Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The ... See full summary »
An art director in the 1930's falls in love and attempts to make a young woman an actress despite Hollywood who wants nothing to do with her because of her problems with an estranged man and her alcoholic father.
A young engineer is sent to post-WWII Berlin to help the Americans in spying on the Russians. In a time and place where discretion is still a man's best friend, he falls in love with a ... See full summary »
A young man, inching his way up from working-class traditions via a white-collar job, finds himself trapped by the frightening reality of his girlfriend's pregnancy and is forced into ... See full summary »
Divorced working woman Alex and well-to-do Jewish family doctor Daniel Hirsh share not only the same answering service but also the favours of young Bob Elkin who bed-hops between them as ... See full summary »
The veterinary assistant Ulla have taken her job only for the opportunity to race on the small roads of Värmland. The big farmer's daughter Birgitta dreams about Paris but instead becomes ... See full summary »
Ticlaw, a small town in Florida, has only one attraction: a safari park. The government constructs a freeway that passes near Ticlaw, but decides not to put an exit into the town. The people of Ticlaw, leaded by it's Mayor, will do anything in order to convince the governor to alter the project. Written by
Michel Rudoy <email@example.com>
During the scene where the orphans are being shown the petting zoo, a crew member or the director can be heard giving the cue to "Scream! Scream! Ricky!" as the children become afraid of the white horse they've mistaken for "Ricky the Carnivorous Pony." See more »
Unappreciated in a way MAD MAD WORLD was celebrated, HONKY TONK FREEWAY is an international view of crass funny Americana. A megaton flop in its day, it does deserve reappraisal and basically awe for the extravagant scope and cost of the production. Also like NASHVILLE or THE BIG BUS or even RAT RACE it is an ensemble comedy cruelly harpooned by dumb critics of the day who only reviewed the excess and the cost. This must have been an unappreciated accounting legend, like CLEOPATRA, or 1941 (which I love), HEAVENS GATE, LUCKY LADY or later THE BLUES BROTHERS as demented American films that are clever and made with vision, especially when one considers the cost and failure of Mall releases of today. A DVD reissue with the sort of 3rd disc that Cleopatra has will be very welcome.
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