A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her ...
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Cynthia inherits her aunt's large estate and moves in. She reads her aunt's diary and finds out (and graphically imagines) how she was taught in the ways of love by her gardener in 1901 at ... See full summary »
In 1913 Connie Reid marries wealthy Nottingham colliery owner Sir Clifford Chatterley but he returns from the Great War disabled and in a wheelchair. Connie is loyal but begins to feel ... See full summary »
Emmanuelle returns to her husband in Hong Kong and proceeds to have several extramarital affairs -- with his knowledge, of course. Her husband's lover and American guest are both very ... See full summary »
Lady Constance Chatterley is married to the handicapped Sir Clifford Chatterley, who was wounded in the First World War. When they move to his family's estate, Constance (Connie) meets ... See full summary »
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An Italian film adaptation of D.H. Lawrence's classic erotic novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her ... See full summary »
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A film adaptation of D.H. Lawrence's novel. After a crippling injury leaves her husband impotent, Lady Chatterly is torn between her love for her husband and her physical desires. With her husband's consent, she seeks out other means of fulfilling her needs. Written by
Jean-Marc Rocher <firstname.lastname@example.org>
Marlon Brando was attached to Marc Allegret's version in the late 50's, and in 1964 Richard Burton and Elizabeth Taylor were briefly mentioned for a touted remake in the UK. Ironically this Cannon Filns version was the most high profile version to date! See more »
Hyacinth flowers are seen in the bedroom during mid autumn in Great Britain in the early 1920s. These plants bloom in the springtime. See more »
The plot of D.H. Lawrence's famous novel of passion and mores is lifted mostly intact, but everything has a dumbed-down and trashed-up quality that makes the resulting adaptation anything but faithful. Sylvia Kristel once again proves inadequate to the task of carrying a movie, and what's more looks much older than her real age (28), as well as that of the even younger character Lady Chatterley. Instead of smoldering with forbidden passion, she seems listless and uninterested in the affair that is central to the story's power. Nicholas Clay also seems unconvincing as the virile but coarse Mellors. Why he would be the object of romantic fascination for any woman of class seems a mystery not worth investigating. The pastoral look of the film is pretty nice, plus it also features good period detail and costumes, but the script is extremely weak and the dramatics - especially among the supporting performances - are just not sharp enough to properly drive a story of class betrayal and social scandal.
Approach with extreme caution.
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