A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her ...
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During shopping for Christmas, Frank and Molly run into each other. This fleeting short moment will start to change their lives, when they recognize each other months later in the train ... See full summary »
Robert De Niro,
An autobiographical look at the breakup of Ephron's marriage to Carl "All the President's Men" Bernstein that was also a best-selling novel. The Ephron character, Rachel is a food writer at... See full summary »
A film is being made of a story, set in 19th century England, about Charles, a biologist who's engaged to be married, but who falls in love with outcast Sarah, whose melancholy makes her leave him after a short, but passionate affair. Anna and Mike, who play the characters of Sarah and Charles, go, during the shooting of the film, through a relationship that runs parallel to that of their characters. Written by
Leon Wolters <wolters@strw.LeidenUniv.nl>
In "Harold Pinter's The French Lieutenant's Woman (1981): A Masterpiece of Adaptation" from the book "The Films of Harold Pinter" (2001), author Steven H. Gale states that "Acton's Report" which is mentioned in the film by Meryl Streep, when she says in the journal "The Lancet" that there were estimated in 1857 to be 80,000 working prostitutes in the County of London and that one house in sixty functioned as a brothel, references the work "Prostitution, Considered in Its Moral, Social, and Sanitary Aspects" (1857) by William Acton. See more »
While at the house in the Lake District, the reaction to Sarah being pushed to the ground by Charles is genuine; Meryl actually hits her head on the floor & when Jeremy acknowledges; she nods, giggles & reorients herself in position next to him. See more »
[reads from a book]
In 1857, it's estimated there were 80,000 prostitutes in the county of London.
Out of every 60 houses, one was a brothel.
Hoo, hoo, hoo.
At a time when the male population of London of all ages was one and a quarter million, the prostitutes were receiving clients at a rate of two million per week.
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If you're researching the beginnings of today's Goth movement, be sure to look at this complex tale of Sarah Woodruff (Meryl Streep), a secretive, pale-skinned outcast in a 19th century English coastal town. Known to the locals as "poor tragedy," she sketches spooky self-portraits, always dresses in black and haunts the sea wall waiting for the return of a Frenchman who seduced and abandoned her. With a single, unforgettable look and such dialogue as "my only happiness is when I sleep; when I wake, the nightmare begins," Sarah bewitches visiting Londoner Charles Smithson (Jeremy Irons, in what turned out to be his big break), a paleontologist and "gentleman of leisure." The tricky screenplay by Harold Pinter contrasts the story of Sarah and Charles with the lives of actors Mike and Anna, who are playing them in a film. Offscreen, Anna is anything but Victorian, indulging in an on-location affair with Mike while her husband is away. The contrasts between the two couples born 100 years apart make for one of the most intriguing films of the early 1980s, and the performances by Irons and Streep are predictably outstanding.
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