A group of scientists have developed the Resonator, a machine which allows whoever is within range to see beyond normal perceptible reality. But when the experiment succeeds, they are immediately attacked by terrible life forms.
Remake of the 1958 sci-fi horror classic about a deadly blob from another planet which consumes everything in its path. Teenagers attempt without success to warn the townspeople, who refuse to take them seriously.
Donovan Leitch Jr.
In a red light district, newswoman Karen White is bugged by the police, investigating serial killer Eddie Quist, who has been molesting her through phone calls. After police officers find them in a peep-show cabin and shoot Eddie, Karen becomes emotionally disturbed and loses her memory. Hoping to conquer her inner demons, she heads for the Colony, a secluded retreat where the creepy residents are rather too eager to make her feel at home. There also seems to be a bizarre connection between Eddie Quist and this supposedly safe haven. And when, after nights of being tormented by unearthly cries, Karen ventures into the forest and makes a terrifying discovery. Written by
Tim Kretschmann <Tim.K@VirComm.com>
Art director Robert A. Burns had previously worked on the sets for The Texas Chain Saw Massacre (1974). In fact, many of the grisly set dressings for this film were hold-overs from "The Texas Chain Saw Massacre"; most notably the corpse in the armchair seen in Walter Paisley's bookstore. See more »
When Eddie has Karen White in the porno booth, he says, "None of them do. They're not real, the people here. They're dead. They could never be like me," but his mouth is almost always closed the whole time. See more »
Dr. George Waggner:
Repression. Repression is the father of neurosis, of self-hatred. Now, stress results when we fight against our impulses. We've all heard people talk about animal magnetism, the natural man. the noble savage, as if we'd lost something valuable in our long evolution into civilized human beings. Now there's a good reason for this.
See more »
A burger being fried on a grill plays out over the closing credits. See more »
Easily one of the most historically popular werewolf films out there deserves some attention, right? Well of course. And since lately I'm getting more and more into werewolf films, I figured it was high time I actually bought this one and reviewed it. This, along with American Werewolf in London, were the two films that revolutionized werewolf movies and transformed them from just some guy running around bein' all hairy and strangling people. On top of it all, we have Joe Dante (Piranha, Gremlins) directing. Good times will be had by all!
This film revolves around a news anchor-woman who is helping the police track down a serial killer, made all the easier by the fact that he's taken an interest in her. Well, everything goes just awful and she ends up traumatized. Her shrink suggests she and her husband take a comfortable, soothing vacation in a community that he's a major part of. Of course, the movie is helped along by the fact that the town just happens to be chock full of werewolves who can't seem to decide whether to eat these new people or have them join up.
Here's the breakdown:
--We've got some beautiful and unique looking werewolves here. The first one we have a very clear view of, in the doctor's office, almost resembles some creature that's part wolf, part man, and part cat. It just kind of had that feel--not that it's bad, I liked it.
--Interesting story, one of the better ones in the world of werewolves.
--The acting is pretty good, one has to consider the fact that a lot of actors just don't take these kinds of roles seriously enough. So finding a movie like this where they do is quite nice.
--Naked transforming werewolf sex scene by a campfire. Hmmm... maybe this should be the Memorable Scene....
--Average amounts of violence--more a suspenseful werewolf film than a visually disturbing one. The gore, while only occasional, is really good.
--Nice mystery story wrapped up in here.
Didn't Hurt It, Didn't Help:
--Decent music, somewhat average for these kind of movies.
--Dee Wallace-Stone's acting occasionally isn't quite up to par, shall we say...
--One werewolf transformation sequence is actually animated--like with cell animation and it doesn't look very good. It's brief and small, and doesn't detract from the film's overall quality.
--Dee Wallace's friends in the movie really seem to adopt the notion of werewolves rather easily--I would think it would be hard to accept that idea... oh well...
--Some two-dimensional characters.
--This film is in a series notorious for it's much crappier releases, but that's really about all there is that's not to like.
--Robert Picardo (the hologram doctor from Star Trek: Voyager) plays the ultimate bad-ass werewolf--and boy, his face doesn't look good all charred with acid...
--Robert Picardo's werewolf in the Doctor's office. Oh, and that werewolf transformation sex scene. That was pretty hot.
Acting: 8/10 Story: 9/10 Atmosphere: 9/10 Cinematography: 8/10 Character Development: 8/10 Special Effects/Make-up: 8/10 (some less than fancy stop-motion, and one bit of obvious animation) Nudity/Sexuality: 4/10 Violence/Gore: 8/10 (Average amount, but very high quality) Sets/Backgrounds: 9/10 Dialogue: 7/10 Music: 7/10 Writing: 8/10 Direction: 9/10
Cheesiness: 1/10 Crappiness: 0/10
A horror must-see. One of the classic werewolf films. Personally, I think Dog Soldiers may still be a little better, but that's just me. For horror fans and a great piece for non-horror fans to find out what a good werewolf movie should look like--sans CG werewolves.
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