A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A team consisting of a physicist, his wife, a young female psychic and the only survivor of the previous visit are sent to the notorious Hell House to prove/disprove survival after death. ... See full summary »
Television newswoman Karen White takes some much-needed time off after a traumatic incident with a serial killer. Hoping to conquer her inner demons, she heads for The Colony, a secluded retreat where the creepy residents are a little too eager to make her feel at home. Also, there seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery. Now she must not only fight for her life... but for her very soul! Helped launch the short-lived werewolf craze in the early 1980s. Written by
Tim Kretschmann <Tim.K@VirComm.com>
Annette Haven was offered the role of Marsha Quist, but turned it down because she was opposed to the violent content of the script. See more »
When Marsha makes the scratches on Bill's back, his back smooth and hair free. Yet the shot before showing them turning into werewolves, they were both covered with hair. See more »
Dr. George Waggner:
Repression. Repression is the father of neurosis, of self-hatred. Now, stress results when we fight against our impulses. We've all heard people talk about animal magnetism, the natural man. the noble savage, as if we'd lost something valuable in our long evolution into civilized human beings. Now there's a good reason for this.
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The opening credits roll over TV static and features dialogue snippets from the movie. See more »
Listen to the critics, it's actually one of the best
Yes! For a change in the horror genre this film does deserve all of the praise, hype, cult following and respect it receives, even from the critics. I would go so far as to even admit that I find this Joe (Gremlins, Innerspace, The 'burbs, Matinee, Small soldiers) Dante flick one of his best crafted works, followed by PIRANHA.
It's always been a toss up between THE HOWLING and AN AMERICAN WEREWOLF IN LONDON for the most effective lycanthropy picture of postmodern horror cinema (anything since Psycho). Where John Landis used comedy more blatantly, the humour in THE HOWLING is far more satirical and subversive. Undoubtedly, Rob Bottin's effects steal the show as well as they did for John Carpenter's THE THING. The transformation of Eddie Quist, especially on the revamped DVD is something to behold.
For anyone with a passing interest in the horror genre this is a film to include on that 'TO SEE' list. For fans of werewolf movies this should go on that 'MUST SEE' list.
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