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For Your Eyes Only (1981)

Agent 007 is assigned to hunt for a lost British encryption device and prevent it from falling into enemy hands.

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Nominated for 1 Oscar. Another 2 wins & 4 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Jill Bennett ...
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John Wyman ...
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Q
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James Villiers ...

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Storyline

After disposing of a familiar looking face, Bond is sent to recover a communication device, known as an ATAC, which went down with a British Spy ship as it sunk. Bond must hurry though, as the Russians are also out for this device. On his travels, he also meets Melina Havelock, whose parents were brutally murdered. Bond also encounters both Aristotle Kristatos and Milos Colombo. Each of them are accusing the other of having links with with the Russian's. Bond must team up with Melina, solve who the true ally is and find the ATAC before it's too late. Written by simon

Plot Summary | Plot Synopsis

Plot Keywords:

british | assassin | ship | 007 | smuggler | See All (142) »

Taglines:

Der neue Bond '81 [The new Bond '81] [German poster] See more »


Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

Country:

Language:

| |

Release Date:

26 June 1981 (USA)  »

Also Known As:

Sólo para sus ojos  »

Box Office

Budget:

$28,000,000 (estimated)

Gross:

$62,300,000 (USA)
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Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Dolby Stereo)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Melina Havelock (Carole Bouquet) says to James Bond (Roger Moore) "Greek women, like Elektra, always avenge their loved ones". Coincidentally, about eighteen years later in the later Bond film The World Is Not Enough (1999), the female antagonist villain in the film is called Elektra King (Sophie Marceau). Both Bouquet and Marceau are French actresses. See more »

Goofs

In the opening sequences where James Bond has taken control of the helicopter from 'Blofeld' and is carrying him aloft in his wheelchair, at one stage the stunt man in for 'Blofeld' is replaced by a dummy. Immediately after, the stunt man is back in the chair and it's obvious he's wearing a 'bald wig'. See more »

Quotes

[first lines]
Vicar: Mr. Bond, Mr. Bond. I'm so glad I caught you. Your office called. They're sending a helicopter to pick you up. Some sort of emergency.
James Bond: It usually is. Thank you.
See more »

Crazy Credits

James Bond will return in OCTOPUSSY See more »

Connections

Featured in Silhouettes: The James Bond Titles (2000) See more »

Soundtracks

For Your Eyes Only (Reprise)
Lyrics by Mick Leeson
Performed by Sheena Easton
Composed, Conducted, and Produced by Bill Conti
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

Moore's finest Bond.
22 September 2001 | by (United Kingdom) – See all my reviews

'For Your Eyes Only' starts the tenure of John Glen at the helm of the Bond series. He had worked previously on many of the Bond movies but during the eighties he directed all 5 Bond movies, and with the exception of 'A View To A Kill', they are up there with the best of the whole series. Certainly 'For Your Eyes Only' and the follow up, 'Octopussy' are the best of the Moore years, and I don't think it would be overstating it to say that Glen may have single handedly saved the franchise.

By the end of the 1970s Bond had turned from Ian Fleming's masterspy into an entirely comic book creation, culminating in the preposterous shenanigans of 'Moonraker' in 1979. At the start of a new decade a new style is clearly apparent, with a back to basics story that actually involves some spying, and a genuine threat to world peace. It's pushing it to say that the story is believable, but it is realistically told and is certainly a more adult affair than the previous efforts.

The film starts with the final nail in the coffin for Blofeld. After years of legal wrangling over who had the rights to the character the filmmakers decided to show that they didn't need him anyway and unceremoniously dumped him once and for all. We are also immediately put in the mood for a far more serious Bond when he visits his late wife's grave, an unusual moment, not least because the movies rarely referenced previous actors in the role. Here we are reminded that Moore wasn't playing Bond at the time of his marriage. That serious tone pervades throughout the movie, with less wisecracking than usual, and a subdued villain, at odds with the expected megalomaniac we are used to. But the film is all the better for it. There are some fantastic action set-pieces including a chase in a Citroen 2CV, and a ski chase that tops even that of 'On Her Majesty's Secret Service', along with a tense finale that is literally a cliffhanger. Bond is actually forced to use his wits, and much of the action and escapes are less contrived than one would expect. It's also good to see (after 'The Spy Who Loved Me' and 'Moonraker') that the filmmakers have tried to get back to Fleming's Bond, with many ideas lifted from the original stories. The scene with Bond and Melina dragged behind the speedboat, for example, is taken directly from the novel of 'Live And Let Die', and many characters appear in Fleming's short story of the same name.

Add to the mix a fine cast, notably Carole Bouquet as another strong character in the list of 'Bond women', and you have a satisfying and thrilling entry in the series.


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