An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and almost everyone is crazed fighting for the necessities of life. ... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A former Australian policeman now living in the post-apocalyptic Australian outback as a warrior agrees to help a community of survivors living in a gasoline refinery to defend them and their gasoline supplies from evil barbarian warriors. Written by
After Mad Max (1979) was finished, all of the cars were supposed to be destroyed, including the black interceptor. But someone thought the interceptor was too good to lose, so they saved it from the crusher. This was before the film was even released. When was in its planning stage, someone found out the interceptor had somehow survived, so they tracked it down, and bought it back. See more »
In the bargaining chase scene, when the two villains cars crash one into the other, in the first shot the second car is moving but in the second shot you can clearly see that it's stopped when the first car hits. See more »
My life fades. The vision dims. All that remains are memories. I remember a time of chaos. Ruined dreams. This wasted land. But most of all, I remember The Road Warrior. The man we called "Max". To understand who he was, you have to go back to another time. When the world was powered by the black fuel. And the desert sprouted great cities of pipe and steel. Gone now, swept away. For reasons long forgotten, two mighty warrior tribes went to war and touched off a blaze which engulfed...
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But most of all, I remember the Road Warrior. By this time, many people have forgotten that this set the standard for kinetic action on the roadways. The memories fade as the years go by, new action films are released, such as "Speed"(94), which seem to set new standards. But, it's not really the case. The Road Warrior has yet to be bested, and no amount of money, computer technology or loud noises will ever accomplish the deed. Nothing will ever capture the apocalyptic intensity or, most of all, the sheer elegance of combat on the roads, as depicted here. "Raiders of the Lost Ark"(81), for example, captured a more frenetic goofy-style action, also relentless, but not with the level of tension. It's exciting, sure, but it doesn't tie your stomach up in knots, leaving you drained yet begging for more.
The sequel to "Mad Max"(79) - also a unique, tense experience - begins with an unusual prologue, giving the viewers a historical background on only half the screen. We are set up for a bombastic adventure, created as a new mythology for our perusal. Iconic figures abound, beginning with Max (Gibson) himself, of course. Here is the quintessential wandering loner hero/cowboy/samurai: he is striking - damaged both physically & mentally - but an ultimate survivor. Here are his foes: a scarred, massively-muscled atomic-age conqueror and his dogs, garbed in battle-dress for instant death and destruction. Here is his conscience: the last vestiges of civilization grouped in a makeshift fort for a final gasp of decency. When these three factions clash, it's the end of the world as we know it. Welcome to the new world of The Road Warrior.
The Road Warrior influenced the sub-genre of post-holocaust science fiction throughout the eighties. There were numerous imitators, mostly low-budget efforts, and none of them came close to succeeding at this level. I hope not too many people continue to forget where it all began for this thrilling corner of the sci-fi adventure genre. It is to our downfall and regret that we forget.
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