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Directed by | |||
| Ken Shapiro | |||
Writing credits | ||
| Ken Shapiro | & | |
| Tom Sherohman | & | |
| Arthur Sellers | ||
| Chevy Chase | ... | Max Fielder | |
| Patti D'Arbanville | ... | Darcy | |
| Dabney Coleman | ... | Mark Winslow | |
| Mary Kay Place | ... | Lorraine | |
| Nell Carter | ... | Dorita | |
| Brian Doyle-Murray | ... | Brian Stills | |
| Mitch Kreindel | ... | Barry | |
| Arthur Sellers | ... | Mobile Supervisor | |
| Sandy Helberg | ... | Pete | |
| Neil Thompson | ... | Controller #1 | |
| Carl Irwin | ... | Controller #2 | |
| Ronald E. House | ... | Vender (as Ron House) | |
| Buzzy Linhart | ... | The Tile Man | |
| Henry Corden | ... | Dubrovnik | |
| Christine Nazareth | ... | Redhead | |
| Luke Andreas | ... | Tough Guy | |
| Jan Speck | ... | Brunette | |
| Vincenzo Gagliardi | ... | Singer | |
| François Cartier | ... | Pianist | |
| Pat Proft | ... | Maitre 'd | |
| Jim Hudson | ... | Doctor | |
| Tom Sherohman | ... | Waiter | |
| Frank Birney | ... | Man in Lobby | |
| Reid Olson | ... | Principal Dancer | |
| rest of cast listed alphabetically: | |||
| Andy Murphy | ... | Hot Dog Vendor (uncredited) | |
Produced by | |||
| Alan Greisman | .... | producer | |
| Douglas Kenney | .... | executive producer (as Douglas C. Kenney) | |
| Michael Shamberg | .... | producer | |
Original Music by | |||
| Dominic Frontiere | |||
Cinematography by | |||
| Edmond L. Koons | (as Edmond Koons) | ||
Film Editing by | |||
| Michael Jablow | |||
Casting by | |||
| Toni Howard | |||
| Nancy Klopper | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Jack Senter | |||
Set Decoration by | |||
| Anne D. McCulley | |||
Makeup Department | |||
| Gloria Montemayor | .... | hair stylist (as Gloria Montemayer) | |
| Jack Wilson | .... | makeup artist | |
Production Management | |||
| Wilbur Mosier | .... | production manager | |
Second Unit Director or Assistant Director | |||
| James Herbert | .... | second assistant director | |
| Joanne Karr | .... | dga trainee | |
| Gene Law | .... | assistant director | |
Art Department | |||
| Mel Cooper | .... | lead person (as Margaret Cooper-Fischer) | |
| George Eckert | .... | set designer | |
| Jack Johnson | .... | production illustrator | |
| George Luxemberg | .... | assistant property master | |
| Everett Olson | .... | construction coordinator | |
| James B. Olson | .... | assistant property master | |
| Richard M. Rubin | .... | property master | |
| Bob Wray | .... | set designer | |
Sound Department | |||
| G.W. Davis | .... | sound editor | |
| William Hartman | .... | sound editor | |
| Petur Hliddal | .... | sound mixer | |
| David M. Ice | .... | sound editor | |
| Randall L. Johnson | .... | cable person (as Randy Johnson) | |
| Godfrey Marks | .... | dialogue editor | |
| Hudson B. Marquez | .... | boom operator | |
| Theodore Soderberg | .... | sound re-recording mixer | |
| Richard Sperber | .... | sound editor (as Richard A. Sperber) | |
| Don S. Walden | .... | sound editor | |
| Paul Wells | .... | sound re-recording mixer | |
| Douglas O. Williams | .... | sound re-recording mixer (as Douglas Williams) | |
Special Effects by | |||
| Ira Anderson Jr. | .... | special effects | |
| Al Broussard | .... | special effects assistant | |
| Donald Puck | .... | special effects assistant | |
| Mike Edmonson | .... | special effects foreman (uncredited) | |
| Terry W. King | .... | special effects technician (uncredited) | |
Visual Effects by | |||
| Lorraine Bubar | .... | animator: Triplane Films, Inc. | |
| Jane Simpson | .... | designer/supervisor: Triplane Films, Inc. | |
| Diana Wilson | .... | rotoscope: Triplane Films, Inc. | |
Stunts | |||
| James Winburn | .... | stunt coordinator (as Jim Winburn) | |
| Mike Washlake | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bobby Altman | .... | second assistant camera (as Bob Altman) | |
| Dave Anderberg | .... | grip (as David Anderberg) | |
| Ron Batzdorff | .... | still photographer | |
| Douglas Bolder | .... | best boy grip | |
| Randy Glass | .... | gaffer (as Randolph Glass) | |
| John Goode | .... | first assistant camera | |
| Tom Prophet Jr. | .... | key grip (as Thomas Prophet Jr.) | |
| Frank Tobin | .... | best boy | |
| Dave Wachtman | .... | grip | |
| Jonathan West | .... | camera operator | |
| David Morton | .... | electrician (uncredited) | |
Costume and Wardrobe Department | |||
| Kimon Beazlie | .... | costumer: men | |
| Kathleen Brodbeck | .... | costumer: women (as Kathy Brodbeck) | |
| Jeanne Malone | .... | costume supervisor | |
Editorial Department | |||
| Joanna Cappuccilli | .... | assistant editor | |
| Vaune Kirby Frechette | .... | apprentice editor (as Vaune Kirby) | |
| Bob Hagans | .... | color timer | |
| Jon Lapidese | .... | associate editor (as Jonathan Lapidese) | |
Music Department | |||
| John R. Harris | .... | music editor (as John Harris) | |
| John Neal | .... | scoring mixer | |
Transportation Department | |||
| John Hood | .... | transportation coordinator | |
Other crew | |||
| Myron Adams | .... | location manager: New York | |
| Mel Asch | .... | publicist | |
| William Bowling | .... | location manager: Los Angeles | |
| John Clifford | .... | artistic director: Los Angeles Ballet | |
| Alan Greedy | .... | script supervisor | |
| Joseph Gunches | .... | company manager: Los Angeles Ballet | |
| Steven Jacobson | .... | managing director: Los Angeles Ballet | |
| Deborah Ross | .... | titles | |
| Mary Jane Schillerstrom | .... | assistant to producer | |
| Beverly Setlowe | .... | production coordinator | |
| Lydia Telo | .... | auditor | |
| Company credits | Box office and business | Technical specifications |
| Soundtrack listing | Main details |