A look at the life of Alfred Kinsey, a pioneer in the area of human sexuality research, whose 1948 publication "Sexual Behavior in the Human Male" was one of the first recorded works that saw science address sexual behavior.
Basquiat tells the story of the meteoric rise of youthful artist Jean-Michel Basquiat. Starting out as a street artist, living in Thompkins Square Park in a cardboard box, Jean-Michel is "... See full summary »
Benicio Del Toro
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <email@example.com>
Publicity for this picture reported that actress Faye Dunaway once said of her role in this movie: "It was my most difficult screen role in terms of the time I am in the film and the emotional heights demanded by the part". See more »
In the bathroom cleaning scene, Joan has two rags in her hand. She pitches one to the floor, which Tina clearly does not pick up. Then Joan leans down to scrub the floor, and suddenly Christina has a rag in her hand. See more »
My babies! Someone stole both my babies!
That's good, darling. They were thoughtless, selfish, spoiled children. Now they won't wake you up when you need your rest.
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This may very well be one of the most loathsome and sloppy screen treatments to ever have been derived from a literary memoir. I only noticed four distinct areas in which "Mommie Dearest" is a complete disaster: the screenplay, the acting, the direction and the editing. Other than that, this is a fine film. Director Frank Perry delivers what could be one of the sloppiest directing jobs ever released by a major studio. He simply sits back and lets Dunaway rip. He was either supremely untalented or he purposefully intended to sabotage her. The narrative is chopped up worse than a Thanksgiving turkey, with a bizarre and fragmented collection of scenes showcasing little but mass hysteria. Dunaway does not chew scenery. Dunaway starts neatly at each corner of the set in every scene and swallows it whole, costars and all. Oy Faye!
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