| Photos (See all 26 | slideshow) |
Directed by | |||
| Joe Dante | |||
Writing credits | ||
| Gary Brandner | (novel) | |
| John Sayles | (screenplay) and | |
| Terence H. Winkless | (screenplay) | |
Produced by | |||
| Daniel H. Blatt | .... | executive producer | |
| Rob Bottin | .... | associate producer | |
| Jack Conrad | .... | producer | |
| Michael Finnell | .... | producer | |
| Steven A. Lane | .... | executive producer | |
Original Music by | |||
| Pino Donaggio | |||
Cinematography by | |||
| John Hora | (director of photography) | ||
Film Editing by | |||
| Joe Dante | |||
| Mark Goldblatt | |||
Casting by | |||
| Susan Arnold | |||
| Judith Weiner | |||
Art Direction by | |||
| Robert A. Burns | |||
Costume Design by | |||
| Jack Buehler | |||
Makeup Department | |||
| Rick Baker | .... | special makeup effects consultant | |
| Joe Beserra | .... | makeup effects studio artist | |
| Rob Bottin | .... | special makeup effects creator | |
| Greg Cannom | .... | additional makeup effects | |
| Bill Davis | .... | assistant makeup artist | |
| Morton Greenspoon | .... | creative contact lens effects (as Morton K. Greenspoon O.D.) | |
| Tina Kline | .... | contact lens technician (as Tina Klein) | |
| Shawn McEnroe | .... | first makeup effects assistant | |
| Medusah | .... | assistant hair stylist (as Anne Aulenta-Spira) | |
| Medusah | .... | assistant makeup artist (as Anne Aulenta-Spira) | |
| Art Pimentel | .... | second makeup effects assistant | |
| Margaret Prentice | .... | makeup effects studio artist (as Margaret Beserra) | |
| Josephine Turner | .... | special hair work | |
| Josephine Turner | .... | wig maker | |
| Gigi Williams | .... | hair stylist | |
| Gigi Williams | .... | makeup artist | |
| Kevin Brennan | .... | special makeup effects artist (uncredited) | |
| Steve LaPorte | .... | special makeup effects artist (uncredited) | |
| Bill Sturgeon | .... | creature effects crew (uncredited) | |
Production Management | |||
| Peter Manoogian | .... | second unit manager | |
| Jack C. Smith | .... | unit manager | |
| David C. Thomas | .... | production manager | |
Art Department | |||
| Mary Church | .... | art assistant | |
| Ivo Cristante | .... | property master | |
| Richard Hescox | .... | production illustrator | |
| Steven Legler | .... | set designer (as Steve Legler) | |
| Frank Ventrola | .... | production illustrator | |
Sound Department | |||
| Ken King | .... | production sound mixer | |
| Douglas Vaughan | .... | boom operator | |
Special Effects by | |||
| Doug Beswick | .... | special mechanical effects | |
| Roger George | .... | special effects | |
| Jeff Shank | .... | effects unit line producer | |
| Steve Shank | .... | effects unit line producer | |
Visual Effects by | |||
| David Allen | .... | stop motion animation | |
| Peter Kuran | .... | love scene and main title animation: VCE | |
| Rick Taylor | .... | effects camera operator (uncredited) | |
| Susan Turner | .... | visual effects (uncredited) | |
| Pam Vick | .... | cel animator (uncredited) | |
| Mike Warren | .... | optical effects (uncredited) | |
Stunts | |||
| Carmen Babnick | .... | stunts | |
| Bruce Paul Barbour | .... | stunts (as Bruce Barbour) | |
| Roger Creed | .... | stunt coordinator | |
| Marneen Fields | .... | stunt double: Dee Wallace | |
| John Moio | .... | stunts | |
| Conrad E. Palmisano | .... | utility stunts | |
Camera and Electrical Department | |||
| Norman Cattell | .... | first assistant camera | |
| Doug Cragoe | .... | grip (as Douglas Cragoe) | |
| Matia Karrell | .... | electrician | |
| Laurel Moore | .... | still photographer | |
| John C. Murray | .... | gaffer | |
| Stephen L. Posey | .... | camera operator: second unit (as Stephen Posey) | |
| Ronald Raschke | .... | second assistant camera | |
| Ted Rhodes | .... | best boy grip | |
| Richard Sands | .... | electrician (as Rick Sands) | |
| Richard Sands | .... | grip (as Rick Sands) | |
| Roger Sassen | .... | best boy electric | |
| Kurt Young | .... | key grip | |
Costume and Wardrobe Department | |||
| Nancy G. Fox | .... | wardrobe supervisor | |
Editorial Department | |||
| Kent Beyda | .... | associate film editor | |
| Alan Toomayan | .... | assistant film editor | |
Music Department | |||
| Chris Carney | .... | composer: song "Rocky Mountain Waltz" | |
| Joyce Fienhage | .... | composer: song "Howling Chicken" | |
| Rick Fienhage | .... | composer: song "Howling Chicken" | |
| Marshall Leib | .... | music coordinator (as Marshall Lieb) | |
| Natale Massara | .... | conductor | |
Other crew | |||
| Allen Alsobrook | .... | production assistant | |
| Donald P. Borchers | .... | production associate | |
| Frank Capra III | .... | production assistant | |
| Susan Gelb | .... | production accountant | |
| Frank Gomon | .... | television material provided by | |
| Robert Jellen | .... | insurance (as Bob Jellen) | |
| Stephan Kertesz | .... | production assistant | |
| Sherri Lubov | .... | production assistant | |
| John Ott | .... | production assistant | |
| Jeanne Rosenberg | .... | script supervisor | |
| Jack C. Smith | .... | location manager | |
| Terry Smulen | .... | assistant to producer | |
| Michael Takacs | .... | television technical advisor | |
| Mark Tarnawsky | .... | production assistant | |
| Stokely Van Camp | .... | television material provided by | |
Thanks | |||
| Forrest J Ackerman | .... | special thanks | |
| Jane Alsobrook | .... | special thanks | |
| Jamie Anderson | .... | special thanks | |
| Paul Bartel | .... | special thanks | |
| Michael Chapman | .... | special thanks | |
| Roger Corman | .... | special thanks | |
| Mick Garris | .... | special thanks | |
| Gary Graver | .... | special thanks | |
| Jonathan Kaplan | .... | special thanks | |
| Sylvia Neil | .... | special thanks | |
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| Friday the 13th | Black Belly of the Tarantula | Giornata nera per l'ariete | The Cat o' Nine Tails | A Bay of Blood |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
This classic werewolf movie is not as good as "An American Werewolf in London", however it is a pretty good horror movie in its own right. It is also one of the first (if not the first) to do an on screen transformation scene not using the old frame by frame technique. The story has a female reporter traumatized after she helps the police track down a serial killer. A friend psychiatrist sends her to a retreat known as "the colony" to help her unwind and get to the root of her problem. Well lets just say her first impulse was right as she really seems to think her and her husband are out of place in this retreat. I would agree, I do believe I would have left after seeing the first little beach party where the guy about to throw himself in the fire seemed the most sane. For the most part this movie has a bit of a slow setup, but once it gets going near the last 20 or thirty minutes it really gets going. The werewolves look rather good, there are a couple of scenes where they appear to be nothing more than cartoons or something, but for the most part they look like working models. There is a bit at the end which puzzles me as it seems to add humor into what was otherwise a movie that wasn't trying to garner laughs. However, for the most part you get a rather nice horror movie with lots of stars, something of a rarity this day and age.