A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and ... See full summary »
A man's story parallels Hitler's rise. Austrian Klaus Schneider, wounded in World War I, recovers in the care of Dr. Emil Bettleheim. Bettleheim discovers that Schneider possesses powers of... See full summary »
Klaus Maria Brandauer,
A tale based on the life of Wilhelm Furtwangler, the controversial conductor of the Berlin Philharmonic whose tenure coincided with the controversial Nazi era. One of the most spectacular ... See full summary »
Two masters of chess duel each other not only in their game but also in their different ideologies. The veteran Akiva is a Soviet Jew and ferocious Communist, master of his game but also ... See full summary »
Young honest public official is sworn in after his predecessor had to leave due to a corruption scandal. Soon, the young idealist discovers just how far-reaching the corruption is in his town and how easy it is to become corrupt yourself.
Auf einem Arztekongress in Wien lerne sie sich kennen: Renate, eine junge deutsche Aerztin und Jan, ein Kollege aus Warschau. Es ist Liebe auf den ersten Blick. Jan jedoch ist verheiratet ... See full summary »
A German stage actor finds unexpected success and mixed blessings in the popularity of his performance in a Faustian play as the Nazis take power in pre-WWII Germany. As his associates and friends flee or are ground under by the Nazi terror, the popularity of his character supercedes his own existence until he finds that his best performance is keeping up appearances for his Nazi patrons. Written by
Keith Loh <email@example.com>
Before "The Truman Show", "Mephisto" asks its audience, what is good entertainment?
Another disturbing film about the complicity of ordinary people in fascism, which explores similar territory to "Cabaret", "The Conformist", "The Leopard" and "The Remains of the Day". It argues that fascism demonstrates how difficult it is to separate one's public and private roles and beliefs from politics. The title character, an actor, starts to realise how his "make believe" public role has very real, tragic consequences. In this sense, the film has merit beyond its superb acting and other technical features: it subverts the liberal pieties of Hollywood drama which resolve all conflict within the confines of the existing social system. It undercuts the banality of much film criticism which says it is "just entertainment" with "no subtext"- as if produced in a social/historical vacuum with no point of view. In short, the film argues that artists, like everyone else, have to take some responsibility and assume a critical role or risk being haunted, like Mephisto, by the awareness that they have become pawns in a dangerous game.
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