The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
Still haunted by his gruesome past, Tommy Jarvis - the boy who killed Jason Voorhees - wonders if somehow he is connected to brutal slayings occurring in and around the secluded halfway house where he now lives.
Now come into his full knowledge and power, the Anti-Christ in the body of Damien Thorne is about to strike his final blow. The Christ-child has been born again, on the Angel Isle, Great Britain (Scotland, England & Wales). The plan is simple, find the male children born on the specified day, and kill them all. Written by
David Carroll <email@example.com>
Actor James Mason acted as a sponsor to the production for actor Sam Neill. Mason originally suggested to the film's producers that they should check out Neill. Producer Harvey Bernhard had Neill flown in to London for an audition, paid for by Mason. Neill later reimbursed Mason for the airfare. Neill drew on some of Mason's mannerisms for his performance and characterization. See more »
Damien's introduction for the "World in Focus" show states that he took over Thorn Industries in 1971 and that he has been running it for seven years. However, his earlier conversation with the President established the current year as 1982 not 1978. See more »
Most people confuse evil with their own trivial lusts and perversions. Now, true evil is as pure as innocence.
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In the first two Omen films, we were presented with a boy learning to adjust to his unusual personality and his future position in the destiny of the cosmos, but in this last film, Damien is in complete control as he prepares mankind for a " paradise of pain. " Sam Neill exudes a aura of amoral humanity, befriending a female reporter and her son while he seeks to defeat God; One very good sequence has Damien describing man as being naturally evil, claiming that God seeks to keep man from becoming truly innocent. Even though the atmosphere bounces from materialistic to spiritual, the film still gets a powerful message about corporations and their link to politics to the audience. Again, Sam Neill shows us a flawed, but arrogant man-beast, who pushes his way through without a backward glance. With such a performance, it is no wonder that Sam Neill is a great actor.
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