A fake Fabergé egg, and a fellow Agent's death, lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
After disposing of a familiar looking face, Bond is sent to recover a communication device, known as an ATAC, which went down with a British Spy ship as it sunk. Bond must hurry though, as the Russians are also out for this device. On his travels, he also meets Melina Havelock, whose parents were brutally murdered. Bond also encounters both Aristotle Kristatos and Milos Colombo. Each of them are accusing the other of having links with with the Russian's. Bond must team up with Melina, solve who the true ally is and find the ATAC before it's too late. Written by
The whole film is strongly reminiscent of On Her Majesty's Secret Service (1969). In both films, Bond is with a Countess, on a beach, threatened by mooks, kicks a gun out of a mook's hand, and he's wearing a tuxedo sans jacket. Both films show Bond at a casino with the aforementioned Countess. Both times the women are losing at Baccarat. The opening teaser sequence shows Tracy Bond's grave, and Blofeld in a neck brace. Also, in this film, Melina is half-English, half-Greek. In On Her Majesty's Secret Service (1969), Tracy was half-English, half-Italian. Both films have Bond allied with a crime syndicate figure, who doesn't sell drugs. Bond also escapes in both films by riding in the car of the female lead, who does the majority of the driving. Both films have a wedding scene, and Bond riding in a helicopter piloted by someone else. Both films have Bond speaking with a "priest" at some point. Both films are set in the Alps at one point, show a Bond Girl on ice, have Bond on skis getting shot at, and have a bobsled track fight or battle sequence. Mountain climbers are shown in both at some point. Both films have a Germanic female character, who is in charge of a girl or girls. Finally, in both films, Bond and his crime syndicate ally assault a mountaintop lair. See more »
During the downhill chase when one of the Peugeot 504s begins to bump into Bond's 2CV, We see a close-up of the driver and there are no vehicles visible on the road behind him. In the following shot when Bond is pushed off the road the second Peugeot is almost directly behind him. See more »
Mr. Bond, Mr. Bond. I'm so glad I caught you. Your office called. They're sending a helicopter to pick you up. Some sort of emergency.
It usually is. Thank you.
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After 1979's sci-fi cartoon called Moonraker, Albert Broccoli and the rest of the James Bond producers decided to change the pace for Roger Moore's fifth adventure. This included firing incumbent director Lewis Gilbert and writing a more believable plot, to begin with. The second item on the agenda was to write a script which curbed Roger Moore's obsessive tendencies to pile on the jokes. Add a few good villains and allies, and voila! a classic James Bond adventure there is. All right, maybe it was not that simple.
This time around, Bond is sent to investigate the murder of one Timothy Havelock, who was working to salvage the wreckage of a spy boat carrying a vital command system called A.T.A.C. Bond's investigation leads him to believe that the Russians are also trying to recover the system, and may be using one Aris Kristatos (Julian Glover) to carry out their dirty work. Aiding Bond is the beautiful sharpshooter Melina Havelock (Carole Bouquet) and an old acquaintance of Kristatos's named Milos Columbo (Topol).
As good as it is, 'For Your Eyes Only' starts out terribly. The pre-title sequence involves an attempt on James Bond's life by a bald guy in a wheelchair with a white cat (I wonder who that could be?). The scene is campy and don't get me started on the remark about the delicatessen in stainless steel (obviously put in there at the request of some actor). I understand why the sequence was filmed, but that does not make it good. Thankfully it would not be a barometer on the rest of the movie!
It may not be among the very best in the series, but believe me when I say that the difference in tone between this and the goofy 'Moonraker' is like day compared to night. It is easily the preeminent Roger Moore Bond film, and is well worth watching in every area. The villain is not trying to kill a majority of the human race for some outlandish purpose. There are no extravagant weapons or billionaire lunatics, no silly motives or doomsday schemes. Instead, we have a lean adventure that a Bond fan can actually enjoy. There are many outstanding qualities about this film, mixed in with a few notable negatives.
Any list of what went right with this film has to begin with Roger Moore. After two mediocre performances, he really nails down the part here. He is courageous, commanding, tough, and, most importantly, serious, thanks to new director John Glen (who apparently had to do some prying to slow down Moore's humor blitz).
Another BIG breath of fresh air is provided by the villains and allies, who are also treated seriously and given unusual depth of character. Julian Glover is exceptional as the ruthless and deceptive Kristatos. It is villains like this that help make the Bond series so great, and Glover is excellent indeed. No wonder Steven Spielberg cast him for Indiana Jones! In Topol, most famous for his work in 'Fiddler on the Roof', we get a terrific ally who has a great chemistry with Bond. I imagine I am not the only person who found him to be much like Kerim Bey in the great 'From Russia With Love'.
Then there is the matter of the women, who both bring good and bad qualities to the table. Carole Bouquet is somewhat wooden as female lead, Melina, but can also hold her own when the heat is on, which makes her the best Bond girl in some time. Lynn-Holly Johnson provides a lovable portrayal as Bibi Dahl, a figure skater who gets the hots for Bond (don't get me started on the age difference). Her bubble headed character makes for some humorous moments and is used to make the character of Kristatos stronger. Dahl is also enrapturing to look at, but I find her ditzy part a little too over the top, but not to the point of weakening the final product.
Unfortunately, there are a few items that bug me about this film. The first is Bill Conti's soundtrack. While it would be terrific literature for an up-tempo jazz band, it really clashes with the action more than anything. Another weakness is Roger Moore's lack of talent for fight choreography, which detracts from the action slightly. The last is Eric Kriegler (John Wyman), another invincible Oddjob rip-off that at one point picks up a motorcycle and hurls it at a fleeing Bond (!).
This is all forgivable, however, because the action, from the mountainside ski chase to the climax atop a rock cliff, is of very high standards. The absurdity of the previous chapter is shed, and we get a highly entertaining adventure that appeals to fans and non-fans alike. I can certainly live with all of the flaws any day. So grab a bag of popcorn and enjoy another great 007 adventure.
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