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The French Lieutenant's Woman (1981)

 -  Drama | Romance  -  16 October 1981 (USA)
6.9
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Ratings: 6.9/10 from 7,736 users  
Reviews: 55 user | 23 critic

A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »

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Title: The French Lieutenant's Woman (1981)

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Nominated for 5 Oscars. Another 10 wins & 13 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
Hilton McRae ...
Sam
Emily Morgan ...
Mary
Charlotte Mitchell ...
Mrs. Tranter
Lynsey Baxter ...
Ernestina
Jean Faulds ...
Cook
...
Mr. Freeman
Colin Jeavons ...
Vicar
Liz Smith ...
Mrs. Fairley
Patience Collier ...
Mrs. Poulteney
John Barrett ...
Dairyman
...
Dr. Grogan
Arabella Weir ...
Girl on Undercliff
Ben Forster ...
Boy on Undercliff
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Storyline

A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters. Written by Leon Wolters <wolters@strw.LeidenUniv.nl>

Plot Summary | Add Synopsis

Taglines:

She was lost from the moment she saw him.

Genres:

Drama | Romance

Certificate:

R | See all certifications »
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Details

Country:

Language:

Release Date:

16 October 1981 (USA)  »

Also Known As:

La amante del teniente francés  »

Box Office

Gross:

SEK 4,392,234 (Sweden)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

Wendy Morgan was offered the role of Mary but accepted a stage play instead. See more »

Goofs

Charles approaches the shore on a steam powered launch from the north. The next shot is also a shot in motion, suggesting from Charles' viewpoint, of Broad Leys, a white house high up on the shore where Sarah is working. Except the view of Broad Leys is as though from the south. See more »

Quotes

Sarah: I have set myself beyond the pale. I am nothing. I am hardly human any more.
See more »

Connections

Referenced in Destination Dune (1984) See more »

Soundtracks

Adagio from Sonata in D, K 576
by Wolfgang Amadeus Mozart (as Mozart)
Played by John Lill
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
Terrific -- with one major flaw
15 February 2010 | by (United States) – See all my reviews

This film is a joy to watch -- as not many films these days are. The settings are superbly created -- the green, grotto-like woodland where Irons and Streep meet in the Victorian world of the film, the murky streets of Lyme, Exeter, and London, and the interior of the lawyer's office, for example. The Victorian part of the film emerges from the dawning of the concept of abnormal psychology (just before Freud) and is really convincing. Streep shows us that her character cannot move on emotionally until she has worked out her own madness. That constitutes a remarkable and complex performance of insanity and self-awareness inhabiting a single psyche. She earns the gentle movement out of the tunnel and onto the calm lake. The turbulence of the unconscious -- that threatening sea of which Irons has warned her -- has been subdued. Seems to me the flaw lies in the 'modern story' (as some here have pointed out). It may be that the Streep character is trying to find a subtext for her fictional heroine, but it looks like the old ennui, so that, while her lack of concern for the relationship is understandable, his obsession with it is not. Though the garden party at the end almost gets it there. Were we shown her decision there? If so, I missed it. I like the concept of the 'two endings' and their contrast, but the ending in the 20th century was a so what? The one in the 19th century was complex and included much of the pain that the relationship had caused both characters. A little more attention to the contemporary love affair -- to suggest that it was more than just a romp on location -- would have helped that dimension of the film per se and also suggested what the Victorian lovers had earned within their Hardyesque world.


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