| Photos (See all 49 | slideshow) | Videos (see all 4) |
| Mel Gibson | ... | Max | |
| Bruce Spence | ... | The Gyro Captain | |
| Michael Preston | ... | Pappagallo (as Mike Preston) | |
| Max Phipps | ... | The Toadie | |
| Vernon Wells | ... | Wez | |
| Kjell Nilsson | ... | The Humungus | |
| Emil Minty | ... | The Feral Kid | |
| Virginia Hey | ... | Warrior Woman | |
| William Zappa | ... | Zetta | |
| Arkie Whiteley | ... | The Captain's Girl | |
| Steve J. Spears | ... | Mechanic | |
| Syd Heylen | ... | Curmudgeon | |
| Moira Claux | ... | Big Rebecca | |
| David Downer | ... | Nathan | |
| David Slingsby | ... | Quiet Man | |
| Kristoffer Greaves | ... | Mechanic's Assistant | |
| Max Fairchild | ... | Broken Victim | |
| Tyler Coppin | ... | Defiant Victim | |
| Jerry O'Sullivan | ... | Golden Youth (as Jimmy Brown) | |
| Tony Deary | ... | Grinning Mohawker | |
| Kathleen McKay | ... | Victim | |
| Guy Norris | ... | Bearclaw Mohawk | |
| Anne Jones | ... | Tent Lover | |
| James McCardell | ... | Tent Lover | |
| Harold Baigent | ... | Voice of Narrator (voice) | |
| rest of cast listed alphabetically: | |||
| Joanne Samuel | ... | Jessie (archive footage) (uncredited) | |
Directed by | |||
| George Miller | |||
Writing credits | ||
| Terry Hayes | screenplay & | |
| George Miller | screenplay & | |
| Brian Hannant | written by | |
Produced by | |||
| Byron Kennedy | .... | producer | |
Original Music by | |||
| Brian May | |||
Cinematography by | |||
| Dean Semler | (director of photography) | ||
Film Editing by | |||
| Michael Balson | |||
| David Stiven | |||
| Tim Wellburn | |||
Art Direction by | |||
| Graham 'Grace' Walker | (as Graham 'Grace' Walker) | ||
Costume Design by | |||
| Norma Moriceau | |||
Makeup Department | |||
| Bob McCarron | .... | special makeup effects | |
| Karla O'Keefe | .... | make-up artiste | |
| Lesley Vanderwalt | .... | makeup supervisor | |
| Kathy Coultrup | .... | makeup artist (uncredited) | |
Production Management | |||
| Patrick Clayton | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Patrick Clayton | .... | first assistant director | |
| Brian Hannant | .... | first assistant director | |
| Brian Hannant | .... | second unit director | |
| Phillip Hurst | .... | third assistant director (as Phil Hurst) | |
| Toivo Lember | .... | second assistant director | |
| Andrew Plain | .... | additional assistant director | |
| Mark Thomas | .... | assistant director: second unit | |
Art Department | |||
| Steve Amezdroz | .... | assistant art director | |
| Melinda Brown | .... | special props designer | |
| Melinda Brown | .... | special props maker | |
| John Daniell | .... | stand-by props | |
| Peter De Bono | .... | construction team | |
| Philip Henderson-Wilson | .... | construction team | |
| Michael Lehmann | .... | construction team | |
| Frederick Santos | .... | construction team | |
| Dennis Smith | .... | construction manager | |
| Kerrin Stevens | .... | construction stand-by | |
| George Tsoutas | .... | construction team | |
| Pauline Walker | .... | art department assistant | |
| Pauline Walker | .... | props buyer | |
| Derek Wyness | .... | construction team | |
| George Zukiwskyj | .... | construction team | |
Sound Department | |||
| Anne Breslin | .... | assistant sound editor (as Anne Breslan) | |
| Lloyd Carrick | .... | sound recordist | |
| Chris Goldsmith | .... | boom operator | |
| Byron Kennedy | .... | sound mixer | |
| Bruce Lamshed | .... | sound mixer | |
| Bruce Lamshed | .... | supervising sound editor | |
| Mike O'Donnell | .... | assistant sound editor | |
| Penn Robinson | .... | sound editor | |
| Roger Savage | .... | sound mixer | |
| Andrew Steuart | .... | sound editor (as Andrew Stewart) | |
| Marc van Buuren | .... | sound editor (as Mark Van Buuren) | |
| David Watts | .... | sound consultant: Dolby | |
Special Effects by | |||
| Mark Clayton | .... | special effects assistant | |
| Jeff Clifford | .... | special effects chief (as Jeffrey Clifford) | |
| Steve Courtley | .... | special effects team | |
| Mont Fieguth | .... | special effects team (as Monte Fieguth) | |
| David Hardy | .... | special effects team | |
| Brian Hunter | .... | special effects construction | |
| Greg Mulhearn | .... | special effects construction | |
Visual Effects by | |||
| Kim Priest | .... | optical effects | |
| Richard Wilmot | .... | optical effects operator (uncredited) | |
Stunts | |||
| Max Aspin | .... | stunt coordinator | |
| Glenn Boswell | .... | stunt team (as Glen Boswell) | |
| Vern Dietrich | .... | acrobatic stunts | |
| Gerry Gauslaa | .... | stunt team | |
| Bob Hicks | .... | stunt team | |
| Guy Norris | .... | stunt team | |
| Kim Noyce | .... | stunt team | |
| Dennis Williams | .... | stunt driver | |
| Melissa Grillett | .... | acrobatic double: Feral Boy (uncredited) | |
Camera and Electrical Department | |||
| John Brock | .... | camera assistant: second unit | |
| Dean Bryan | .... | assistant electrician | |
| Gary Carden | .... | assistant grip (as Garry Carden) | |
| Graham Carter | .... | grip: second unit | |
| Derry Field | .... | focus puller: main unit | |
| Derry Field | .... | second camera assistant: main unit | |
| Bill Grimmond | .... | second cameraman/operator: main unit | |
| Carolyn Johns | .... | still photographer | |
| Andrew Lesnie | .... | documentary cameraman | |
| Peter Lipscombe | .... | additional camera assistant: main unit | |
| Graeme Mardell | .... | key grip | |
| Andrew McLean | .... | clapper/loader | |
| Richard Merryman | .... | focus puller | |
| John Morton | .... | gaffer | |
| Paul Moyes | .... | best boy | |
| Geoffrey Simpson | .... | second unit cameraman (as Geoff Simpson) | |
Costume and Wardrobe Department | |||
| Terri Lamera | .... | wardrobe machinist (as Terry Lamera) | |
| Shelley Lodge | .... | pre-production wardrobe assistant | |
| Pam Maling | .... | wardrobe machinist | |
| Roger Monk | .... | wardrobe master | |
| Margaret Thomas | .... | wardrobe machinist | |
Editorial Department | |||
| Ruth Beach | .... | assistant editor | |
| Arthur Cambridge | .... | colour grading | |
| Margaret Cardin | .... | negative cutter | |
| Michael Chirgwin | .... | additional editor | |
| Philip Dickson | .... | assistant editor | |
| Les Fiddess | .... | assistant editor (as Les Fiddes) | |
| George Miller | .... | additional editor | |
| Alison Pickup | .... | editor's assistant | |
| Christopher Plowright | .... | additional editor | |
| Annabelle Sheehan | .... | assistant editor | |
Music Department | |||
| Brian May | .... | conductor | |
| Roger Savage | .... | music mixer | |
| Roger Savage | .... | music recordist | |
| Brian May | .... | orchestrator (uncredited) | |
| Roger Savage | .... | music engineer (uncredited) | |
Transportation Department | |||
| John Brand | .... | unit driver | |
| Ralph Clark | .... | transport manager | |
| Sue Clark | .... | unit driver | |
| Jack Skyver | .... | unit driver | |
| Dennis Williams | .... | truck precision driver | |
Other crew | |||
| Bill Anderson | .... | mechanics team | |
| Rosanne Andrews-Baxter | .... | production coordinator | |
| Dale Aspin | .... | animal handler | |
| Dale Aspin | .... | animal trainer | |
| Catherine Barber | .... | production accountant | |
| Linda Bates | .... | producer's assistant | |
| Dixie Betts | .... | office liaison: Sydney | |
| George Bischoff | .... | mechanics team | |
| Barry Bransen | .... | motorcycle buyer | |
| Barry Bransen | .... | motorcycle mechanic | |
| Kevin Cross | .... | unit runner | |
| Jenny Day | .... | pre-production coordinator | |
| Harvey Else | .... | helicopter pilot | |
| Ray Fowler | .... | caterer | |
| Gerry Goodwin | .... | autogyro pilot | |
| Bill Gooley | .... | laboratory liaison | |
| Hugh Gooley | .... | security guard | |
| Sandy Gore | .... | dialogue coach | |
| Arthur Henley | .... | truck mechanic | |
| John Hurrel | .... | helicopter pilot | |
| David Jeffrey | .... | security guard | |
| Stuart Johnson | .... | mechanics team | |
| Byron Kennedy | .... | presenter (as Kennedy Miller) | |
| Mardy Kennedy | .... | director's pre-production assistant | |
| Steve Knapman | .... | location manager | |
| Grant Larkin | .... | traffic supervisor | |
| Jennifer Lee-Lewes | .... | accounts assistant | |
| George Miller | .... | presenter (as Kennedy Miller) | |
| Allan Mills | .... | mechanics team | |
| Ian Mitchell | .... | unit runner | |
| Peter Moyes | .... | assistant caterer | |
| John Murch | .... | mechanics team | |
| Guy Norris | .... | motorcycle mechanic | |
| Gordon Parr | .... | mechanics team | |
| Catherine Phillips | .... | producer's secretary | |
| Linda Ray | .... | continuity | |
| Marshall Read | .... | mechanics team | |
| Clive Smith | .... | mechanics team | |
| David Thomas | .... | chief car mechanic (as Dave Thomas) | |
| Reg West | .... | security guard | |
| Athnea Willcocks | .... | unit nurse | |
| Angelika Wyness | .... | unit nurse | |
| Derek Wyness | .... | security guard | |
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| Mad Max | Mad Max Beyond Thunderdome | Terminator 2: Judgment Day | Australia | Defiance |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb Australia section |
After the enormous success of "Mad Max" in 1979, it was predictable that a sequel would follow. In fact, two sequels followed, and the first of these is "Mad Max 2: The Road Warrior".
Released in the U.S. simply as "The Road Warrior", "Mad Max 2" begins with a narration re-introducing us to wandering ex-cop Max (Gibson) ... and then we're off. In post-apocalyptic Australia, Max wanders the nuclear waste lands in search of Earth's most precious resource: gasoline. When he discovers a band of people guarding a large deposit of fuel, he lends his services as a driver to help them escape from a vicious group of bandits intent on taking the gas for themselves.
"Mad Max 2" is one of the best sequels ever. It's everything the original was and more. Mel Gibson is great, and the cast performs very well. Brian May's skills as a composer have improved, and he gives a very fast-paced score. George Miller's directing skills have also improved, and he deals us out some intense car sequences that have yet to be rivaled.
This film is special because, although it was very popular when released and is even more popular now, it is unique in that it is not afraid to be just that. If that confused you, let me put it this way: George Miller has created a film that, while trying to improve the flaws from past films, is not afraid to be original and un-Hollywood. And I must say, Mr. Miller pulls it off excellently.
I love "The Road Warrior" as well as the rest of the "Mad Max" series. I would say that "Mad Max 2" is quite possibly the greatest film to come out of Australia. It is one of Mel Gibson's best and one of the best sci-fi films ever. "Mad Max 2" is essential.