A veteran policeman, Murtaugh, is partnered with a younger, suicidal officer, Riggs. They both have one thing in common: hating working in pairs. Now they must learn to work with one another to stop a gang of drug smugglers.
A former Australian policeman now living in the post-apocalyptic Australian outback as a warrior agrees to help a community of survivors living in a gasoline refinery to defend them and their gasoline supplies from evil barbarian warriors. Written by
After Max mans the flamethrower and helps turn away the marauders, there's a brief shot of him looking back into the compound. This shot is from earlier, when he was cuffed to a railing. (The crossbow turret can be seen to his left.) The flamethrower turret is to the left of the crossbow, so the crossbow should be on his right. See more »
My life fades. The vision dims. All that remains are memories. I remember a time of chaos... ruined dreams... this wasted land. But most of all, I remember The Road Warrior. The man we called "Max." To understand who he was, you have to go back to another time... when the world was powered by the black fuel... and the desert sprouted great cities of pipe and steel. Gone now... swept away. For reasons long forgotten, two mighty warrior tribes went to war, and touched off a blaze ...
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The first time I saw this at a friends recommendation was in 1985 on our brand new VHS vcr. I was absolutely blown away by it at the age of 16 and I still watch every few months on DVD now.I would give anything to see this on a big screen. This movie started a real trend for a lot of real crappy B movies to follow unfortunately and Mel Gibson has called this movie with an apologetic shrug 'classy B-grade trash' which is sad because it would prove to be his best movie by far. What I truly liked about this film was its lack of dialogue and how it was smart enough to let its settings, action and costumes do the talking. Perhaps this is why Gibson didn't have much praise for it because he is merely a representation of the Western gunslinger in the film. I liked how there was a sketchy explanation of how the world got into such an apocalyptic mess and lets the viewer make their own conclusion to that end. It's not important anyways. The lack of ammunition is indicated quickly through the Wez's use of a wrist-strapped crossbow, the very preciousness of gasoline is established quickly as well by Max's anxious mopping up of it and capturing it in a few make-shift items including a dusty soldier's helmet.
The original Mad Max had too much dialogue and proved problematic for the 18 year old Gibson to convey the emotion of losing his family and best friend. It had it's moments but in the end it lost it's impact due to it's own clumsy attempt at trying to establish the family-man Max. The Road Warrior didn't try to attempt any deep characterizations, the pain and suffering was quick and obvious, the need to just survive in this stark world conveyed through a few spoken words and violent actions. George Miller got it right with this one, unfortunately he had to make Mad Max first to get to Mad MaxII and horribly had to make Mad MaxIII.
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