A man and his wife are partners in a small business, a service station, that is stuggling to survive financially. They are visited by his brother, a divorced middle-aged man, who has taken ... See full summary »
Frankie J. Holden,
Kitty Baldry (Julie Chirstie) is a haughty society queen with a tunneled view of life. Kitty's complacency is rocked when her husband, Captain Chris Baldry (Alan Bates), returns from the ... See full summary »
'D' is a chronicler of a society in chaos, who looks down on the marauding gangs, and rubbish-strewn streets from the fortress prison of her flat. Buffeted by inner dreams and longings, D finds an alternative world by stepping through the wall of her flat, like Alice through the Looking Glass. Here it is Victorian England, the bosom of an unsettled family, harbingers, perhaps, of the decay to come. She flits between the two sides of her double life, always observing, never participating, and watches as her protégé, Emily, becomes involved with vagrants' leader Gerald and their efforts to control the violent scavengers fail. Written by
The sets, lighting design and foreboding music score all match the gloominess of the material here well, and the atmosphere that these combined elements achieve is what keeps the film relatively intriguing. The first third definitely works better than the final third of the film though, as in the beginning one is trying to decipher what it is all about, and towards the end it just drags, and it looks like it is building up to some revelation, yet at the end nothing new is revealed. The plot is really strange, with many different elements of science fiction worked in, ranging from portholes to the notion of a dire dystopia. It seems somewhat messy, but even so, some have been able to find their own meanings in it, so the film is probably worth a look if it sounds interesting. I would not call it a brilliant film myself, but it definitely does have some elements that will be of interest to certain viewers.
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