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Mommie Dearest (1981)

6.6
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Ratings: 6.6/10 from 8,820 users  
Reviews: 151 user | 61 critic

Mommie Dearest, best selling memoir, turned motion picture, depicts the abusive and traumatic adoptive upbringing of Christina Crawford at the hands of her mother...screen queen Joan Crawford.

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(book), (screenplay), 3 more credits »
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Title: Mommie Dearest (1981)

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In this documentary on the life of 'Joan Crawford', we learn why she should be remembered as the great actress she was, and not only as the "mommie dearest." caricature she has become. ... See full summary »

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SURVIVING MOMMIE DEAREST: A documentary based on a one-woman multimedia play written by and starring best-selling author, Christina Crawford. It covers not only 100 years of entertainment ... See full summary »

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Cast

Cast overview, first billed only:
...
...
...
Howard Da Silva ...
Mara Hobel ...
...
Harry Goz ...
Michael Edwards ...
...
...
Joe Abdullah ...
Captain
Gary Allen ...
Jimmy
Selma Archerd ...
Connie
Adrian Aron ...
Wedding Guest
...
Christopher Crawford (adult)
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Storyline

Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by Geoffrey A. Middleton <gamidd01@morehead-st.edu>

Plot Summary | Plot Synopsis

Taglines:

The greatest role of her life...was her life. See more »

Genres:

Biography | Drama

Certificate:

R | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

18 September 1981 (USA)  »

Also Known As:

Maman très chère  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Metrocolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The set of the soap opera Christina performs in is the same exact set of the Cunningham home from Happy Days (1974). The kitchen is identical and the very recognizable living room can be viewed behind the actor sitting at the kitchen counter. See more »

Goofs

In the wire hanger scene, Christina's bed is mysteriously stripped of all its sheets and comforter. See more »

Quotes

Mr. Dodd: My daughter Ellen would love to have your signature, Miss Crawford.
Joan Crawford: Of course!
[signs menu]
Louis B. Mayer: You see? She didn't ask for L.B. Mayer's signature!
Joan Crawford: That's because she's not as smart as her father. She doesn't know that you are King!
Louis B. Mayer: [Joan gets up to leave] Where are you going? Come join us, we're having dinner! You're one of the reasons bankers love Metro.
Joan Crawford: No, thank you, L.B., but our table is ready.
Louis B. Mayer: I insist.
[Joan sits]
Louis B. Mayer: You're aces, Joanie!
[...]
See more »

Connections

Featured in The 54th Annual Academy Awards (1982) See more »

Soundtracks

Isn't It Romantic
Written by Richard Rodgers (as Rodgers) & Lorenz Hart (as Hart)
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Woman on the Verge of a Nervous Breakdown

There is no doubt that Christina Crawford's scathing 1978 memoirs did much initial harm to her late mother's reputation. The subsequent 1981 film has eclipsed even the bestselling book to become the standard by which the real-life Joan is judged. However, I'm inclined to believe that those who dismiss Joan today as a psychotic harpy and nothing more never even saw the film version of "Mommie Dearest," and only heard secondhand reports of the most infamous scene ("No...wire...hangers!").

Most tellingly, Christina Crawford reportedly hated the film version of her book, and wailed upon seeing it, "They turned it into a Joan Crawford movie!" She's right. With the exception of the two most graphic scenes ("No wire hangers" and the choking scene), Joan's "abuse" of Christina is not all that much different from what passed as "discipline" in those days--just ask your parents or grandparents--and despite Faye Dunaway's full-throttle acting, Joan always somehow comes off in a strangely sympathetic light.

What we see is an insecure woman fighting for survival in an age-obsessed, male-dominated industry. Such scenes as Joan's heartless dismissal from MGM invite sympathy; while her snarling, veritable takeover of Pepsi Co. elicts cheers for her ballsiness and strength. Christina, on the other hand, is invariably depicted as either gratingly whiny or cardboard stiff. It's difficult to empathize with such an annoying character.

"Mommie Dearest"'s grandest artistic achievement is through the impeccable art direction, which truly makes the audience believe they are watching a film unfold in the 1940's and 1950's. Its lasting legacy, however, is Faye Dunaway's career-ending performance, which, depending on your point of view, is either jaw-droppingly awful or unbelievably brilliant.

Dunaway's acting "choices" are nothing if not idiosyncratic: clutching her bosom frantically as she cries, "You...deliberately...embarass me in front of a REPORTER!"; copying the real-life Crawford's facial expressions from the horror flick "Strait-Jacket" in the axe-wielding scene; and, most famously, her odd, cross-eyed pose that she strikes not once, or twice, but three times: holding baby Christina on the staircase, rubbing moisturizer on her elbows after hiding Christina's dolls, and following her wire hanger/cleansing powder attack.

It is Dunaway's nostril-flaring, hair-pulling, bosom-clutching style that really sends this film into the camp stratosphere. On paper, such scenes as Joan swatting Christina on the butt for defying her orders, or Joan insisting that Christina finish her rare steak, would seem bland. In Dunaway's hands, they become something else altogether!

Actually, Christina Crawford should thank Faye Dunaway; if not for her crazed, unforgettable portrayal, "Mommie Dearest" would have been just another trashy Hollywood memoir that eventually would've been forgotten (does anyone really care about B.D. Hyman's book about Bette Davis anymore?). And a film version without Dunaway would've been rightfully panned, forgotten, and relegated to cut-out bins at your local video emporium. Instead, Faye Dunaway has ensured its place in film immortality. It still stands alone among camp classics, but perhaps some re-evaluation of it (and of Joan Crawford herself) is due.


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Message Boards

Recent Posts
How could anyone find this movie funny? coupleofflakes2
'Mommie Dearest' Hits home for me. tminnie
I think Christina's story checks out. And there is proof. j-s-inbrewer
Why Did everyone dislike the movie so much? Kylkoog
One of My Mother's Favourite Films -Saw Nothing Wrong With the Behaviour cgrady-2
What's wrong with wire hangers? Normal-Bates
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