A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ... See full summary »
The story of Karen Silkwood, a metallurgy worker at a plutonium processing plant who was purposefully contaminated, psychologically tortured and possibly murdered to prevent her from exposing blatant worker safety violations at the plant.
Respected liberal Senator Joe Tynan is asked to to lead the opposition to a Supreme Court appointment. It means losing an old friend and fudging principles to make the necessary deals, as ... See full summary »
Sophie is the survivor of Nazi concentration camps, who has found a reason to live in Nathan, a sparkling if unsteady American Jew obsessed with the Holocaust. They befriend Stingo, the ... See full summary »
Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her... See full summary »
During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
An attempt to adapt the novel was made in the 1970's, to star Vanessa Redgrave, but a satisfactory script couldn't be written, and funding was a problem. See more »
Charles approaches the shore on a steam powered launch from the north. The next shot is also a shot in motion, suggesting from Charles' viewpoint, of Broad Leys, a white house high up on the shore where Sarah is working. Except the view of Broad Leys is as though from the south. See more »
A multi-chambered Nautilus shell fossilized in stone.
This movie opens with a scene of an archaeologist chipping at a multi-chambered Nautilus shell fossilized in stone. The image is apropos, as the story itself opens from chamber to ever larger chamber as it weaves two seemingly disparate stories with a clever ending.
Jeremy Irons and Meryl Streep are impressive as the leads in two different time lines. In one, Streep is a woman of poor reputation who ensnares a gentleman (Irons) in the black hole of her own guilt and loss. In the other, they are the romantically involved actors making a movie about a woman of poor reputation who ensnares a gentleman. And if that sounds a little too clever, it nonetheless has more creativity and insight than typical plot-twist movie, including the most contrived and overrated movie of all time, Memento (not good enough to be called bad).
There is a scene, in which Streep and Irons are rehearsing a scene from the movie, and, according to the story, it just isn't working. Then, all at once, Streep gets a look on her face, and we are transported into the past time line with a single glance from the greatest working actress and second only to Katherine Hepburn as the greatest actress of all time.
The cinematography, costumes and set designs are legendary, and come from the same team that gave us The Count of Monte Christo, which featured Guy Pearce, who was in the above-mentioned Memento (it still stinks, but how's that for six degrees?). And speaking of legends, the screenplay was written by none other than Nobel laureate Harold Pinter, and it shows.
It is a sublime movie experience to watch the delicately chambered story open up, and there are scenes that are so memorable, like Streep on the misty pier, that you would swear this movie comes from the Golden Age of cinema, not the go-go eighties. The movie is emotionally draining, and Streep gives a typically high concept performance. Irons lacks something, but it's not clear what, but in the end it helps support the story by making him appear flawed enough to have been trapped in the intricate web of The French Lieutenant's Woman.
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