6.8/10
653
3 user 1 critic

The Girl with the Red Hair (1981)

Het meisje met het rode haar (original title)
The story of Hannie Schaft, Dutch Resistance, told in flashback as they try to bring collaborators and criminals to justice in 1945.

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1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
Hannie Schaft
Peter Tuinman ...
Hugo
Loes Luca ...
An
...
Frans
Robert Delhez ...
Floor
Ada Bouwman ...
Tinka
Lineke Rijxman ...
Judith
Maria de Booy ...
Moeder
Henk Rigters ...
Vader
Adrian Brine ...
SD-er
...
Mevrouw de Ruyter
Lou Landré ...
Otto Schaaf
Jan Retèl ...
Professor
Elsje Scherjon ...
Carlien
Hennie van den Akker ...
Van den Heuvel
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Storyline

Johanna 'Hannie' Schaft tells, in flash-backs, how she decides during the Nazi occupation of the Netherlands, to interrupt law studies to 'do something for real'. She joins the Dutch resistance, which uses her in missions to 'eliminate' collaborators. Even her parents may not know. Tough colleague Hugo initially looks down upon her girlish hesitations, but they fall in love. A failed attempt to shoot SD-informant de Ruyter puts the Germans on their trace. Written by KGF Vissers

Plot Summary | Add Synopsis

Genres:

Drama | War

Certificate:

PG | See all certifications »
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Details

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Language:

|

Release Date:

17 September 1981 (Netherlands)  »

Also Known As:

The Girl with the Red Hair  »

Company Credits

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Technical Specs

Runtime:

| (special edition)

Sound Mix:

Color:

(Fujicolor)
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Connections

Featured in Allemaal film: Tussen kunst en kassa (2007) See more »

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User Reviews

 
It's a washed out world
30 December 2005 | by (Rijswijk, ZH, Netherlands) – See all my reviews

Renée Soutendijk plays her first leading role as a young law student who joins the Dutch resistance in WWII and trains to be a liquidator. Having already garnered attention the year before in Paul Verhoeven's controversial "Spetters", Soutendijk decided to leave the sitcom Zeg 'ns Aaa (wich had not yet found a big audience) to concentrate on a career in film rather than television. The movie was shot to resemble black and white pictures from the period and looks suitably bleak and gray, making the lead characters's red hair stand out even more. Eventually circumstances force her to dye it (it made her the most recognizable resistance fighter) and at that point both the story and the film seem to lose all color. Not that there was anything to laugh about in the first place.

Debutant director and co-writer Ben Verbong decided to omit any references to Jannetje Johanna Schaft (the girl with the red hair) being a communist, even though that was one of the main reasons for her to join the resistance. There is hardly any dialog anyway, as none of the group members want too much emotional attachments. Even when she get romantically involved with fellow resistance fighter Hugo, they never seem especially passionate. The sparseness of the spoken word makes this picture seem even more like a psychological study of the lengths people will go to in desperate times as we watch the title character struggle with becoming a hit woman on a bicycle.

Although the film is certainly well made and Soutendijk proves to be a capable lead, there is absolutely nothing uplifting in the entire picture. The combination of long silent scenes and colorless photography makes for quite a depressive sitting. The period is recreated in great detail, with only Loes Luca's different hairstyles seeming to be a little out of place at times. Verbong and Soutendijk teamed up again in 1994 for the "Sliver" like thriller 'De Flat'. This marked Renée's return to Dutch films after a stint in Hollywood and Verbong's goodbye from his homeland, as he decided to move to Germany after wards.

7 out of 10


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