead of deserting, she decides instead to devour the crew. I don't know if her performance comes anywhere close to capturing the real Joan Crawford, but if Crawford was even a tenth of a percent as loony as Dunaway portrays her here, I would have been high-tailing it to Canada if I were either of her children. The fabulous lines, many of which are quoted on this site, can't really be done justice when removed from the context in which they appear, and you really have to see the faces of the actors as they're delivering them to get the full effect. The wire hanger scene is of course a classic, but it's really the floor scrubbing scene immediately following, with Dunaway in kabuki makeup squatting on the floor like a Sumo wrestler, that remains more memorable. Watching Joanie jog is a sight to behold, especially when she starts talking to herself and scrunching her face up as if she's imitating Alvin or one of his chipmunks. There's the "I can handle the socks" moment, one of the most seductive moments (hee, hee) in film history, and of course the coup de grace comes when Joanie tackles Christina across the coffee table and begins banging her head into the floor like she's in a women's prison movie.

The editing in this film is atrocious. There's no sense of time; events follow each other in a loosely chronological fashion, but they don't make dramatic or narrative sense. Frank Perry, the director, must have been dozing off through much of this production; either that or his film crew carried out a mutiny, tied him up, threw him in a shed, and went ahead without him. But it seems churlish to criticize a film like this for its poor film making. It's like kicking a dead horse.

All I can say is, if you watch this movie with the right people in the right frame of mind (i.e. with alcohol), you will be howling. I watched this with a group in college, and we had to periodically pause the movie in order to allow everyone to recover before continuing. Thank you, Ms. Dunaway, for giving us "Mommie Dearest." The world will never be able to repay you for your kindness.

Grade: F or A+ (depending on your perspective and level of sobriety)

92 of 112 people found this review helpful.  Was this review helpful to you?

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She's a natural Miss Crawford spice-18
Filming Locations centipede84
Christopher larassilveira
I think Christina's story checks out. And there is proof. j-s-inbrewer
Anyone know about the house this was filmed in? andrenkrystel
Joan's Last Scene Alive In The Film = Money Problems? poplion
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