A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ...
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The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Respected liberal Senator Joe Tynan is asked to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as well... See full summary »
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
John Fowles, the film's source author, has said that he had mentally cast Meryl Streep in the role of Sarah years before The Deer Hunter (1978) and Kramer vs. Kramer (1979). Reisz had seen Streep play Kate in William Shakespeare's "The Taming of the Shrew" in Central Park, New York. Resiz said: "She was so audacious, so free. She has a range of temperament that is very rare, and a very special sort of daring". See more »
Early in the film when Charles takes a horse-drawn carriage to visit Ernestine the horse changes between shots (confirmed by the number of "stocking" feet it has). See more »
If you're researching the beginnings of today's Goth movement, be sure to look at this complex tale of Sarah Woodruff (Meryl Streep), a secretive, pale-skinned outcast in a 19th century English coastal town. Known to the locals as "poor tragedy," she sketches spooky self-portraits, always dresses in black and haunts the sea wall waiting for the return of a Frenchman who seduced and abandoned her. With a single, unforgettable look and such dialogue as "my only happiness is when I sleep; when I wake, the nightmare begins," Sarah bewitches visiting Londoner Charles Smithson (Jeremy Irons, in what turned out to be his big break), a paleontologist and "gentleman of leisure." The tricky screenplay by Harold Pinter contrasts the story of Sarah and Charles with the lives of actors Mike and Anna, who are playing them in a film. Offscreen, Anna is anything but Victorian, indulging in an on-location affair with Mike while her husband is away. The contrasts between the two couples born 100 years apart make for one of the most intriguing films of the early 1980s, and the performances by Irons and Streep are predictably outstanding.
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