MOVIEmeter
SEE RANK
Down 2,086 this week

Garde à vue (1981)

7.8
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.8/10 from 2,299 users  
Reviews: 12 user | 8 critic

A police inspector, suspecting an attorney of two child sex murders, has him held for a questioning session that goes on for hours.

Director:

0Check in
0Share...

On Disc

at Amazon

User Lists

Related lists from IMDb users

Vus
a list of 47 titles
created 13 Dec 2011
 
a list of 30 titles
created 20 Aug 2012
 
a list of 37 titles
created 03 Aug 2013
 
a list of 21 titles
created 10 months ago
 
a list of 21 titles
created 3 months ago
 

Related Items

Search for "Garde à vue" on Amazon.com

Connect with IMDb


Share this Rating

Title: Garde à vue (1981)

Garde à vue (1981) on IMDb 7.8/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Garde à vue.
6 wins & 4 nominations. See more awards »
Learn more

People who liked this also liked... 

Drama
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

In a vacation camp somewhere in the French country, 1960. Marc et Philippe are two of the counsellors. Marc is very virile, while Philippe is more reserved. A night, Marc surprises Philippe... See full summary »

Director: Claude Miller
Stars: Patrick Dewaere, Patrick Bouchitey, Christine Pascal
Le ruffian (1983)
Adventure | Crime
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  
Director: José Giovanni
Stars: Lino Ventura, Bernard Giraudeau, Claudia Cardinale
Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Max Baumstein is a reputable businessman, a rich self-made man with a conscience - he founded a highly visible and active international organization fighting against violations of human ... See full summary »

Director: Jacques Rouffio
Stars: Romy Schneider, Michel Piccoli, Helmut Griem
Drama | Thriller
    1 2 3 4 5 6 7 8 9 10 6.6/10 X  
Director: Yves Boisset
Stars: Lino Ventura, Michel Piccoli, Bruno Cremer
Drama
    1 2 3 4 5 6 7 8 9 10 6.4/10 X  
Director: Francis Girod
Stars: Romy Schneider, Jean-Louis Trintignant, Marie-France Pisier
Comedy | Crime
    1 2 3 4 5 6 7 8 9 10 6.8/10 X  
Director: Georges Lautner
Stars: Lino Ventura, Mireille Darc, Jean Lefebvre
Drama | Horror | Mystery
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Over two decades after their affair ended, a married man is haunted by the presence of his former lover.

Director: Dino Risi
Stars: Romy Schneider, Marcello Mastroianni, Eva Maria Meineke
Crime | Drama
    1 2 3 4 5 6 7 8 9 10 6.2/10 X  
Director: Claude Pinoteau
Stars: Lino Ventura, Angie Dickinson, Laurent Malet
Comedy
    1 2 3 4 5 6 7 8 9 10 4.7/10 X  
Director: Gérard Pirès
Stars: Lino Ventura, Mireille Darc, Jacques Dufilho
Razzia (1955)
Crime | Drama | Film-Noir
    1 2 3 4 5 6 7 8 9 10 7/10 X  

Henri, the Man from Nantes, comes back to his country after a successful stay in the United States, where he was working for Liski, the drug dealer. With the fame of being a tough guy ... See full summary »

Director: Henri Decoin
Stars: Jean Gabin, Marcel Dalio, Lino Ventura
Drama | History | Romance
    1 2 3 4 5 6 7 8 9 10 5.9/10 X  

The story follows the life of a regular German women Leni Gruyten during 1930s and 1940s. Through her interactions with friends, family and other people she knows, the regular folks' perception of the Nazi era is shown.

Director: Aleksandar Petrovic
Stars: Romy Schneider, Brad Dourif, Michel Galabru
Drama
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

A simple story about simple people. A 38 old divorced woman (Marie), who now has a lover (Serge) but decides to leave him, abort his baby, and then returns with her ex-husband (Georges). ... See full summary »

Director: Claude Sautet
Stars: Romy Schneider, Bruno Cremer, Claude Brasseur
Edit

Cast

Credited cast:
...
Michel Serrault ...
Jerome / Charles / Emile Martinaud
...
Guy Marchand ...
Didier Agostini ...
Young policeman
Patrick Depeyrrat ...
Policeman
Pierre Maguelon ...
Adami
Annie Miller ...
La mère de Camille
Serge Malik ...
Le mécanicien
Jean-Claude Penchenat ...
Divisional Commissioner
Yves Pignot ...
Policeman
Mathieu Schiffman ...
Le fils Berthier
Michel Such ...
Jean-Marie Jabelain
Elsa Lunghini ...
Camille
Rest of cast listed alphabetically:
Mohammed Bekireche ...
Arab
Edit

Storyline

Inspector Gallien is investigating the rape and murder of two little girls. The only suspect is attorney Jerome Martinaud, but the evidence against him is circumstantial. As the city celebrates New Year's Eve, Gallien calls Martinaud to his office and interrogates him for hour after hour while Martinaud continues to maintain his innocence. We learn all about the evidence; we meet Martinaud's wife and learn all about the rift between the two; but will we, and Gallien, finally learn whether Martinaud is guilty? Written by Anonymous

Plot Summary | Add Synopsis

Genres:

Crime | Drama | Thriller

Certificate:

See all certifications »
Edit

Details

Country:

Language:

Release Date:

23 September 1981 (France)  »

Also Known As:

The Grilling  »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

(Eastmancolor)

Aspect Ratio:

1.66 : 1
See  »
Edit

Did You Know?

Trivia

The novel was discovered by Michel Audiard who suggested its adaptation to Ariane Films. In their turn, Dancigers and Mnouchkine offered the direction to Claude Miller. See more »

Connections

Version of Under Suspicion (2000) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
The French "12 Angry Men" ...
7 August 2012 | by (France) – See all my reviews

Inspector Antoine Gallien (Lino Ventura) is a no non-sense and practical man who only believes in facts and evidence, and is assigned on the New Year 's Eve to question a wealthy tuxedo-wearing attorney named Jerôme Martinaud (Michel Serrault), suspected for the rape and murder of two little girls. There's no real evidence against him except that he was near the locations where the victims were found. So, because he was at the wrong places, at the wrong moments, he naturally falls "under suspicion" (a wink to the US remake's title).

"Garde à Vue" has only four main characters, the two leads plus Gallien's colorful assistant Marcel Belmont (Guy Marchand) and Martinaud's cold and sophisticated wife (Romy Schneider in her next to last role). And through a short running-time of eighty something minutes and a very austere setting such as the commissariat of a French small town, the whole movie consists on a long questioning session where Gallien tries to establish Martinaud's alibi, if he ever has one. Needless to say that both actors are perfect: Ventura plays the determined and competent cop with a bluffing realism, and Serrault's nervousness and confusion, powerful convey the idea of a man who's not acting natural. It takes some super-human acting strength to naturally play a non-natural character. As the session progresses, it becomes obvious that Martinaud can't afford an alibi, yet it's also obvious that Gallien doesn't want to be misguided by this obviousness.

And in fact, even the film seems to be governed by a sort of deliberately misguiding impression, as if it was manipulating us like Martinaud seems to manipulate his audience. Indeed, "Garde à Vue" strikes by an astonishing minimalism: It's a film of a few words, a few scenes, a few actors, but each of these elements is perfect and doesn't ask for more. Directed by Claude Miller and written by one of the greatest French screenwriters, Michel Audiard, "Garde à Vue" is a film that meticulously concentrates all the elements of greatness that make the best cop/thrillers and elevate it to another dimension. More than a cop/thriller, "Garde à Vue" is a remarkable character study where the flaws of its main character are highlighted by a confrontation with a totally opposite personality. We look at Martinaud from Gallien's perspective, then from his wife's, and we try to find out by ourselves not if he's guilty or not guilty but what kind of man, he really is.

Like another minimalist masterpiece, "12 Angry Men", "Garde à Vue" is an intelligent introspection into the way human personalities from different backgrounds can interact in their quest for facts and truths. How intelligence and the conscience of one's own failure and mediocrity can work as a mask to disguise emotions. And the film is full of them, the questioning starts in a very polite way. Progressively, Martinaud expresses his displeasure to be taken in an interrogation room while everyone celebrates the New Year's Eve. But he's incapable of providing an alibi, and therefore slips into the suspect n°1 category. Belmont believes he's guilty and tries to get the confession the easy way, by slapping Martinaud around when Gallien is absent. But it doesn't work, Martinaud oscillates between a state where he asserts his rights and others where he falls in his miserable condition, convinced that he's only accused by people because they're as mediocre as him and can't stand the idea of a mediocre man succeeding.

And 'mediocre' is an epithet that fits Martinaud, thanks to Serrault's magnificent capability to play ambiguous and double-faced characters. He masterfully embodies this category of men, apparently successful and wealthy but living a totally miserable life, they're by essence misleading persons, because their very lives give the wrong impression. The film embarks us in a succession of facts and sordid details about Martinaud's marital life incarnated by a long corridor between him and his wife, it's not infidelity, not impotence, but it's pure nothingness. Martinaud's sexual tendencies, pointing a more and more accusing finger, are the reasons behind the failure of his marriage, but Gallien still can't see where this is leading. He feels he's being manipulated by emotions, not realizing that these emotions can give serious clues about Martinaud's eventual motives. But he's afraid of having wrong impressions and desperately asks for an alibi and a confession. But how can you ask such a clear question to a man so full of contradictions. In a way, Gallien is manipulated by his own fear of being manipulated.

That's the masterstroke of Michel Audiard, the film doesn't let itself embark by obviousness, there are facts, there are motives, there are proof but human relationships predominate above all these considerations. And even a practical man like Gallien can get the wrong impression, even from facts.. The writing and the editing, swinging back and forth between the interrogation, the crime settings and Martinaud's background create the enthralling feeling of a puzzle whose pieces reassemble. But it's the kind of puzzle that you only know the picture after reassembling them, you can't have a clear idea even when you come close to the heart-pounding conclusion. And the acting and directing contribute to a very realistic feel. The interrogation room is not too threatening, there's not a suffocating atmosphere aggravated by a terrorizing inspector. No, Gallien is relatively calm and tolerates Martinaud's outbursts with an impressive patience. Everything is handled as humanly as possible.

The film won four deserved César (French Oscars) for Best Actor (Serrault), Best Supporting Actor (Marchand), Best Editing and Best Writing. I was surprised to see that Lino Ventura wasn't nominated because his performance made of calm and quiet strength was not only spectacular in its nuance but indispensable not to let the film become caricatural. Never mind, every single element works perfectly and it's one of the greatest French thrillers.


7 of 7 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Garde à vue: huh? gabridl
obtain a copy ESP-1
Music bventer
Discuss Garde à vue (1981) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?