| Albert Finney | ... | Dr. Larry Roberts | |
| James Coburn | ... | John Reston | |
| Susan Dey | ... | Cindy Fairmont | |
| Leigh Taylor-Young | ... | Jennifer Long | |
| Dorian Harewood | ... | Lieutenant Masters | |
| Tim Rossovich | ... | Moustache Man | |
| Darryl Hickman | ... | Dr. Jim Belfield | |
| Kathryn Witt | ... | Tina Cassidy | |
| Terri Welles | ... | Lisa Convey | |
| Michael Hawkins | ... | Senator Robert Harrison (as Michael Gainsborough) | |
| Ashley Cox | ... | Candy | |
| Donna Kei Benz | ... | Ellen (as Donna Benz) | |
| Catherine Parks | ... | Jan | |
| Terry Kiser | ... | Commercial Director | |
| Georgann Johnson | ... | Cindy's Mother | |
| Richard Venture | ... | Cindy's Father | |
| Anthony Charnota | ... | Master's Assistant | |
| Terrence E. McNally | ... | Technician in Scanning Room (as Terrence McNally) | |
| David Adams | ... | D.M.I. Guard | |
| John Sanderford | ... | D.M.I. Policeman | |
| Scott Mulhern | ... | D.M.I. Policeman | |
| Arthur Taxier | ... | D.M.I. Truck Technician | |
| Richard Milholland | ... | D.M.I. Truck Technician | |
| Jeana Keough | ... | Suzy (as Jeana Tomasina) | |
| Barry Jenner | ... | Commercial Producer | |
| Derrel Maury | ... | Commercial Assistant Producer | |
| Paul Jasmin | ... | Steve | |
| Eloise Hardt | ... | Mrs. Emerson | |
| Melissa Prophet | ... | Commercial Script Girl | |
| Lila Christianson | ... | Tammy | |
| Lorna Christianson | ... | Pammy | |
| Gary Combs | ... | Non-Descript Man | |
| Kelly Black | ... | Reston Girl | |
| Kim Johnson | ... | Reston Girl | |
| Lori Sutton | ... | Reston Girl | |
| Vanna White | ... | Reston Girl | |
| Jacqui Evans | ... | Reston Girl | |
| Theresa Hunt | ... | Reston Girl | |
| Pamela Jean Bryant | ... | Reston Girl (as Pamela Bryant) | |
| Anita Merritt | ... | Reston Girl (as Juanita Merrit) | |
| Carol Teasdale | ... | Reston Girl | |
| Jackie Forsythe | ... | Reston Girl | |
| Stefani Kiessig | ... | Reston Girl | |
| Kathryn Redding | ... | Reston Girl | |
| Lourinda Cordero | ... | Reston Girl | |
| Pamela Bromshagen | ... | Reston Girl | |
| Jerry Douglas | ... | Laxative Spokesman | |
| Randi Brooks | ... | Girl in Bikini | |
| Jesse Logan | ... | Exercise Instructor | |
| Joseph G. Medalis | ... | Husband (as Joe Medalis) | |
| Estelle Omens | ... | Wife | |
| Steve Strong | ... | Warrior | |
| Tawny Moyer | ... | Warrior Housewife | |
| Dick Christie | ... | Father | |
| Katherine De Hetre | ... | Mother (as Katherine DeHetre) | |
| Allison Balson | ... | Daughter | |
| Adam Farrar | ... | Son (as Adam Starr) | |
| Joyce Fell | ... | Windsurfer | |
| Jerry Flattery | ... | Windsurfer | |
| Loring Pickering | ... | Windsurfer | |
| Kelby Anno | ... | Windsurfer | |
| Randall England | ... | New Wave Model | |
| Irena Ferris | ... | New Wave Model | |
| Gordon Gavin | ... | New Wave Model | |
| Tom Holleron | ... | New Wave Model | |
| Maile Souza | ... | New Wave Model | |
| Cynthia Mobley | ... | New Wave Model | |
| rest of cast listed alphabetically: | |||
| John Erwin | ... | Commercial Announcer (voice) (uncredited) | |
| Susanne Severeid | ... | Tour Guide (voice) (uncredited) | |
Directed by | |||
| Michael Crichton | |||
Writing credits | ||
| Michael Crichton | (written by) | |
Produced by | |||
| Howard Jeffrey | .... | producer | |
| John Lugar | .... | associate producer | |
Original Music by | |||
| Barry De Vorzon | (as Barry DeVorzon) | ||
Cinematography by | |||
| Paul Lohmann | |||
Film Editing by | |||
| Carl Kress | |||
Casting by | |||
| Lynn Stalmaster | |||
Production Design by | |||
| Dean Edward Mitzner | |||
Art Direction by | |||
| Jack G. Taylor Jr. | |||
Set Decoration by | |||
| Jerry Wunderlich | |||
Costume Design by | |||
| Betsy Cox | |||
Makeup Department | |||
| Ken Chase | .... | makeup artist | |
| Judith A. Cory | .... | hair stylist (as Judith Cory) | |
| Jene Fielder | .... | body makeup | |
| Eric Serena | .... | hair designer: Ms. Dey | |
Production Management | |||
| Jack Roe | .... | production manager | |
Second Unit Director or Assistant Director | |||
| D. Scott Easton | .... | first assistant director (as Scott Easton) | |
| John T. Kretchmer | .... | second assistant director (as John Kretchmer) | |
Art Department | |||
| Gene Anderson | .... | assistant props | |
| Barry Bedig | .... | property master | |
| Bruce Behan | .... | special props supervisor | |
| Cameron Birnie | .... | set designer | |
| Nigel A. Boucher | .... | leadman (as Nigel Boucher) | |
| Harold Broner | .... | construction coordinator | |
| Frank L. Brown | .... | leadman (as Frank Brown) | |
| Daniel Gluck | .... | set designer | |
| George Jenson | .... | illustrator | |
| Daniel Maltese | .... | set designer | |
| Joe Olsen | .... | assistant props | |
| William Ladd Skinner | .... | set designer (as Bill Skinner) | |
| Bo Welch | .... | set designer (as Robert Welch) | |
Sound Department | |||
| Larry Carow | .... | sound editor | |
| Marsha Hoke | .... | sound assistant | |
| David J. Kimball | .... | sound re-recording mixer | |
| Robert J. Litt | .... | sound re-recording mixer | |
| Robert Nichols II | .... | sound recordist | |
| Andrew Patterson | .... | sound editor | |
| Jerry Stanford | .... | sound editor | |
| Elliot Tyson | .... | sound re-recording mixer | |
| Charles M. Wilborn | .... | production sound mixer (as Chuck Wilborn) | |
| John S. Coffey | .... | boom operator (uncredited) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Joe Day | .... | special effects | |
| Doug Hubbard | .... | special effects (uncredited) | |
Visual Effects by | |||
| William Ballentine | .... | creative assistant: Information International, Inc. | |
| Gary Demos | .... | technical supervisor: Information International, Inc. | |
| Art Durinski | .... | creative assistant: Information International, Inc. | |
| Bill Hansard Jr. | .... | process coordinator (as William Hansard Jr.) | |
| Mark Jaffe | .... | technical assistant: Information International, Inc. | |
| Michael Lawler | .... | 3D photographer: Information International, Inc. | |
| Larry Malone | .... | creative assistant: Information International, Inc. | |
| Malcolm McMillan | .... | technical assistant: Information International, Inc. | |
| Craig Reynolds | .... | technical assistant: Information International, Inc. | |
| Richard Taylor | .... | creative supervisor: Information International, Inc. | |
| Bert Terreri | .... | optical services: Looker commercials "Liberty", "Ravish", "New Wave" | |
| John Whitney Jr. | .... | marketing services: Information International, Inc. | |
Stunts | |||
| Fred Waugh | .... | stunt coordinator | |
| Gary Combs | .... | stunts (uncredited) | |
| Paula Dell | .... | stunts (uncredited) | |
| Eurlyne Epper | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| J. Michael Marlett | .... | gaffer (as Mike Marlett) | |
| Ralph Nelson | .... | still photographer | |
| Guy Polzel | .... | key grip | |
| Timothy E. Wade | .... | camera operator (as Timothy Wade) | |
| Frank Detone Jr. | .... | rigging grip (uncredited) | |
| Kenneth Estes | .... | video playback operator (uncredited) | |
Costume and Wardrobe Department | |||
| Sandra Culotta | .... | costumer: women | |
| Victoria Snow | .... | costumer: women | |
| Bruce Walkup | .... | costumer: men | |
Editorial Department | |||
| Jack Hooper | .... | negative cutter | |
| Richard Ritchie | .... | color timer | |
| Mary Scott | .... | assistant film editor | |
Music Department | |||
| Michael Boddicker | .... | musician: synthesizers | |
| Richard Hazard | .... | orchestrator | |
| James Thatcher | .... | musician: french horn | |
| Michael Tronick | .... | music editor | |
| Ted Whitfield | .... | music editor | |
Transportation Department | |||
| Fritz Braden | .... | transportation coordinator | |
| Mike Padovich | .... | transportation co-captain | |
Other crew | |||
| Janet Beroza | .... | production assistant | |
| Kevin Elders | .... | assistant auditor | |
| Vince Heileson | .... | auditor | |
| Kathy Kenworthy Roe | .... | production secretary (as Kathleen Kenworthy) | |
| Trish Kinney | .... | script supervisor | |
| Rich Klein | .... | video consultant: Worldstage | |
| Robert H. Kovoloff | .... | promotional services courtesy of | |
| Judith Lovejoy | .... | assistant: Mr. Crichton | |
| Vahan Moosekian | .... | location manager | |
| Carolyn Ray | .... | assistant: Mr. Crichton | |
| Art Sarno | .... | publicist | |
| Brent Sellstrom | .... | video coordinator | |
| Jacqueline Weiss | .... | assistant: Mr. Jeffrey | |
| Anna Zappia | .... | production coordinator | |
|
|
|
|
|
| Disturbing Behavior | King of New York | Strange Days | Coma | Logan's Run |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Obviously forgotten today, and maybe that's a problem.
Michael Crichton dealt in practical Science Fiction. How a potential technology could really cause problems in the here and now. This movie hit on a few of them, some of which HAVE come to pass.
His premise is that computers could be used to simulate characters (already has happened) and that they could be used to influence us by using algorithms to calculate our optimum responses. (Again, probably happening now, even if we don't know about it.)
The plot is that a plastic surgeon is asked to alter four women into perfect specimens, but three of them are killed after wards (they never really explain why.) In trying to protect the last, whom he develops a personal bond with, he uncovers a plot to use computer generated images (wow, and now they are real!) to manipulate our responses.
A note on nudity. We have Susan Dey of Partridge family fame going topless in a couple of scenes. We'd NEVER see that now. If we are lucky, we might see a name actress have her head CGI'd (ironic) onto a body double. But usually, the MPAA would go completely nuts and give the film an R or NC-17 rating.
Some things are dated, such as tape-reading computers and big hair on the women- SO 1980's. But the film's concepts hold up pretty well.