Directed by | |||
| István Szabó | |||
Writing credits(in alphabetical order) | ||
| Péter Dobai | ||
| Klaus Mann | novel | |
| István Szabó | ||
Produced by | |||
| Manfred Durniok | .... | producer | |
Original Music by | |||
| Zdenkó Tamássy | |||
Cinematography by | |||
| Lajos Koltai | |||
Film Editing by | |||
| Zsuzsa Csákány | |||
Set Decoration by | |||
| János P. Nagy | (as Nagy János) | ||
| József Romvári | |||
Costume Design by | |||
| Ágnes Gyarmathy | |||
Makeup Department | |||
| Edit Basilides | .... | makeup artist | |
| Ábrisné Basilides | .... | makeup artist | |
| Rozalia Szegedi | .... | hair stylist | |
Production Management | |||
| Lajos Óvári | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Mara Luttor | .... | assistant director | |
Art Department | |||
| János Czakó | .... | stand-by props | |
| Éva Martin | .... | construction manager | |
Sound Department | |||
| György Fék | .... | sound | |
| Martin Steyer | .... | adr mixer | |
| András Szeredás | .... | dubbing scenarist | |
Stunts | |||
| Lou Horvath | .... | stunts | |
| Bela Kasi | .... | assistant stunt coordinator | |
| Ferenc Novinecz | .... | stunts | |
| Béla Unger | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Magda B. Müller | .... | still photographer | |
| Gyula Kovács | .... | camera operator | |
| József Marton | .... | chief lighting technician | |
Costume and Wardrobe Department | |||
| Judit Rákosi | .... | wardrobe | |
| Gabor Szabo | .... | dresser | |
Editorial Department | |||
| Géza Fülöp | .... | color consultant | |
| David Block | .... | colorist (uncredited) | |
Other crew | |||
| Zoltán Jekely | .... | translator | |
| Mária Ligeti | .... | choreographer | |
| Sarolta Lányi | .... | translator | |
| Sándor Martosi Mórocz | .... | location manager (as Sándor Mórocz) | |
| Angelika Máté | .... | translator | |
| Péter Máté | .... | translator | |
| Bertalan Papp | .... | advisor | |
| Jozsef Pleskonics | .... | location manager | |
| Péter Rajczi | .... | location manager | |
| János Rózsa | .... | script editor | |
| Béla Szirmai | .... | choreographer | |
| Béla Vaszary | .... | set doctor | |
| György Velezdi | .... | technician (as Velezdy György) | |
| Sándor Zeidler | .... | advisor | |
Thanks | |||
| Barbara Stone | .... | special thanks | |
| David C. Stone | .... | special thanks | |
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| The Harmonists | Lili Marleen | Aimee & Jaguar | All About Eve | Hanussen |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb West Germany section |
What can one say about this film apart from it being totally brilliant? Klaus Maria Brandauer is ideally cast in the role of Hendrik Hoefgen. The character of Hoefgen is a thinly disguised version of the famous German actor and Director of the Prussian State Theatre in Berlin, Gustav Grundgens. Grundgens compromised with the National Socialist authorities under Hitler to retain his role in the theatre. Others left as they did not want to be associated with the Third Reich and all its horrors. Marlene Dietrich was one such person. Grundgens remained. This film is a classic for any drama student as it shows the state of theatre in Germany before the rise of the Third Reich in Germany. It very clearly depicts theatre pre-1918 and also the early and important work of Bertolt Brecht. The thuggery of the Nazi German regime is clearly exposed with all the filth who polluted the upper echelons of society down to the working man. This is a brilliant piece of film making. Don't miss it as it is gripping drama.