FantasticFest is the largest genre film festival in the U.S., specializing in horror, fantasy, sci-fi, and action movies from all around the world. Here's a list of some of our favorite movies at FantasticFest.
This version takes a look at the character in the years before he became a legend. It all begins with the introduction of Luke Hartman, a 20-year old Boston law student who witnesses the ... See full summary »
Chad Michael Murray,
After she misses her train, a young woman is forced to hitch a ride back to town. After managing to get away from a lecherous trucker, she is given a ride by a good-looking but somewhat ... See full summary »
CHAP. 1, HI YO SILVER: An outlaw leader planning to take conrol of Texas after the Civil War kills Colonel Jeffries, a man empowered to levy taxes, and assumes his identity. His men then ... See full summary »
Silver King the Horse,
Homesteaders are moving into the valley settled many years ago by rancher Craig Dolan. He wants to keep them out by legal means but his nephew Bart brings in outlaws to drive them out. The ... See full summary »
Monika, a middle-aged wealthy woman, goes through a marriage crisis with her younger husband Linas. A car accident leads Monika to meeting three young girls, Kristina, Egle and Gitana, who ... See full summary »
When the young Texas Ranger, John Reid, is the sole survivor of an ambush arranged by the militaristic outlaw leader, Butch Cavendich, he is rescued by an old childhood Comanche friend, Tonto. When he recovers from his wounds, he dedicates his life to fighting the evil that Cavendich represents. To this end, John Reid becomes the great masked western hero, The Lone Ranger. With the help of Tonto, the pair go to rescue the President Grant when Cavendich takes him hostage. Written by
Kenneth Chisholm <firstname.lastname@example.org>
First, final and only ever acting credit in the film and TV industry for lead actor Klinton Spilsbury who played the Lone Ranger. Spilsbury is only known for this one film. This one-film status made him the subject of a trivia question on the movie edition of the PC trivia game "You Don't Know Jack". See more »
Early in the movie, John Reid presents Amy Striker a copy of the book, A Century of Dishonor by Helen Hunt Jackson written in 1881. Grant was president from 1869 to 1877. Custer died in 1876 at the Little Big Horn. Therefore, there is an anachronism in the movie, which occurs pre-1876 for the book to be present in the movie. See more »
The well-deserved negative comments about this beautifully-filmed fiasco have all but obscured one important good deed: the attempt to update the Lone Ranger on the wide screen, in all his majestic conservatism. Where the studio, in my mind, failed, was in treating the Ranger as "someone we know." For anyone who grew up in the late '40's or early '50's, and remembers Brace Beemer's voice [one God would have envied], or even his predecessor's [Earle Graser], or remembers how naturally Clayton Moore assumed the role for television, the expensive exposure of Klinton Spilsbury was cruelly unnecessary. Why trifle with the Masked Man's origins? He was perfect as we knew him! The Ranger, for all you out there in cyberspace, was NEVER named John; that his last name was Reid was well-known, but to give him a first name [and an unremarkable one at that], was to snatch away some of the mystery and aura surrounding the character. The Wrather Corporation, which bought the rights to the Lone Ranger from George W. Trendle, made this foolish mistake, and they robbed the Masked Man of any heroic pretense by making him, in essence, one of us. If someone bought the rights to the Superman character, changed his planet from Krypton to some other location, and did away with his earthly name of Clark Kent, can you imagine the reaction? The Wrather Corporation robbed themselves of a valuable property by re-tooling the Lone Ranger, and the result was this cinematic fiasco. It could have worked well, even without a "name" actor. The film was shot through with admirable creative strokes. Two come to mind. First, the racist attack on the young Tonto, second, the planned gang-rape of Amy Striker on the hijacked stagecoach, neither of which could have been broadcast nor televised in the '40's or '50's. Even the scene in the confessional could have proved a brilliant stroke [indeed, we saw it imitated in the 1998 "The Mask of Zorro" to wonderful effect]. The point is that it all could have worked! The sadistic ambush of the Texas Rangers at Bryant's Gap was realistic and moving, but could have been dealt with far more effectively by means of flashbacks. The film failed because the studio didn't care enough to probe the reasons for the Ranger's motivation [the superficial one of revenge for the massacre at Bryant's Gap wasn't enough] and Tonto's reasons for his remarkable and deeply humane devotion to his friend. A re-orchestration of the Republic and classical overtures would have heightened the film [as expensive as this might have been] from an ordinary Western into something else; a retelling of a classic myth and cultural icon. We Ranger fanatics are much the poorer because a rich corporation bought the rights to a character without understanding caring] about the emotional underpinnings of the legend. American audiences were ready for a "modern" Lone Ranger in 1981; I'm not certain that anyone cares anymore, and that's the tragedy.
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