Pete St. John is a powerful and successful political consultant, with clients spread around the country. When his long-time friend and client Ohio senator Sam Hastings decides to quit ... See full summary »
A city-woman moves to a foreign country with her future husband, giving up all the comforts of cosmopolitan life. Life in the countryside finally takes its toll on her, and she finds ... See full summary »
Forsdyke, a pathological petty thief subjects himself to a strict correction course run by a wealthy ex-con Widdowes and his Crooks Anonymous organization. Forsdyke's young and innocent ... See full summary »
Biographical drama based on the early life of playwright Sean O'Casey, depicting his rise from the 1910 Dublin slums to the celebrated openings of his early plays. Johnny Cassidy, an ... See full summary »
'D' is a chronicler of a society in chaos, who looks down on the marauding gangs, and rubbish-strewn streets from the fortress prison of her flat. Buffeted by inner dreams and longings, D finds an alternative world by stepping through the wall of her flat, like Alice through the Looking Glass. Here it is Victorian England, the bosom of an unsettled family, harbingers, perhaps, of the decay to come. She flits between the two sides of her double life, always observing, never participating, and watches as her protégé, Emily, becomes involved with vagrants' leader Gerald and their efforts to control the violent scavengers fail. Written by
Saw this dud in London when I was heading East in '82. It was the worst kind of cinematic torture. One of the most pretentious and boring things I've seen. The radiant Julie Christie looking as drab as your auntie Eyesore. She had just turned down a million bucks to star in "The Greek Tycoon". Then she comes up with this piece of aimless drivel. To my mind it marked the downward turn in her career. Instead of showing the film world she was still a player (post Beatty), she drops out and bombs doing it. Can't understand how this tripe has made it to DVD. There are a bunch of good Christie films that warrant the medium: "Darling", "Far From The Madding Crowd", "Petulia", "The Go-Between", "McCabe & Mrs. Miller", "Don't Look Now", or her personal triumph in "Afterglow". Want obscure? What about the underrated "Return of The Soldier", "Heat and Dust" or "The Railway Station Man". Talk about getting it wrong! I expect the next one out of her's will be "In Search of Gregory". At least Criterion is offering "Billy Liar". It's good - check it out. Avoid "Memoirs of a Survivor".
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