Two astronauts return to earth ("a few miles off the coast of Los Angeles") to find that it has been destroyed by nuclear war. L.A. has been taken over by Cutter and his gang of outlaw ... See full summary »
Main Plot: Crew of interstellar police ship is sent to recover a mysterious crystal, the Blue Star. Subplots: The ship's female android and a crew member fall in love. Alien is spoofed as ... See full summary »
Mrs. Van Houten has shown signs of losing touch with reality, and her husband discusses possible treatment with Dr. Caligari, who says Mrs. Van Houten has a disease of the libido. The staff... See full summary »
Weisser is a young college bound man whose future is threatened when his mother interferes with his love life and a pending scholarship. He also discovers that his mother's best friend wishes to get closer to him, even if it means murder.
Avco Embassy Pictures picked up the film for release solely based on the fact that zombies were featured in the film. This was the element upon which they marketed Fear No Evil, note the zombie image used on the early video releases. See more »
Fear No Evil, the low budget debut from director Frank LaLoggia (Lady in White), is one strange little film: made during the golden age of the slasher but inspired by such films as The Omen, Carrie, and Night of the Living Dead, this offbeat oddity mixes rebellious teen shenanigans with biblical horror, throws in random homo-eroticism without a moment's notice (in the film's most memorable and unintentionally hilarious scene, a supposedly macho bully victimises Andrew in the boys shower by trying to engage him in a naked kiss, whilst cheered on by his enthusiastic palsit makes A Nightmare on Elm Street 2's towel whipping seem perfectly reasonable), boasts a surprisingly good new wave/punk soundtrack (The Ramones, The Boomtown Rats, The Sex Pistols, Talking Heads), and culminates in a burst of dazzlingly crap visual effects that wouldn't have looked out of place at a Jean Michel Jarre concert.
An undeniably ambitious project for a first-time director, the film features sincere performances, several well executed sequences (the rise of a horde of zombies is particularly effective), and one or two genuine 'WTF?' moments (a guy grows breasts for no discernible reason, and a church production of the Passion Play attracts massive crowds), but it simply doesn't work as a whole: the film changes tone a little too abruptly throughout; Stefan Arngrim is terrible as Andrew, Lucifer in human form, especially when he's hamming it up and howling like a banshee in his character's more demonic state; LaLoggia makes sure he gets his money's worth out of a smoke machine; and there are far too many boring scenes where very little of interest happens.
3.5 out of 10, generously rounded up for the decent tunes.
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