A medieval reenactment troupe find it increasingly difficult to keep their family-like group together, with pressure from local law enforcement, interest from entertainment agents and a growing sense of delusional from their leader.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A travelling troupe of jousters and performers are slowly cracking under the pressure of hick cops, financial troubles and their failure to live up to their own ideals. The group's leader, King Billy, is increasingly unable to maintain his warrior's rule while the Black Knight is being tempted away to LA and stardom, as they all have to ask why they were here in the first place. Written by
David Carroll <email@example.com>
(who played Jack, The Biker with Seltzer Bottle in Dawn of the Dead (1978)) Appears as a Bearded Customer in a Red Shirt in Big Dollar Offer Cafe scene. See more »
The fog in the final joust changes between shots. See more »
[angry in the wake of Bagman's beating by local police, and Billy's refusal to consider promotion for the troupe]
Dammit, Billy, you're all stone-broke most of the time. And you take in every damn longhair that knows how to make a pair of sandals, and you wanna pick up the Blue Cross tab? Do you have the slightest idea what gas is selling for, or two-by-fours, or hamburger or anything else?
You think it's breaking up?
It's money, Billy. It's all to do with money. Money makes the world go round, ...
[...] See more »
OK, besides Ed Harris and Tom Savini, who else is in this amazing biker film from the early 80s? Well, it doesn't really matter because sometimes things just come together in a way that transcends what the likely original intent was, to patch together a biker movie about jousting knights who engage in feudal combat from motorcycles instead of horses. Yep. The costumes are a bit cheesy, the acting is a bit raw and amateurish and the story..., ah, the story: The story is the Arthurian tragedy of innocence, self sacrifice, honor and unfaithfulness. The tale works around the triad of the King, the very young Ed Harris, the villain, the wonderful Tom Savini and the knight protector, Lancelot, Gary Lahti. Each of these figures represents an archetype which very likely unbeknown to the film makers and they come through wonderfully in the way in which this tale is patched together. Billy,as the King Arthur prototype is idealistic, uncompromising loyal to his own mythology and like the legendary Arthur, ego-less. His loyal knight retainer, Alan, is Lancelot in his nobility and loyalty to his sovereign while coveting his wife all the time. Savini is purely delightful as the Modred counterpart, even taking Morgan le Fay's name as a pun. Morgan covets the crown and tries to usurp it by going off only to discover his new realm is a forest of paper tigers. The final scene and resolution of the tragedy works wonderfully, giving a the only glimpse of the famous story-teller and raconteur, Brother Blue as the wizard, Merlin.
As an anthropologist and mythologist, I saw this tale back in the early 80s and was impressed how the underlying mythology of an essentially low budget film held together in such a wonderful way in spite of a few flaws. I consider it a cult classic.
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