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A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place. Written by
David Carroll <email@example.com>
(who played Jack, The Biker with Seltzer Bottle in Dawn of the Dead (1978)) Appears as a Bearded Customer in a Red Shirt in Big Dollar Offer Cafe scene. See more »
When Pip and Angie are hanging posters, the stapler disappears and re-appears in Pip's hands. See more »
[waking a disoriented Bagman, who was asleep by the campfire]
There's not two different fights, there can't be two different fights. You got to fight for your ideals, and if you die, your ideals don't die. The code that we're living by is the truth. The truth IS the code! I can't let people walk on that idea, I can't!
[He rises, heads to the motorcycles]
[waking as Billy starts his motorcycle]
What the hell's going on?
[who has been watching silently all along]
Billy's using your bike.
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OK, besides Ed Harris and Tom Savini, who else is in this amazing biker film from the early 80s? Well, it doesn't really matter because sometimes things just come together in a way that transcends what the likely original intent was, to patch together a biker movie about jousting knights who engage in feudal combat from motorcycles instead of horses. Yep. The costumes are a bit cheesy, the acting is a bit raw and amateurish and the story..., ah, the story: The story is the Arthurian tragedy of innocence, self sacrifice, honor and unfaithfulness. The tale works around the triad of the King, the very young Ed Harris, the villain, the wonderful Tom Savini and the knight protector, Lancelot, Gary Lahti. Each of these figures represents an archetype which very likely unbeknown to the film makers and they come through wonderfully in the way in which this tale is patched together. Billy,as the King Arthur prototype is idealistic, uncompromising loyal to his own mythology and like the legendary Arthur, ego-less. His loyal knight retainer, Alan, is Lancelot in his nobility and loyalty to his sovereign while coveting his wife all the time. Savini is purely delightful as the Modred counterpart, even taking Morgan le Fay's name as a pun. Morgan covets the crown and tries to usurp it by going off only to discover his new realm is a forest of paper tigers. The final scene and resolution of the tragedy works wonderfully, giving a the only glimpse of the famous story-teller and raconteur, Brother Blue as the wizard, Merlin.
As an anthropologist and mythologist, I saw this tale back in the early 80s and was impressed how the underlying mythology of an essentially low budget film held together in such a wonderful way in spite of a few flaws. I consider it a cult classic.
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