The true stories that spawned the eerie tale of Damien, a small boy with an angelic face, whose very name still conjures up thoughts of Satan. This documentary shares spine-tingling ... See full summary »
Damien the Antichrist, now thirteen years old, finally learns of his destiny under the guidance of an unholy disciple of Satan. Meanwhile dark forces begin to eliminate all those who suspect the child's true identity.
A seemingly ordinary day ends up changing the lives of three youngsters: Beem, Dan, and Big, who work in a magazine art department. Ending this particular day with a quarrel, each storms ... See full summary »
Damien Thorn is dead, but his prophecy is reborn in a mysterious girl named Delia, who is adopted by two attorneys, Gene & Karen York. When Karen realizes her baby was born under suspicious... See full summary »
Omen has been redefining the boundaries of graffiti with his singular style of painting, both on and off the streets. Using spray cans as his primary medium, he has been leading the aerosol... See full summary »
Now come into his full knowledge and power, the Anti-Christ in the body of Damien Thorne is about to strike his final blow. The Christ-child has been born again, on the Angel Isle, Great Britain (Scotland, England & Wales). The plan is simple, find the male children born on the specified day, and kill them all. Written by
David Carroll <email@example.com>
In the scene where Damien is "praying" to Satan in his own private sanctuary, parts of his speech are taken directly from the novel "Là-Bas" ("Down There") by J K Huysmans (1891). In the novel the central character hears the lines whilst attending a Black Mass. See more »
Damien states, while talking to The President, that in two years from that time it will be 1984, making it 1982. If that is the case, than The Omen should be set in the 1950s, not 1976, as it obviously is. This could be due to the fact that at the time the Producers and the studio hadn't anticipated the sequels and the associated time-line. See more »
Not a bad movie, but an unsatisfactory end to the trilogy
After the success of the first two 'Omen' films, it was inevitable that there would be more. According to the documentary 'The Omen Legacy' the original plan was for 7 total films, but producer Harvey Bernard and Twentieth Century Fox settled on 3. Now this was probably a smart thing to do, because you could only take this story so far until people would be tired of it. 'The Final Conflict' would be the long-waited finale to the series and was much anticipated. To the dismay of many who saw it, it was not the grand finale it should have been. It's sort of a cross between the first two films. On one hand it has more story and less blood and gore, but on the other it seems a bit more concerned with spectacle than telling a good story and ending the series in a satisfactory way. That doesn't mean this film isn't any good, but if you like the first two then you will likely be underwhelmed by the end result.
Pros: Fine work done by the cast. Jerry Goldsmith composes a different, but still excellent score. Some elaborate and creative death sequences. Moves at a decent pace. Well photographed and nice scenery. A stronger, more layered script than last time. Has quite a mean streak.
Cons: Lacking in scares and tension. Some things are too underdeveloped. The ending is a letdown for this film and the series as a whole.
Final thoughts: After a series starts so well you hope the level of quality stays high in the subsequent installments. In the case of the 'Omen' franchise it did take a dive after the first film, but both theatrical sequels are still above average and worth the viewers time. They could have been better, especially this one, but unlike some sequels they aren't an embarrassment.
My rating: 3.5/5
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