A psychotic redneck who owns a dilapidated hotel in rural East Texas kills various people who upset him or his business, and he feeds their bodies to a large crocodile that he keeps as a pet in the swamp beside his hotel.
A masked killer, wearing World War II U.S. Army fatigues, stalks a small New Jersey town bent on reliving a 35-year-old double murder by focusing on a group of college kids holding an annual Spring Dance.
A decades old folk tale surrounding a deranged murderer killing those who celebrate Valentine's Day, turns out to be true to legend when a group defies the killer's order and people start turning up dead.
Farmer Vincent kidnaps unsuspecting travellers and is burying them in his garden. Unfortunately for his victims, they are not dead. He feeds his victims to prepare them for his roadside ... See full summary »
Four college pledges are forced to spend the night in a deserted old mansion where they get killed off one by one by the monstrous surviving members of a family massacre years earlier for trespassing on their living grounds.
Vincent Van Patten,
The teenager Amy Harper dates Buzz Dawson for the first time and they go to the carnival with their friends Richie and Liz. They smoke grass and have good-time visiting the attractions including a side show with freak animals. The silly Richie suggests the group to spend the night in the Funhouse for fun. During the night, they witness the murder of the fortune teller Madame Zena by a man wearing a mask of Frankenstein from an opening in the ceiling of a room. They decide to leave the fun house but they find all the exits locked. Meanwhile Richie sneaks in the room and steals the money of the manager of the place. The masked man returns with his father and owner of the fun house to show the corpse of Madame Zena; when the man realizes that he had been robbed, he presses his son that removes the mask and shows his horrible face. Richie startles and drops his lighter in the room. The owner asks his freak son to chase the thieves and eyewitnesses in a night of terror for the teenagers. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Director Tobe Hooper was at one point nearly struck by a flying cog but was saved by an extra who broke their arm in the process. See more »
Amy and Buzz leave her house in a 1966 Pontiac LeMans (obvious because of the grill and chrome badging behind headlight). The deep recess in the top of the c-pillar indicates that it is a convertible. Moments later when they are going down the road and even more clearly in the carnival parking lot when they are parking, it is a 1967 Pontiac GTO with a black vinyl top (notice the different grill insert and blinkers, as well as missing chrome badges on fender). See more »
I don't see why you wanna waste your time with a guy who works in a filling station.
It's a first date, Mama. We're not getting married.
See more »
As Nightmares Go, This One's About As Terrifying As It Gets...
Up until THE FUNHOUSE, Tobe Hooper had only come pretty close to recapturing the relentless and ruthlessly nightmarish feel of the classic that catapulted him to fame, THE Texas CHAINSAW MASSACRE. TCM 2 came closer than most of his films, but it traded in psychological terror for buckets of blood 'n' guts, where the first TCM had very little.
THE FUNHOUSE goes back to Hooper's roots, trading in the gore for playing with your nerves like Jimmy Page playing guitar. Traveling carnivals have always had a sinister, menacing undertone to them - that's part of what makes them so attractive - and Hooper, with a smart assist from Larry Block's script, takes that queasy unease and turns it up to '11', so that when the true horror is revealed, it's intensified that much more.
Four friends on a double date (Elizabeth Berridge, Miles Chapin, Cooper Huckabee and Largo Woodruff) decide to hole up in the Funhouse of a traveling carnival just outside of town way past closing time, just for kicks. It's a weird place that gives off a freaky vibe, but they don't come to realize just how freaky, until they see something that puts all of their lives in danger, and realize to their horror that not all the freaks in the show are fake...or at all "fun".
I don't want to spoil the surprises, but as is his habit, Hooper front-loads the movie with some acting vets, including genre favorites William Finley and Sylvia Miles. Plus the great Kevin Conway plays a pivotal role in bringing about the terror and death that the seemingly endless night holds for the trapped teens.
Anyone expecting Hooper and company to just pour on the gore is bound to be disappointed. THE FUNHOUSE is more about empathy and atmosphere...I mean, who HASN'T been through a funhouse like this at some time in their lives? The more you can put yourself in the place of the main characters, the spookier the film will be for you - especially in the third act.
Kudos to everybody for putting in some damn good performances, but especially to Berridge and to Wayne Doba who gives us a monster that is by turns pathetic, disgusting, pitiful and horrifying. And for John Beal, who created a score that plays with your nerves just as powerfully as the visuals do.
This is one of those best viewed alone, with the sound up and all the lights out...And don't worry - if you screech like a little schoolgirl at some parts, it'll be our secret, I promise...(hehheh)
20 of 25 people found this review helpful.
Was this review helpful to you?