A fake Fabergé egg and a fellow agent's death lead James Bond to uncover an international jewel-smuggling operation, headed by the mysterious Octopussy, being used to disguise a nuclear attack on N.A.T.O. forces.
After disposing of a familiar looking face, Bond is sent to recover a communication device, known as an ATAC, which went down with a British Spy ship as it sunk. Bond must hurry though, as the Russians are also out for this device. On his travels, he also meets Melina Havelock, whose parents were brutally murdered. Bond also encounters both Aristotle Kristatos and Milos Colombo. Each of them are accusing the other of having links with with the Russian's. Bond must team up with Melina, solve who the true ally is and find the ATAC before it's too late. Written by
The character at the start of the movie billed as Man in Wheelchair is unofficially Ernst Stavro Blofeld but not called that for legal reasons due to the Thunderball (1965) law suit with Kevin McClory. Blofeld is the series' earlier arch villain nemesis of James Bond. The surname of the Ernst Stavro Blofeld character was allegedly named after Thomas Blofeld with whom James Bond creator Ian Fleming went to school with at Eton College. Also known as Tom Blofeld, he was a Norfolk farmer, a fellow member of Boodle's, and the Chairman of the Country Gentleman's Asssociation. His son is cricket commentator Henry Blofeld. Ernst Blofeld's date of birth in the literary James Bond stories is the same date as Fleming's birthday which is 28th May 1908. Moreover, Ernest Cuneo was a friend of Fleming's. According to the book "Martinis, Girls and Guns: 50 Years of 007" (2003) by Martin Sterling and Gary Morecambe: "Cuneo may have also have inspired Blofeld's forenames - it is but a short leap from Ernest Cuneo to Ernst Stavro". According to the book "For Your Eyes Only: Ian Fleming + James Bond" (2009) by Ben Macintyre: "Alternatively, Blofeld may owe his name to China scholar John Blofeld, who was a member of Fleming's club Boodles, and whose father was named Ernst". In addition, the book "The Bond Code: The Dark World of Ian Fleming and James Bond" (2008) by Philip Gardner states: "The name is also revealing in a psychological way. Ernst is Teutonic for 'earnest', and Stavros is Greek for 'victor', and so he is the 'earnest victor'", and "the name Blofeld means 'blue field', a swipe at his own blue blood rampant in the field, like heraldry", and moreover, "As the creator of SPECTRE, Blofeld is in reality the spectre of Ian Fleming that looms ever present within his divided mind". See more »
The amount and placement of damage to Melina's car changes many times during the chase scene. For example, at one point, the entire front hood of the car is smashed in pretty bad, but near the end, the front of the car is only mildly damaged. See more »
Mr. Bond, Mr. Bond. I'm so glad I caught you. Your office called. They're sending a helicopter to pick you up. Some sort of emergency.
It usually is. Thank you.
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After 1979's sci-fi cartoon called Moonraker, Albert Broccoli and the rest of the James Bond producers decided to change the pace for Roger Moore's fifth adventure. This included firing incumbent director Lewis Gilbert and writing a more believable plot, to begin with. The second item on the agenda was to write a script which curbed Roger Moore's obsessive tendencies to pile on the jokes. Add a few good villains and allies, and voila! a classic James Bond adventure there is. All right, maybe it was not that simple.
This time around, Bond is sent to investigate the murder of one Timothy Havelock, who was working to salvage the wreckage of a spy boat carrying a vital command system called A.T.A.C. Bond's investigation leads him to believe that the Russians are also trying to recover the system, and may be using one Aris Kristatos (Julian Glover) to carry out their dirty work. Aiding Bond is the beautiful sharpshooter Melina Havelock (Carole Bouquet) and an old acquaintance of Kristatos's named Milos Columbo (Topol).
As good as it is, 'For Your Eyes Only' starts out terribly. The pre-title sequence involves an attempt on James Bond's life by a bald guy in a wheelchair with a white cat (I wonder who that could be?). The scene is campy and don't get me started on the remark about the delicatessen in stainless steel (obviously put in there at the request of some actor). I understand why the sequence was filmed, but that does not make it good. Thankfully it would not be a barometer on the rest of the movie!
It may not be among the very best in the series, but believe me when I say that the difference in tone between this and the goofy 'Moonraker' is like day compared to night. It is easily the preeminent Roger Moore Bond film, and is well worth watching in every area. The villain is not trying to kill a majority of the human race for some outlandish purpose. There are no extravagant weapons or billionaire lunatics, no silly motives or doomsday schemes. Instead, we have a lean adventure that a Bond fan can actually enjoy. There are many outstanding qualities about this film, mixed in with a few notable negatives.
Any list of what went right with this film has to begin with Roger Moore. After two mediocre performances, he really nails down the part here. He is courageous, commanding, tough, and, most importantly, serious, thanks to new director John Glen (who apparently had to do some prying to slow down Moore's humor blitz).
Another BIG breath of fresh air is provided by the villains and allies, who are also treated seriously and given unusual depth of character. Julian Glover is exceptional as the ruthless and deceptive Kristatos. It is villains like this that help make the Bond series so great, and Glover is excellent indeed. No wonder Steven Spielberg cast him for Indiana Jones! In Topol, most famous for his work in 'Fiddler on the Roof', we get a terrific ally who has a great chemistry with Bond. I imagine I am not the only person who found him to be much like Kerim Bey in the great 'From Russia With Love'.
Then there is the matter of the women, who both bring good and bad qualities to the table. Carole Bouquet is somewhat wooden as female lead, Melina, but can also hold her own when the heat is on, which makes her the best Bond girl in some time. Lynn-Holly Johnson provides a lovable portrayal as Bibi Dahl, a figure skater who gets the hots for Bond (don't get me started on the age difference). Her bubble headed character makes for some humorous moments and is used to make the character of Kristatos stronger. Dahl is also enrapturing to look at, but I find her ditzy part a little too over the top, but not to the point of weakening the final product.
Unfortunately, there are a few items that bug me about this film. The first is Bill Conti's soundtrack. While it would be terrific literature for an up-tempo jazz band, it really clashes with the action more than anything. Another weakness is Roger Moore's lack of talent for fight choreography, which detracts from the action slightly. The last is Eric Kriegler (John Wyman), another invincible Oddjob rip-off that at one point picks up a motorcycle and hurls it at a fleeing Bond (!).
This is all forgivable, however, because the action, from the mountainside ski chase to the climax atop a rock cliff, is of very high standards. The absurdity of the previous chapter is shed, and we get a highly entertaining adventure that appeals to fans and non-fans alike. I can certainly live with all of the flaws any day. So grab a bag of popcorn and enjoy another great 007 adventure.
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