A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusional from their leader.
A band of medieval mercenaries take revenge on a noble lord who decides not to pay them by kidnapping the betrothed of the noble's son. As the plague and warfare cut a swathe of destruction... See full summary »
Jennifer Jason Leigh,
As the Mayan kingdom faces its decline, the rulers insist the key to prosperity is to build more temples and offer human sacrifices. Jaguar Paw, a young man captured for sacrifice, flees to avoid his fate.
The anti-Ching patriots, under the guidance of Ho Kuang-han, have secretly set up their base in Canton, disguised as school masters. During a brutal Manchu attack, Lui manages to escape and... See full summary »
A soldier from Earth crash-lands on an alien world after sustaining battle damage. Eventually he encounters another survivor, but from the enemy species he was fighting; they band together ... See full summary »
Louis Gossett Jr.,
A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place. Written by
David Carroll <email@example.com>
'Susan Burns (III)', girlfriend of David Crawford at the time, appears as one of the Biker Extras' girlfriends at The Renaissance Faire. See more »
The fog in the final joust changes between shots. See more »
Everybody here made a conscious, adult decision to be here. To be with you. When you go crazy, you force them to rethink that decision. You've got to...
Change doesn't have to mean compromise. We're bigger now. Things are different. Christ, we've got an overhead.
Publicity helps the overhead by bringing in more crowds, more suckerheaded American driftwood that can't tell the difference between me and Jim Jones, or Charles Manson, or the Great Wallenda. That kid... that kid thinks ...
[...] See more »
The Arthurian legend comes to life. What we all hoped for in a utopian society devoid of comericialisation is here, shining through the darkest horizon of today's popular youth culture. The sheer romance and spirit of this film is remarkable, much like Romero's other works but in other ways completely different, the film brings hope to the disenchanted rather than adopting the usual cynical "we can't change anything so lets conform" attitude of today's society. King William (Ed Harris) is the founder and leader of a group of travelling knights, swapping the horses for motorcycles and allowing the public to get a glimpse on their way of life through jousting tournaments. Marred by the public's dependence on sex and violence the group find themselves crushed by commercial pressure. The audiences want to see blood, and the tragedy of it all lies in their ignorance to Billy's intense dream. it all starts to fall apart when they receive interest from big promoters and their potential as a sellable source of entertainment is recognised.
Romero truly shines through here and the only criticism I can possibly think of this near perfect film lies in the era it was filmed and set it. Had this film been made in the 70's it would have looked a lot better, or even in the 90's, however the 80's was awful for films in general and it comes as no surprise that this film was practically shelved. On the plus side it also proves that the 80's didn't just produce Friday the 13th movies, and that someone had an idea good enough to really make a film like this work.
Tom Savini, Gary Lahti, Amy Ingersoll, Chris Romero and in particular Brother Blue all give startling performances. The love and care that went into this film is outstanding.
However, I must stress ten-fold that if you want to see blood and guts, and don't really care for the dozens of underlying plot lines that revolve in this film to just watch something else. You have to be prepared to try to understand what Romero is trying to show us, and what the film meant in the relevant decade (and still mean today).
This is a truly amazing film that will make you laugh, cry and cheer. Its not only worth watching but is a keeper for sure.
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