In this documentary on the life of 'Joan Crawford', we learn why she should be remembered as the great actress she was, and not only as the "mommie dearest." caricature she has become. ... See full summary »
Based on the book about Joan Crawford, one of the great Hollywood actresses of our time, written by her adopted daughter Christina Crawford. Joan decides to adopt children of her own to fill a void in her life. Yet, her problems with alcohol, men, and the pressures of show business get in the way of her personal life, turning her into a mentally abusive wreck seen through the eyes of Christina and her brother Christopher, who unwillingly bore the burden of life that was unseen behind the closed doors of "The Most Beautiful House in Brentwood." Written by
Geoffrey A. Middleton <email@example.com>
The pressbook for the film goes into detail about several of the scenes, including one sequence that was cut from the film. Apparently they filmed an entire sequence where young Christina runs away from home and Joan goes out looking for her in her car. The classic cars that were necessary for the film caused a big stir in the neighborhood where the scene was filmed, and one of the people stopped in traffic so as not to ruin the scene was Barbra Streisand, who apparently spent time hanging out with Faye Dunaway between takes. See more »
Obvious dummy when Joan beats Christina during the wire hangers tantrum. See more »
Hauling me over to Mayer's table like some picked-up floozie! Or one of those starlets. Out to give the big shots a nice night in town. Is that what you think of me?
How many drinks is that? When you were a kid that made you look sexy. Now it just makes you look drunk.
[hurling her drink into Greg's face]
I may as well have "property of MGM" tattooed on my back side! Dammit, Perrino's is MY PLACE.
Nobody wanted my signature, so I just walked in!
You expect me to ignore my fans, they're life and ...
[...] See more »
Indisputable classic of the highest order, 'Mommie Dearest' just SCREAMS cult hit every chance it gets, and just about ruined Faye Dunaway's reputation in the process. Mind you, there's nothing WRONG with Dunaway's performance, as a matter of fact, it's really good, but what's so good about it is how she plays every scene with fearless abandon, whether it's the wirehanger scene, the departure from MGM or chokeslamming Christina through a glass table, Dunaway gives 100% percent! And you should too! The first half is MUCH more frenetic then the 2nd half (aka young Christina vs Old) and the first part has all the best bits, but not to say the 2nd part is good too, it really starts to mellow out and (gasp) you start to feel SOME compassion to the old broad. Diana Scarwid is good too, although her playing what looks to be a 13 year old girl looks a bit too much.
This wasn't my first time at this rodeo (I'd seen this before) and I enjoyed it as much as I had the first time!
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