Edit
Storyline
Corrine Burns retreats far into plans for her band, The Fabulous Stains, after her mother's death. So far that she gets them (she and two cousins) on a tour with a washed-out glam-rock group and a rising British punk band, radically changes her appearance, attracts a cult following and national media attention. With luck like this, what could go wrong? Written by
Renee Ann Byrd <byrdie@wyrdbyrd.org>
Plot Summary
|
Plot Synopsis
Taglines:
She can't fool all the fans all of the time ...
See more »
Certificate:
R
Edit
Did You Know?
Quotes
Corinne Burns:
[
lying about Jerry Jervey]
He was an old man in a young girl's world.
See more »
Connections
Referenced in
Something to Scream About (2003)
See more »
Soundtracks
"It's You I Need"
Written and Recorded by
Barry Ford
Courtesy of Warner Bros. Records
See more »
Ah, punk rock, how it came, saw, went, came back again, and maybe another time, and is now in so many varieties that one could just spend an entire semester in college studying all of the bands that have come from the early to mid 70s and beyond. Ladies and Gentlemen, the Fabulous Stains, is a satirical document of the punk rock scene, but it works better as just flat-out punk and/or new-wave rock than as satire. The writer tries for a Network approach: the media latches on to The Fabulous Stains, a trio girl group started by Corrine Burns (aka Third-Degree Burns) with her sister and cousin, who aren't very talented but have Corrine as their wont-take-no-s*** lead singer with crazy hair and a "I don't put out" slogan while wearing skimpy clothes.
Because apparently every single punk girl watches the nightly news and believes every single word they say, suddenly the Stains have a HUGE fan-base of lemming-like girls who latch onto every word of their song "Waste my time" and, soon after, their rip-off cover of the Looters' "The Professionals", the real Brit punk rock group touring as the lead group following (original headliner) aging rock group's bitter demise. The script takes the point of view that it's probably as much the audience's fault, if not more-so, than the exploitation by the media, which was not uncommon to happen to certain bands (it even happened to the Sex Pistols to a degree, though the bulk of hype came about after they broke up). This part is clever but also not clever by half; we've seen this quick rise-and-fall story before and there's not a whole lot that's fresh that's brought to the table creatively, except for the cynical aspect that if you look pretty and bad and don't give a bleep you'll make it with a rip-off single that most of the audience doesn't understand anyway.
And yet for whatever flaws the film might have director Lou Adler aptly displays, amusingly and with a deft skill at capturing young-and-old rocker angst, life in the ever changing rock scene and specifically punk rock. While it's a given a band will be kick-ass if two members of the Pistols and Paul Simonen of the Clash are in it, as they are in the Looters with a young Ray Winstone as ornery front-man (one of his most compelling performances as a "tough" guy), it will have some punk rock cred. But very young Diane Lane and even younger Laura Dern bring some credibility of their own, and open up another sight for aficionados of the attitude and mood of punk rock, much like the attitude and mood of film-noir more than a real genre, is punk rock for girls. Inspiration for the likes of the Go-Go's can be seen here as "birds" as Winstone says can rock as hard, or just with enough spirit, while also not being too full of crap.
That's the interesting thing too in Fabulous Stains, what makes it more interesting as a punk rock flick than a satire: when it's at its best, like Suburbia did as well, we get a personal and sad look at wayward youth with nothing else but music, be that they can't read like Winstone's Billy or just have a parent that's dead like Corrine's father ("Died in war, beep, got lot of money, beep"). It's a fine little nugget of music/movie lore.