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The familiar story of Lieutenant Bligh, whose cruelty leads to a mutiny on his ship. This version follows both the efforts of Fletcher Christian to get his men beyond the reach of British ... See full summary »
An eccentric and dogmatic inventor sells his house and takes his family to Central America to build a utopia in the middle of the jungle. Conflicts with his family, a local preacher and ... See full summary »
Mac Mckussic is an unlikely drug dealer who wants to go straight. His old and best friend Nick Frescia is now a cop who is assigned to investigate and bring him to justice. Mac is very ... See full summary »
The story of a group of young Australian men who leave their various backgrounds behind and sign up to join the ANZACs in World War I. They are sent to Gallipoli, where they encounter the resolute Turkish army. Written by
Murray Chapman <email@example.com>
The movie was initially to be made by the South Australian Film Corporation who were the original team behind the production. However, they withdrew support for the film over creative differences over the script. However, the movie was still partially filmed in South Australia: the Gallipoli Peninsula was filmed at Port Lincoln whilst the market sequence was also filmed in South Australia at a fish market. See more »
When the young Australians ride the donkeys past the two British officers under the archway, in the first shot, looking behind the officers, there are three of them. In the next shot, looking to the front of the officers as they ride past, there are suddenly four on donkeys. See more »
The Australian classic, handling a subject that is a significant part of Australian history and culture. The characters are heart-felt and sincere, without the standard mawkishness of American movies. They reflect the underdog, larrakin nature of the traditional Aussie spirit. This is the closest most Australians get to a blatant flag-waving exercise, so let us enjoy it! It certainly helps make ANZAC Day ceremonies a lot more meaningful to the younger generations, who need full-color pictures to help visualize the events. Of course it shouldn't be taken as a documentary, but I have heard that most war veterans approved of the dramatization.
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