In this documentary on the life of 'Joan Crawford', we learn why she should be remembered as the great actress she was, and not only as the "mommie dearest." caricature she has become. ... See full summary »
SURVIVING MOMMIE DEAREST: A documentary based on a one-woman multimedia play written by and starring best-selling author, Christina Crawford. It covers not only 100 years of entertainment ... See full summary »
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <email@example.com>
Christina Crawford's book, on which this film was based, was one of the biggest-selling memoirs in the history of American publishing, with more than 4 million copies sold in hardback alone. See more »
In a scene set in the late Sixties, Joan Crawford signs a stack of publicity photos that date back to her appearance twenty years earlier; in reality, Crawford always sent out current fan photos. See more »
No... wire... hangers. What's wire hangers doing in this closet when I told you: no wire hangers EVER? I work and work 'till I'm half-dead, and I hear people saying, "She's getting old." And what do I get? A daughter... who cares as much about the beautiful dresses I give her... as she cares about me. What's wire hangers doing in this closet? Answer me. I buy you beautiful dresses, and you treat them like they were some dishrag. You do. Three hundred dollar dress on a wire hanger. We'll see how...
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Indisputable classic of the highest order, 'Mommie Dearest' just SCREAMS cult hit every chance it gets, and just about ruined Faye Dunaway's reputation in the process. Mind you, there's nothing WRONG with Dunaway's performance, as a matter of fact, it's really good, but what's so good about it is how she plays every scene with fearless abandon, whether it's the wirehanger scene, the departure from MGM or chokeslamming Christina through a glass table, Dunaway gives 100% percent! And you should too! The first half is MUCH more frenetic then the 2nd half (aka young Christina vs Old) and the first part has all the best bits, but not to say the 2nd part is good too, it really starts to mellow out and (gasp) you start to feel SOME compassion to the old broad. Diana Scarwid is good too, although her playing what looks to be a 13 year old girl looks a bit too much.
This wasn't my first time at this rodeo (I'd seen this before) and I enjoyed it as much as I had the first time!
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