A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusion from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Director Alan Smithee takes us on an irreverent (and unauthorized) romp through George A. Romero's classic Night of the Living Dead, the film that spawned the modern zombie craze and a thousand "of the living dead" remakes and rip-offs.
A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place. Written by
David Carroll <firstname.lastname@example.org>
I saw this film when it first came out as a kid and just recently found an out-of-print video on it. The movie still holds up. The acting is quite good, especially Ed Harris, who stands out as the "King Arthur" leader, Billy. Tom Savinni did a good job during the scenes where he "sold out" his image. You could see the transition in his face, sans dialogue. Yes, it does need to be shortened by about twenty minutes, but overall its an enjoyable film with many underlying lessons to learn from. Two outstanding, bittersweet scenes are the "Lancelot" character having to return the woman that loves him back to her home and the transition at the end where Ed Harris gives a young boy, who hero worships him, his sword. The stunts are fantastic as well. Sit back with some popcorn and enjoy! Look for the cameo by Stephen King as the "Loudmouth Spectator."
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