Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts ... See full summary »
In the near future, a police officer specializes in malfunctioning robots. When a robot turns out to have been programmed to kill, he begins to uncover a homicidal plot to create killer robots... and his son becomes a target.
Hoping to cure his violent seizures, a man agrees to a series of experimental microcomputers inserted into his brain but inadvertently discovers that violence now triggers a pleasurable response his brain.
Two reporters, Tracy and Chuck, get a message from a third one who discovered something about "Futureworld" and was killed before he could tell anyone about it. They visit Futureworld to ... See full summary »
When architect Stephen Booker loses his partnership, he finds jobs hard to come by, and with money in short supply, he unwittingly becomes involved in a daring scheme to rob one of London's biggest bank vaults.
While doing a story on the intrusion of surreptitious surveillance in peoples' private lives, a television reporter rents some surveillance equipment to get a feel for what it's like to spy... See full summary »
James A. Watson Jr.
Plastic surgeon Larry Roberts performs a series of minor alterations on a group of models who are seeking perfection. The operations are a resounding success. But when someone starts killing his beautiful patients, Dr. Roberts becomes suspicious and starts investigating. What he uncovers are the mysterious - and perhaps murderous - activities of a high-tech computer company called Digital Matrix. Written by
LOOKER is an acronym in the film that stands for Light Ocular-Oriented Kinetic Emotive Responders. It has a double-meaning as its dictionary definition defines it as a very attractive person; in this movie, it refers to good-looking female models. See more »
At the conference near the end, when Dr. Larry Roberts is disguised as a security guard, during several sequences getting in and out of elevators the wound on the side of his mouth disappears and reappears. See more »
Television can control public opinion more effectively than armies of secret police, because television is entirely voluntary. The American government forces our children to attend school, but nobody forces them to watch T.V. Americans of all ages *submit* to television. Television is the American ideal. Persuasion without coercion. Nobody makes us watch. Who could have predicted that a *free* people would voluntarily spend one fifth of their lives sitting in front of a *box* with pictures? ...
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Nearing its 20th birthday, "Looker" still holds up today as a solid techno-thriller. Expertly tucking a government/industrial conspiracy beneath a blanket of computer-phobic tension, the film manages to predate the success of the "X-Files" before cyberspace became a household word.
Finney and Coburn are subtly superb in their roles, while Crichton (unintentionally) satirizes a media-saturated culture ripe for the string-pulling. Barry De Vorzon's score is hauntingly impressive (and sadly, unavailable in soundtrack form) as is the cheesy 80's title track performed by Sue Saad (later covered by Kim Carnes on her "Voyeur" album).
People have slammed the script for its lack of explanation... however, a 15-minute scene depicting a rather detailed "summing up" of the plot was deleted from the theatrical/home video cut, but did make the film's network TV airings. With or without the scene, the film is an often-overlooked gem I would strongly recommend to anyone in the mood for a slick, sci-fi thriller.
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