This is the story of the fall of Lucifer, whose pride would divide the heavenly host into two warring factions and ultimately bring Sin and Death to mankind. This story is the first of a ... See full summary »
Six people are trapped within the confines of their old high school during their 10th high school reunion with a psychotic, masked preacher who kills them off for their sinful lives they have made for themselves.
Constantine S. Gochis
John Carradine narrates five horror tales, each with a comically predictable surprise ending. In the first, "The Witches Clock" (sic), The Farrells have purchased an old mansion in Salem ... See full summary »
David L. Hewitt
Lon Chaney Jr.,
Three eerie tales based on actual events are enacted in this film. First, three college students play a prank on a geeky classmate, who is accidentally shot and killed. His vengeful mother ... See full summary »
The films origin came about when producer Charles M. LaLoggia discovered the filming location of the Boldt Castle in Alexandria Bay, New York. LaLoggia thought it was an ideal place to set a horror film and approached his cousin director Frank LaLoggia to write a film around the location. See more »
Fear No Evil, the low budget debut from director Frank LaLoggia (Lady in White), is one strange little film: made during the golden age of the slasher but inspired by such films as The Omen, Carrie, and Night of the Living Dead, this offbeat oddity mixes rebellious teen shenanigans with biblical horror, throws in random homo-eroticism without a moment's notice (in the film's most memorable and unintentionally hilarious scene, a supposedly macho bully victimises Andrew in the boys shower by trying to engage him in a naked kiss, whilst cheered on by his enthusiastic palsit makes A Nightmare on Elm Street 2's towel whipping seem perfectly reasonable), boasts a surprisingly good new wave/punk soundtrack (The Ramones, The Boomtown Rats, The Sex Pistols, Talking Heads), and culminates in a burst of dazzlingly crap visual effects that wouldn't have looked out of place at a Jean Michel Jarre concert.
An undeniably ambitious project for a first-time director, the film features sincere performances, several well executed sequences (the rise of a horde of zombies is particularly effective), and one or two genuine 'WTF?' moments (a guy grows breasts for no discernible reason, and a church production of the Passion Play attracts massive crowds), but it simply doesn't work as a whole: the film changes tone a little too abruptly throughout; Stefan Arngrim is terrible as Andrew, Lucifer in human form, especially when he's hamming it up and howling like a banshee in his character's more demonic state; LaLoggia makes sure he gets his money's worth out of a smoke machine; and there are far too many boring scenes where very little of interest happens.
3.5 out of 10, generously rounded up for the decent tunes.
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