After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The story of a group of young Australian men who leave their various backgrounds behind and sign up to join the ANZACs in World War I. They are sent to Gallipoli, where they encounter the might of the Turkish army. Written by
Murray Chapman <email@example.com>
David Williamson adapted his screenplay from Bill Gammage's book "The Broken Years" which is a collection of diary excerpts and letters from around 1000 soldiers who all fought at Gallipoli. See more »
When the ANZAC artillery begins firing on the Turkish trenches just before the climatic battle scene, the guns do not kick back and some have bits of rust around the muzzle edges which indicate that the artillery pieces are not operational weapons at all for they are just popping white smoke out of the muzzles with the camera violently shaking to simulate the guns being fired. See more »
Peter Weir has long been one of my favorite directors, and he has had a career consumed by subtle, quiet, lingering films. He can make the most banal concept seem thrilling and suspenseful; a perfect example is the Harrison Ford film "Witness." It could have easily become a stupid, insulting, exploitative "thriller." The ending is, in retrospect, quite ridiculous. But Weir has a strange ability to make anything seem realistic.
"Gallipoli" is one of his older films, from 1981, and it stars a huge cast of names - most famous today, of course, Mel Gibson...whose name is now splattered across the front of the DVD case.
The story is a true one and follows a group of young Australian men who join the ANZACs in World War I. They are sent to Gallipoli, and amidst personal and emotional turmoil they must learn to band together and fight the Turkish Army.
The movie is long, as another reviewer on the site points out. But all of Weir's films are. What I didn't like about his most recent - "Master & Commander" - is that it used special effects (exteriors of ships, etc.) and action sequences (raging storms) to compensate for the slow bits... and came across (to me anyway) as quite dull and down-trodden.
"Gallipoli" is a great film - slow, subtle, low-key. It's a bit like an Australian version of "All Quiet on the Western Front." I'd recommend it to anyone who enjoys slower films and can appreciate character-driven dramas. Don't go near it if your attention span was dimming during "xXx2."
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