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The American artist couple Port and Kit Moresby travel aimlessly through Africa, searching for new experiences that could give sense to their relationship. But the flight to distant regions only leads both deeper into despair.
The feared bandit Cobra Verde (Klaus Kinski) is hired by a plantation owner to supervise his slaves. After the owner suspects Cobra Verde of consorting with his young daughters, the owner ... See full summary »
Anthony Burgess created the primitive language for the early humans in this prehistoric adventure about a trio of warriors who travel the savanna, encountering sabre-toothed tigers, mammoths and cannibalistic tribes in search of a flame that would replace the fire their tribe has lost. Written by
Keith Loh <email@example.com>
This movie was theatrically released without subtitles but DVD technology and the common use of subtitling of movies on DVD now has this movie available with subtitles (which wasn't the case with its release on home videocassette). The subtitles on the DVD are somewhat simplified titles of the prehistorical dialogue. See more »
In one shot there is no smoke coming from Amoukar's lantern, even though the previous and following shots show plenty of smoke billowing from the lantern. See more »
80,000 years ago, man's survival in a vast uncharted land depended on the possession of fire. / For those early humans, fire was an object of great mystery, since no one had mastered its creation. Fire had to be stolen from nature, it had to be kept alive - sheltered from wind and rain, guarded from rival tribes. / Fire was a symbol of power and a means of survival. The tribe who possessed fire, possessed life.
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Raw and at times brutal, this story follows three primitive warriors who make a cross-country journey in search of that most precious of natural elements ... fire. In prehistoric times, having fire meant survival from the cold and protection from predators.
In this film, facial gestures, hand movements, general body language and mannerisms of the characters are all consistent with conclusions about early man, as a result of thorough anthropological research. In lieu of modern language the film's dialogue consists of some 350 invented words and sounds, also based on research. In addition, an important part of the film is attention to detail in costumes and makeup, for which the film won several awards. All of these technical cinematic elements combine to create a reasonably accurate visual and audio impression of mankind as it existed some 80,000 years ago.
As you would expect, the film is shot entirely in rugged, remote locations, resulting in landscapes that are stunningly beautiful. Background music is generally low-key and ethereal, like what you might hear in a sci-fi film. There's lots of flute sounds, which reinforce the simplicity of the time period.
For all its technical achievements, this film's main weakness may be the screenplay. When you take away the artifacts of modern life, you're very limited in the kind of story you can tell. And that clearly is the case here, with a plot that drones on with a monotony and repetition that can be tedious, and at times difficult for some viewers.
Although the story's entertainment value may be marginal, "Quest For Fire", with its low tech cinematic style, is interesting not only for its technical elements but also for its over arching theme of modern human's continuity with prehistoric man, based on the element of fire.
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