| Fred Astaire | ... | Ricky Hawthorne | |
| Melvyn Douglas | ... | Dr. John Jaffrey | |
| Douglas Fairbanks Jr. | ... | Edward Charles Wanderley | |
| John Houseman | ... | Sears James | |
| Craig Wasson | ... | Don Wanderley / David Wanderley | |
| Patricia Neal | ... | Stella Hawthorne | |
| Alice Krige | ... | Eva Galli / Alma Mobley | |
| Jacqueline Brookes | ... | Milly | |
| Miguel Fernandes | ... | Gregory Bate | |
| Lance Holcomb | ... | Fenny Bate | |
| Mark Chamberlin | ... | Young Jaffrey | |
| Tim Choate | ... | Young Hawthorne | |
| Kurt Johnson | ... | Young Wanderley | |
| Ken Olin | ... | Young James | |
| Brad Sullivan | ... | Sheriff Hardesty | |
| Guy Boyd | ... | Omar Norris | |
| Michael O'Neill | ... | Churchill | |
| Robert Burr | ... | Peterson - the principal of Orlando College | |
| Helena Carroll | ... | Mrs. Meredith - Peterson's secretary | |
| Robin Curtis | ... | Rea Dedham | |
| Breon Gorman | ... | Nettie Dedham | |
| James Greene | ... | The Postman | |
| Cagle D. Green | ... | Eva's Ghost | |
| Kyra Carleton | ... | Eva's Ghost | |
| Ruth Hunt | ... | Florence - Sears and and Ricky's secretary | |
| Deborah Offner | ... | Helen Kayon | |
| Virginia Bingham | ... | Sears' Mother (as Virginia P. Bingham) | |
| William E. Conway | ... | Sears' Father | |
| Russell R. Bletzer | ... | Reverend Wilkinson | |
| Terrance Mario Carnes | ... | The Waiter | |
| Alfred Curven | ... | Man in the Coffin | |
| Edward F. Dillon | ... | The Judge | |
| Alvin W. Fretz | ... | The Coroner | |
| Hugh Hires | ... | Student Solt | |
| Raymond J. Quinn | ... | Ricky's Father | |
| Barbara von Zastrow | ... | Ricky's Mother | |
| Betty Low | ... | Irmengard | |
| rest of cast listed alphabetically: | |||
| Gale Grindle | ... | Student (uncredited) | |
Directed by | |||
| John Irvin | |||
Writing credits(in alphabetical order) | ||
| Lawrence D. Cohen | ||
| Peter Straub | novel | |
Produced by | |||
| Douglas Green | .... | co-producer | |
| Ronald G. Smith | .... | associate producer | |
| Burt Weissbourd | .... | producer | |
Original Music by | |||
| Philippe Sarde | |||
Cinematography by | |||
| Jack Cardiff | |||
Film Editing by | |||
| Tom Rolf | |||
Casting by | |||
| Mike Fenton | |||
Production Design by | |||
| Norman Newberry | |||
Art Direction by | |||
| Norman Newberry | |||
Set Decoration by | |||
| Mary Ann Biddle | |||
Costume Design by | |||
| May Routh | |||
Makeup Department | |||
| Rick Baker | .... | special makeup effects artist | |
| Irving Buchman | .... | makeup artist | |
| Carl Fullerton | .... | special makeup effects artist | |
| Albert Jeyte | .... | makeup artist | |
| Robert Jiras | .... | makeup artist | |
| Philip Leto | .... | hair stylist | |
| Rick Sharp | .... | makeup artist | |
| Dick Smith | .... | special makeup | |
Production Management | |||
| Robert Latham Brown | .... | production manager | |
| Ronald G. Smith | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Dan Kolsrud | .... | first assistant director | |
| Dean Lyras | .... | second assistant director | |
Art Department | |||
| James Allen | .... | assistant decorator (as Jim Allen) | |
| William Apperson | .... | construction foreman | |
| Michael Seymour | .... | visual advisor | |
| John Zemansky | .... | property master | |
Sound Department | |||
| James R. Alexander | .... | sound (as Jim Alexander) | |
| Charles L. Campbell | .... | supervising sound editor | |
| Larry Carow | .... | sound effects editor | |
| Samuel C. Crutcher | .... | sound effects editor | |
| Richard C. Franklin | .... | sound effects editor (as Rick Franklin) | |
| Robert L. Hoyt | .... | sound re-recordist | |
| David Pettijohn | .... | sound effects editor | |
| Stanley H. Polinsky | .... | sound re-recording mixer (as Stan Polinsky) | |
| Mark Server | .... | boom operator | |
| John J. Stephens | .... | sound re-recording mixer (as John Stephens) | |
| John Roesch | .... | foley artist (uncredited) | |
Special Effects by | |||
| Steve Johnson | .... | special effects | |
| Henry Millar Jr. | .... | special effects | |
Visual Effects by | |||
| Syd Dutton | .... | matte artist | |
| Dennis Glouner | .... | matte photographer | |
| Bill Taylor | .... | matte photographer | |
| Albert Whitlock | .... | special visual effects | |
| Henry Schoessler | .... | matte crew (uncredited) | |
| Susan Turner | .... | visual effects (uncredited) | |
Stunts | |||
| Erik Cord | .... | stunts | |
| Rita Egleston | .... | stunts | |
| Diamond Farnsworth | .... | stunts (as Hill Farnsworth) | |
| Larry Holt | .... | stunts | |
| John Meier | .... | stunts | |
| Jeff Ramsey | .... | stunts | |
| Glenn Randall Jr. | .... | stunt coordinator | |
| Dick Warlock | .... | stunts | |
| Bruce Paul Barbour | .... | stunt player (uncredited) | |
Editorial Department | |||
| Michael Ripps | .... | assistant editor | |
Music Department | |||
| Harry Betts | .... | orchestrator | |
| John Caper Jr. | .... | conductor | |
| John Caper Jr. | .... | music coordinator | |
| Mickey Crofford | .... | music recordist | |
| Peter Knight | .... | conductor | |
| Peter Knight | .... | orchestrator | |
| Michel Mention | .... | additional orchestrator | |
| Peter T. Myers | .... | orchestrator (as Peter Myers) | |
Transportation Department | |||
| Patrick A. DiCocco | .... | production driver | |
| Doug Wilson | .... | driver | |
Other crew | |||
| Phil Bowles | .... | first assistant stage manager | |
| Jan DeWitt | .... | second assistant stage manager | |
| Sonny P. Filippini | .... | script supervisor | |
| Mike Henry | .... | production assistant/logistics co-ordinator | |
| Phill Norman | .... | title designer | |
| Suzanne E. Petersen | .... | production assistant | |
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| So Sweet, So Dead | Kings & Queen | The Name of the Rose | Like Water for Chocolate | I Am Love |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
I read Peter Straub's book and was quite pleased with the result of the movie. First of all, like many, I loved the cast. They are all great men of the world cinema and the pull off the story with great aplomb. The movie is about something someone does in his or her youth and then must live with forever. In a good ghost story, the characters get no points for being once youthful and reckless. The fact that they meet and share their stories means that they never seem to intend closure. They never allow themselves to face the music and, hence, the revenge of the spirit is acceptable in the world where they find themselves. I just thought that a society devoted to the telling of ghost stories was a great idea. Anyway, while the plot does wander around a bit and it takes time to get to the point, it still works great. It was nice to see that Fred Astaire could still act (because he was such a great dancer we forget that he had a great comic talent and, in this case, a dramatic talent). The others are equally formidable. There are also some pretty slimy, putrid visions that appear and make for a pretty good rank on the jump scale. The actually scene that explains everything (I won't spoil it) is both sad and revealing. While not the greatest movie, it works very well and I would recommend it.