The emotional story of a young man in a mental institution for teens who begins to understand his psychosis in the environment of others with mental and emotional problems. He finds ... See full summary »
Howard Da Silva
In this documentary on the life of 'Joan Crawford', we learn why she should be remembered as the great actress she was, and not only as the "mommie dearest." caricature she has become. ... See full summary »
SURVIVING MOMMIE DEAREST: A documentary based on a one-woman multimedia play written by and starring best-selling author, Christina Crawford. It covers not only 100 years of entertainment ... See full summary »
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <firstname.lastname@example.org>
In a second, far less successful book about her tumultuous life, Christina Crawford writes that Faye Dunaway "auditioned" for the part of Joan by dressing herself up as the movie star and showing up unannounced on director Frank Perry's doorstep. Christina also says that when the film opened, she hesitantly went to see it one afternoon by herself at a theater in Los Angeles. She was the only one in the audience. See more »
When Joan chops down the tree she gasps, and in the next shot the exact same gasp is repeated (noticeable by the odd cut in sound). See more »
"Why can't you treat me like I would be treated by any stranger on the street?"
"Because I am NOT one of your FANS!"
Simply said, this is superb trash. Enjoyable b.s. Faye Dunaway lobbied hard for the role of Joan Crawford (Christina Crawford wanted Anne Bancroft) and she admirably sinks into the part with relish. I loved the opening montage of "Joan" preparing for her day early in the morning: scrubbing her hands and nails, numbing her face in ice cubes, leafing through a script in her car, getting made-up, and then whirling around in her chair and letting loose with a breathy, "Let's go!"... Sadly, Frank Perry's direction is awkward and unsure, cutting off some sequences before they're allowed to build and letting other scenes ramble on. The movie doesn't do justice to the riveting book by Joan's adopted daughter Christina, committing to film the book's highlights, the talked-about bits where Crawford freaked out, but skimping on the details. We learn absolutely nothing about Christina's many tormented years in an L.A. Catholic Boarding School (we see her check in and we see her check out). Joan's marriage to Pepsi czar Alfred Steele and her three other adopted kids are also given the short shrift. What we do get with "Mommie Dearest" is pure, unadulterated Faye. She acts up a storm and revels in these primal opportunities. It's one of the highlights of her spotty career. **1/2 from ****
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