Dudley Moore plays a composer who suspects his wife of cheating. He plots to kill her and frame it on her lover. The whole movie sort of compares his expectations of a perfect result to reality. In the end nothing turns out as planned.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family". However, ... See full summary »
Matt Hobbs is a talented but unsuccessful actor. When estranged (and strange) ex-wife Beth dumps their daughter Jeannie on Matt, father and daughter have a lot of adjusting to do. His ... See full summary »
In the near-distant future, a female romance writer is planning to write her next book in a remote mountain cabin. A friend convinces her to bring along a "companion", a nearly-human ... See full summary »
Robert Cole, a film editor, is constantly breaking up with and reconciling with long-suffering girl friend Mary Harvard, who works at a bank. He is irrationally jealous and self-centered, while Mary has been too willing to let him get away with his disruptive antics. Can they learn to live with each other? Can they learn to live without each other? The movie also provides insight into film editing as Robert and co-worker Jay work on their current project, a cheesy sci-fi movie. Written by
When Albert is high on Quaaludes, he puts on a record album and the disco hit "A Fifth of Beethoven" comes on. But watch the needle on the turntable - you can see the arm retracting and returning from the spindle while the music is playing. See more »
[selecting a prop for the space film he's working on]
How much would you say this weighs?
I don't know. Maybe it doesn't weigh anything - did you ever think of that? Maybe it's on one of those planets that doesn't have any gravity.
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If you're an Albert Brooks fan already and you haven't seen this one yet, get set to become an even bigger fan once you do. This ranks with "Lost in America" as one of his two best, and in many ways this takes the prize. It's as funny and painful a view of a dysfunctional person as has ever been put on film in the name of comedy. In other words, it's better than all but the very best of Woody Allen. And that's saying a lot. In fact, Brooks's own persona is more likeable and more identifiable than Woody's--and Kathryn Harrold is unbelievably attractive in the female lead.
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