An apocalyptic story set in the furthest reaches of our planet, in a stark desert landscape where humanity is broken, and most everyone is crazed fighting for the necessities of life. ... See full summary »
A veteran cop, Murtaugh, is partnered with a young suicidal cop, Riggs. Both having one thing in common; hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A former Australian policeman now living in the post-apocalyptic Australian outback as a warrior agrees to help a community of survivors living in a gasoline refinery to defend them and their gasoline supplies from evil barbarian warriors. Written by
According to trivia book "Movie Mavericks" by Jon Sandys, one of the more spectacular stunts in the film was actually a serious accident. One of the motorcycle-riding raiders hits a car, flies off the bike, smashes his legs against the car, and cartwheels through the air towards the camera. This was a real, genuine accident: the stuntman was supposed to just fly over the car WITHOUT hitting it. But the near-fatal incident looked so dramatic that it was kept in the movie. The stuntman broke his leg badly, but survived. (If you look at the stuntman's body frame-by-frame through his cartwheels, you can see that one of his legs is bending at a slightly unnatural angle around the knee...ouch.) See more »
Wez is on the roof of the tanker spinning his chained spike-ball and Max hits the brakes. In the first shot, Wez is falling with his body turned to the right, but in the next shot, he falls with his body turned to the left. See more »
My life fades. The vision dims. All that remains are memories. I remember a time of chaos. Ruined dreams. This wasted land. But most of all, I remember The Road Warrior. The man we called "Max". To understand who he was, you have to go back to another time. When the world was powered by the black fuel. And the desert sprouted great cities of pipe and steel. Gone now, swept away. For reasons long forgotten, two mighty warrior tribes went to war and touched off a blaze which engulfed...
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Like fine wine, improves and enriches with age....
I have to admit that at first viewing, I wasn't the greatest fan of this film and preferred the original 1979 classic. However, on more recent viewings, I have grown to admire director George Miller's signature style, which matured from MAD MAX into the bigger budget and riskier MAD MAX 2 (THE ROAD WARRIOR) Utilising the oil strikes of the 70's and transposing them into a futuristic context, Miller builds a sense of desperation into the road movie structure and wisely incorporates the successful elements of the original MAD MAX into a broader canvas. The dialogue is sharper, the action more defined and Vernon Wells is a far greater villain than the Toecutter in MAD MAX. The hero-as-saviour is another clear motif throughout the film and Mel Gibson thankfully uses his charisma to disguise his limited use of dialogue. A true classic as time goes on....
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