IMDb > Lola (1981)
Lola
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Lola (1981) More at IMDbPro »

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Overview

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Release Date:
4 August 1982 (USA) See more »
Genre:
Plot:
Ten years after the war, West Germany's market economy is booming. Into an unnamed city that's rife with corruption comes a new building commissioner... See more » | Add synopsis »
Awards:
4 wins See more »
NewsDesk:
(29 articles)
Daily | “Fassbinder: Romantic Anarchist (Part 2)”
 (From Keyframe. 8 November 2014, 2:18 PM, PST)

New on Video: ‘Ali: Fear Eats the Soul’
 (From SoundOnSight. 7 October 2014, 4:06 PM, PDT)

The Official Lineup for the 67th Locarno Film Festival
 (From MUBI. 25 July 2014, 1:13 PM, PDT)

User Reviews:
The memory of love See more (13 total) »

Cast

  (in credits order) (complete, awaiting verification)

Barbara Sukowa ... Lola

Armin Mueller-Stahl ... Von Bohm
Mario Adorf ... Schukert
Matthias Fuchs ... Esslin
Helga Feddersen ... Frau Hettich
Karin Baal ... Lola's Mother
Ivan Desny ... Wittich
Elisabeth Volkmann ... Gigi
Hark Bohm ... Volker
Karl-Heinz von Hassel ... Timmerding (as Karl Heinz von Hassel)

Rosel Zech ... Frau Schuckert
Sonja Neudorfer ... Frau Fink

Christine Kaufmann ... Susi
Y Sa Lo ... Rosa

Günther Kaufmann ... GI

Isolde Barth ... Frau Volker
Karsten Peters ... Editor
Harry Baer ... 1st demonstrator
Rainer Will ... 2nd demonstrator
Herbert Steinmetz ... Concierge
Nino Korda ... TV delivery man
rest of cast listed alphabetically:
Raúl Gimenez ... 1st waiter (uncredited)
Andrea Heuer ... Librarian (uncredited)

Udo Kier ... Waiter (uncredited)
Juliane Lorenz ... Saleswoman (uncredited)
Maxim Oswald ... Grandfather Berger (uncredited)
Helmut Petigk ... Bouncer (uncredited)
Marita Pleyer ... Rahel (uncredited)
Ulrike Vigo ... Little Marie (uncredited)

Directed by
Rainer Werner Fassbinder 
 
Writing credits
Pea Fröhlich  and
Peter Märthesheimer  and
Rainer Werner Fassbinder  (as R.W. Fassbinder)

Produced by
Wolf-Dietrich Brücker .... producer: WDR (as Wolf Brücker)
Rainer Werner Fassbinder .... line producer
Thomas Schühly .... line producer
Horst Wendlandt .... producer
Hanns Eckelkamp .... co-producer (uncredited)
 
Original Music by
Freddy Quinn 
Peer Raben 
 
Cinematography by
Xaver Schwarzenberger 
 
Film Editing by
Rainer Werner Fassbinder  (as Franz Walsch)
Juliane Lorenz 
 
Production Design by
Raúl Gimenez 
Rolf Zehetbauer 
 
Art Direction by
Helmut Gassner 
 
Costume Design by
Barbara Baum 
Egon Strasser 
 
Makeup Department
Edwin Erfmann .... makeup artist (as Eddi Erfmann)
Anni Nöbauer .... makeup artist
Hedy Polensky .... makeup artist (as Hedi Polensky)
 
Production Management
Michael Bohnstengel .... unit manager
Michael McLernon .... unit manager
Stephan Pfleger .... unit manager
Thomas Schühly .... production manager
 
Second Unit Director or Assistant Director
Karin Viesel .... assistant director
 
Art Department
Richard Eglseder .... property master
Hans Stangl .... property master
 
Sound Department
Vladimir Vizner .... sound
 
Camera and Electrical Department
Ekkehard Heinrich .... lighting technician
Josef Vavra .... assistant camera (as Sepp Vavra)
Karl-Heinz Vogelmann .... still photographer
 
Other crew
Nico Brücker .... production assistant
Helga Fischer .... production assistant
Dieter Gackstetter .... choreographer
Gisela Schneider .... production secretary
Jean-Étienne Siry .... poster designer (french version)
Ursula Wöhrl .... cashier
 
Thanks
Alexander Kluge .... dedicatee
 

Production CompaniesDistributors

Additional Details

Also Known As:
Runtime:
113 min
Country:
Language:
Color:
Color (Fujicolor)
Aspect Ratio:
1.66 : 1 See more »
Sound Mix:
Certification:
Filming Locations:

Did You Know?

Trivia:
Part of the BRD Trilogy along with The Marriage of Maria Braun (1979) and Veronika Voss (1982). "BRD" stands for Bundesrepublik Deutschland, the official name of West Germany and of the united contemporary Germany, period in which those three stories takes place.See more »
Goofs:
Anachronisms: The photograph above the mayor's desk shows downtown Houston, Texas as it looked in the 1960s. The film is set in the late 1950s.See more »
Quotes:
[last lines]
Little Marie:Are you happy?
Von Bohm:Yes, Marie. I am happy.
See more »
Movie Connections:
Referenced in Lola (2001)See more »
Soundtrack:
Unter fremden SternenSee more »

FAQ

This FAQ is empty. Add the first question.
8 out of 8 people found the following review useful.
The memory of love, 3 January 2010
Author: hasosch from United States

Von Bohm is from East-Prussia, his two "weaknesses" are "East-Prussian human beings and West-Frisian tea", he tells to Lola's mother who works as his house-keeper after he has been elected as the new head of the construction department by the city of Coburg. Coburg - as any German city in the time of the "Wirtschaftswunder" - is a place "where people have an outer and an inner life, and both have nothing to do with one another". Although Von Bohm agrees, he has not a ghost of an idea that the elegant and beautiful young lady who gets his hand-kiss is in her "inner" life the attraction of the local bordello where the "crows" (major, police president, politicians, heads of the governmental departments) and the "vulture" (Schuckert) reunite every evening while their wives are knitting at home or are already asleep.

It is amazing what Fassbinder made out of the Heinrich Mann-Von Sternberg drama "Professor Unrat" or "The Blue Angel", respectively. Fassbinder's Lola is not a man-murdering and at last unreachable "beauty" like the (not so beautiful) Marlene Dietrich, but a girl who has to nourish her little daughter and still has the hope for a better live. She is "open" for everybody and does not flirt with the distance. In the opposite: On the stage she goes from hand to hand and is something like a collective propriety of the "Creme De La Creme" of the little city. (The figure of Esslin - whose name is close to Enslin -, who quotes Bakunin in Lola's Boudoir, is probably the rest that remained from the original protagonist character of Professor Unrat.) Therefore, Fassbinder's Lola is not about the decrease of a society member by entering the "wrong" society, but about her way to become a part of her society and Von Bohm's desire to possess his beloved "object". This is managed in an almost fairy-tale-like style, typically (and ironically) for the Germany of the Adenauer-era, so that in the end everybody looks happy, since everybody got what he wanted: Lola says to Mrs. Schuckert: "Now I belong to you". Schuckert earns his 3 millions of D-Marks from the "Lindenhof", the Mayor will be reelected, and Von Bohm gets Lola. Then, Lola's little daughter asks him: "Are you happy now?". Von Bohm answers a bit hesitatingly by "Yes". Unlike Professor Unrat, he does not pay with his life for his love, but probably with his soul.

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Lola - An Openly Flamboyant Look From Beginning to End larryball43
Schukert a bad guy, apparently Rheli
The car she was driving... jkeyz42
Thank Goodness! whitrix
Barbara Sukowa's 'unrehearsed' big number filmchap
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