A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »
Armand, a man who sells farm machines in the country, is a popular middle-aged homosexual. Just as he was getting sick of life, he falls in love with a young girl called, Curlie, and goes on the run from her parents and the police.
In Paris outskirts Blanche, a young clerk, befriends Lea, a girl livelier than she is. Lea is going steady with Fabien who is a friend to Alexandre who is going steady with Adrienne but is ... See full summary »
Robert Cole, a film editor, is constantly breaking up with and reconciling with long-suffering girl friend Mary Harvard, who works at a bank. He is irrationally jealous and self-centered, while Mary has been too willing to let him get away with his disruptive antics. Can they learn to live with each other? Can they learn to live without each other? The movie also provides insight into film editing as Robert and co-worker Jay work on their current project, a cheesy sci-fi movie. Written by
The period of principal photography on this picture ran for about ten weeks of production filming between mid May and mid July 1980. See more »
When Albert is high on Quaaludes, he puts on a record album and the disco hit "A Fifth of Beethoven" comes on. But watch the needle on the turntable - you can see the arm retracting and returning from the spindle while the music is playing. See more »
[stretching before his first jog after breaking up]
One, two, three! And I don't even miss her, two, three! One, two, three! And I don't even miss her, two, three...!
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If you're an Albert Brooks fan already and you haven't seen this one yet, get set to become an even bigger fan once you do. This ranks with "Lost in America" as one of his two best, and in many ways this takes the prize. It's as funny and painful a view of a dysfunctional person as has ever been put on film in the name of comedy. In other words, it's better than all but the very best of Woody Allen. And that's saying a lot. In fact, Brooks's own persona is more likeable and more identifiable than Woody's--and Kathryn Harrold is unbelievably attractive in the female lead.
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