Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Dr. Peter Carey is a pathologist at a Boston hospital. The daughter of the hospital's Chief of Staff dies after an illegal abortion goes wrong, and Carey's friend and colleague Dr. David ... See full summary »
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and becomes killed before he could tell anyone about it. They visit Futureworld ... See full summary »
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London's biggest bank vaults.
A man, having fallen in love with the wrong woman, is sent by the sultan himself on a diplomatic mission to a distant land as an ambassador. Stopping at a Viking village port to restock on supplies, he finds himself unwittingly embroiled on a quest to banish a mysterious threat in a distant Viking land.
While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts killing his beautiful patients, Dr. Roberts becomes suspicious and starts investigating. What he uncovers are the mysterious - and perhaps murderous - activities of a high-tech computer company called Digital Matrix. Written by
The first ever film to create 3D shading with a computer that produced the first ever CGI human character was the model Cindy (Susan Dey). This movie achieved this feat before Disney's more famous TRON (1982) hit the screens. The Web site Filmsite said of Cindy: "Her digitization was visualized by a computer-generated simulation of her body being scanned--notably the first use of shaded 3D CGI in a feature film. Polygonal models obtained by digitizing a human body were used to render the effects." See more »
At precisely 4:50 (DVD timing), when the model opens her apartment door and her dog barks, you can clearly see the trainer's hand motioning for the dog to turn around (lower right hand corner of the screen). See more »
Television can control public opinion more effectively than armies of secret police, because television is entirely voluntary. The American government forces our children to attend school, but nobody forces them to watch T.V. Americans of all ages *submit* to television. Television is the American ideal. Persuasion without coercion. Nobody makes us watch. Who could have predicted that a *free* people would voluntarily spend one fifth of their lives sitting in front of a *box* with pictures? ...
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Dated, poorly written and directed, yet still not bad!
Dr. Larry Roberts (Albert Finney) is a top Beverly Hills plastic surgeon who finds himself embroiled in a sinister mind-control conspiracy. After three of his patients are killed in suspicious circumstances, Larry takes it upon himself to protect the apparent next victim, Cindy (the beautiful Susan Dey) and also solve the mystery.
Looker' is possibly director Michael Crichton's most criminally underrated film. Admittedly the screenplay often leaves a lot to be desired but the initial premise is both intriguing and fear-provoking. Crichton's script makes some rather fascinating, and in hindsight rather perceptive, comments about how corporations can abuse both the media and the general public simply through the use of television. Towards the end a particularly pertinent speech is made by John Reaston (James Coburn) on how the general public is willing to submit automatically to the enormous power that television possesses. However, much of the power that Looker' could have potentially possessed is lost with poor pacing, inappropriate and unrealistic dialogue and a couple of major plot-holes. In fact, some eminent questions remain unanswered and the movie ends on a sort of anti-climatic note.
Crichton's direction appears to be somewhat disjointed as the pace of the movie alternates constantly. To begin with Looker' has the correct proportion of suspense to action and is quite thrilling to behold. Unfortunately, certain scenes such as a car chase drag on and become somewhat tedious. One particular sequence of events towards the end of the movie drags on for fifteen minutes and while to begin with is compellingly suspenseful, the sequence begins to feel old and certainly spoils what could have been an effective ending. Looker' also suffers from some particular bland performances, particularly from central actor Albert Finney. His performance was predominantly lacklustre and featured uninspired sequences in which Finney would avoid gunfire by unenthusiastically throwing himself across the floor. That being said Finney did seem to fit the role of Larry Roberts and was fairly entertaining to watch. Susan Dey and James Coburn were both enjoyable in their respective roles and one wonders why more was not done with their characters. Had more time been spent trying to develop these characters then maybe something more could have been done with the movie.
Surprisingly, despite all its flaws Looker' is still somewhat compelling. It is certainly not Crichton's best film but is still vastly underrated in my opinion. The opening sequence is suspenseful and intriguing which is occasionally echoed throughout the rest of the movie, though unfortunately not enough. Looker' is blessed with some wickedly delightful black humour, particularly towards the end and a bizarre, yet mesmerizing, electric musical score from Barry de Vorzon. Some fans will be happy to know that there are unnecessary scenes of full frontal nudity, including one from Susan Dey. The humorous overtones of that particular scene undoubtedly shine through. The ideas of hypnotic and subliminal messaging are what make Looker' compelling even though the film is still heavily damaged by the lack of decent characterisation and storytelling. I think Looker' is worth watching but is most certainly not to everyone's taste. My rating for Looker' 6.5/10.
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