After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
The story of a group of young Australian men who leave their various backgrounds behind and sign up to join the ANZACs in World War I. They are sent to Gallipoli, where they encounter the resolute Turkish army whose ally Germany had organized the defenses along the peninsula, Kemal Ataturk comes to the fore during this campaign. Written by
Murray Chapman <email@example.com>
the writer is the tall dark haired football player who gets tackled hard when the soldiers play football in Egypt. See more »
In the movie it is stated that a person had to be 21 years old to enlist. According to the Australian War Memorial website for enlistment, in 1914 the age requirements were 18-35 years old, and in 1915 the age requirements were 18-45 years old. See more »
Peter Weir has long been one of my favorite directors, and he has had a career consumed by subtle, quiet, lingering films. He can make the most banal concept seem thrilling and suspenseful; a perfect example is the Harrison Ford film "Witness." It could have easily become a stupid, insulting, exploitative "thriller." The ending is, in retrospect, quite ridiculous. But Weir has a strange ability to make anything seem realistic.
"Gallipoli" is one of his older films, from 1981, and it stars a huge cast of names - most famous today, of course, Mel Gibson...whose name is now splattered across the front of the DVD case.
The story is a true one and follows a group of young Australian men who join the ANZACs in World War I. They are sent to Gallipoli, and amidst personal and emotional turmoil they must learn to band together and fight the Turkish Army.
The movie is long, as another reviewer on the site points out. But all of Weir's films are. What I didn't like about his most recent - "Master & Commander" - is that it used special effects (exteriors of ships, etc.) and action sequences (raging storms) to compensate for the slow bits... and came across (to me anyway) as quite dull and down-trodden.
"Gallipoli" is a great film - slow, subtle, low-key. It's a bit like an Australian version of "All Quiet on the Western Front." I'd recommend it to anyone who enjoys slower films and can appreciate character-driven dramas. Don't go near it if your attention span was dimming during "xXx2."
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