Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The ... See full summary »
An art director in the 1930's falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man's best friend, he falls in love with a ... See full summary »
A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into ... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
The veterinary assistant Ulla have taken her job only for the opportunity to race on the small roads of Värmland. The big farmer's daughter Birgitta dreams about Paris but instead becomes ... See full summary »
Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The people of Ticlaw, leaded by it's Mayor, will do anything in order to convince the governor to alter the project. Written by
Michel Rudoy <email@example.com>
During the scene where the orphans are being shown the petting zoo, a crew member or the director can be heard giving the cue to "Scream! Scream! Ricky!" as the children become afraid of the white horse they've mistaken for "Ricky the Carnivorous Pony." See more »
The obsession of modern society with the ownership of a personal automobile is a very appropriate subject for satire. One could consider the role of private vehicles as one of the important elements in population control (although limited in its value by the associated medical costs!). Alternatively one could assess the role of the automobile in the atmospheric pollution that threatens dramatic changes of climate which will have a devastating effect on the lives of all of us; or one could look at the long term impact of more and more fertile agricultural land becoming sterilized by the construction of wide concrete freeways. There is plenty of scope for the inventive film maker to deal with such major themes. Instead most of the films dealing with this issue which have been released so far, raise only such trivial concerns as the infatuation of teenagers with acquiring ownership of their own vehicle, or occasionally with the problems associated with 'driving under the influence'. The film Honky Tonk Freeway is a noble exception to this collection of triviata. In it, the director John Schlesinger takes a long and very devastating look at yet another aspect of the automobile culture, the need for small towns to be closely connected to a major highway network if they are not to just fade away.
The film features Ticklaw, a Florida town that has become largely dependent upon the income brought in by short stay tourists heading towards the nearby coast. A new freeway under construction does not provide a promised access junction and the long term implications for the town are serious. The story line is the series of increasingly dramatic steps taken by the town to ensure that it remains an attractive stopping off point for through travellers. The film is a comedy with an edge and with very sharp characterisation. Unfortunately much of it is overdrawn to the point where it almost becomes pure slapstick, and for me this detracts a lot from the message of the film. However, although overlong, it remains quite enjoyable to watch; and the sequences showing an elephant being trained to waterski to entertain the visitors are almost etched in my memory. This could have been a really great film, but unfortunately much of it was so overdrawn that I can only recognise it as a near miss.
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